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AI art "コンピューターおばあちゃん(バグり気味ックス 2)" featuring #กิโมโน, #เสื่อทาทามิ, #ผมสีเทา, #ยิ้ม, #ผ้ากันเปื้อนครึ่งตัว, #เบาะรองนั่งญี่ปุ่น and #คุณยาย
สร้างงานศิลปะใหม่สร้างฟรีสร้างฟรี

コンピューターおばあちゃん(バグり気味ックス 2)

コンピューターおばあちゃんの入れ歯がガクガクに!!w そのせいか、ほとんど日本語として聞き取れないバグり言語を! うわーん!おばあちゃんが壊れちゃったよー!()

#กิโมโน#เสื่อทาทามิ#ผมสีเทา#ยิ้ม#ผ้ากันเปื้อนครึ่งตัว#เบาะรองนั่งญี่ปุ่น#คุณยาย
ดูเพิ่มเติม

คอมเมนต์

2girls, grandmother, boy, elderly woman, machine girl, retro computer parts integrated into body, loose dentures, dentures rattling askew, open mouth, singing, energetic dancing pose, arms up, one knee lifted, sturdy strong legs, sturdy hips, broad stance, Meiji-era kimono and apron, updo grey hair, hair bun, boy, short black hair, school shorts, suspenders, flat cap, hugging grandmother, laughing, :d, from below, dutch angle, full body, joyful, speech bubble, "コンピューターおばあちゃん", "イェイイェイ ぼくは大好きさ", "明治生まれのコンピューター", "英語もラクラク 入れ歯をガクガク", retro-futuristic living room, mustard and steel-blue palette, low-angle wide shot, dutch angle tilted about ten degrees, full bodies of both figures, grandmother dominating the left two-thirds, legs braced wide on the tatami, one sturdy leg forward with the foot planted flat, other knee lifted high mid-dance, wooden geta kicked half off one raised foot and swung by its strap, hip cocked over the weight-bearing leg, spine tilted back in a laugh, both arms flung up and out with palms open, elbows loose, dentures slipped so they jut below her upper lip and rattle visibly at the gum line, mouth wide open mid-note, eyes squeezed to happy crescents; behind her sternum a small brass-and-bakelite computing panel with rows of flickering punched-card dials and coil springs at her temples, a warm amber needle jittering across a gauge as she sings; grey hair in a tight Meiji-era bun, hairpins holding it, faded indigo kimono with a starched cream apron tied at the waist, sleeves pushed to the elbow; the boy on the right, small against her, standing on the balls of his feet and reaching up to hug her raised forearm with both hands, fingers gripping the apron strap, cheek pressed to her sleeve, eyes closed in an open-mouthed laughing grin, head tipped back toward her face; her eyes come down to him, brow arched; light from a single paper-shaded floor lamp at the right edge, warm honey light raking across both faces from the lower right, throwing their joined shadows long and blue across the tatami to the upper left, the machine housing catching a highlight on its brass rim, the boy lit along one cheek and the rim of his cap; the room a low-ceilinged retro-futuristic living room, kotatsu on the tatami in the near foreground with a folded quilt, low shelves of books and an abacus and stacked punched cards against the back wall, a round clock and a black rotary telephone on a side table, the background a pale cream wall washed with a soft olive tone, one sliding shoji door half open to a strip of outdoor green, cushions smartly aligned; palette of mustard yellow, olive green, faded steel blue, warm cream and deep near-black, with touches of fresh green only in the outdoor strip and the flickering panel lights; flat cel shading, clean even line weight, matte painted surface; exhilarated and heartwarming, one bubble cluster above the pair carrying her sung lines.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
コンピューターおばあちゃん コンピューターおばあちゃん イェイイェイ ぼくは大好きさ ぼくのおばあちゃんは 明治生まれのコンピューター 算数国語社会 何でもドンと来いさ 物知り博学 足腰カクシャク 元気にワンツースリー 英語もラクラク 入れ歯をガクガク 得意のABC コンピューターおばあちゃん コンピューターおばあちゃん イェイイェイ ぼくは大好きさ
โหมด
pro
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1232 x 1232
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

ดูเพิ่มเติม

สำรวจเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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