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ดูพารามิเตอร์
- พรอมต์ต้นฉบับ
- A gassy adult buff guy furry otter only in a diper with a gigant amot of poop and brown and yellow stains and a fart coming out
- โหมด
- pro
- แท็กคุณภาพ
- ﹝พรอมต์﹞
- ขนาด
- 768 x 1280
- ไม่ต้องการ
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
ตัวช่วยพรอมต์
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติมia
1boy, solo, anthro, anthropomorphic otter, adult male, muscular, buff, broad shoulders, thick arms, defined abs, pectorals, brown fur, cream muzzle, small round ears, thick tapered otter tail, wearing only a diaper, white diaper, enormously overfilled diaper, sagging diaper, diaper bulging under heavy load, brown stains, yellow stains, soaked padding, fart cloud, greenish gas puff, straining expression, gritted teeth, squeezed-shut eyes, furrowed brow, sweat drop, hunched forward, knees bent, standing on tiptoes, clenched fists, tail lifted stiffly behind him, from below, dutch angle, three-quarter view, full body, close-up on face and torso, single subject, empty tiled bathroom, motion lines
The camera looks up at him from a low three-quarter angle, tilted a few degrees off level, so his bulk towers over the lens and the tiled wall rises behind his shoulders. He is a heavily built adult male otter, brown fur over dense slabs of muscle, a cream muzzle and a broad chest, arms knotted with effort. He stands with his weight driven onto the balls of his feet and his knees bent hard, hips pushed back, upper body folded slightly forward, both fists clenched at his sides; his thick tapered tail juts out stiffly behind him, lifted clear of the load. Nothing else covers him: bare chest, bare arms, bare legs, all exposed.
The only garment is a thick white diaper, cinched at the waist and clinging around his thighs, so crammed and heavy that it sags down between his legs in a deep drooping bulge that drags the waistband low on his hips. Brown and yellow stains bloom across the padding in wet, uneven patches, darkening the front and soaking through the seat, the fabric puckered and shiny where it is saturated. At the back the diaper's edge strains away from his body and a visible puff of pale green-yellow gas vents out of it, curling down and to the side, its edges breaking into thin wisps while the tile floor behind stays clear.
His face is the whole performance: jaw clamped, teeth gritted, eyes screwed shut, brows crushed together, one bead of sweat tracking down his temple, cheeks flushed with strain as his whole body pushes. Cold overhead bathroom light comes from a single ceiling fixture above and slightly behind him, so it rims the tops of his shoulders and the diaper's waistband while his face and the underside of the bulge sit in a harsher, tighter shadow; the sagging diaper casts a low shadow onto the tiles between his feet. Palette is restricted to brown fur, cream, white padding, and the brown-yellow-green of the mess and gas against grey tile. Comic, gross-out, absurdly strained.
I am chease man
ia
1boy, solo, anthro, male furry, adult male otter, anthropomorphic otter, buff, muscular, very muscular male, broad shoulders, thick arms, defined abs, thick thighs, wide chest, brown fur, cream muzzle, cream chest fur, small round ears, short otter muzzle, whiskers, thick otter tail, bare chest, topless male, wearing only a diaper, thick white diaper, oversized diaper, enormous sagging diaper, diapered only, heavily soiled diaper, gigantic load in diaper, bulging full diaper, brown stains, yellow stains, blotchy brown stains, yellow wet stains, stained diaper, visible gas cloud, greenish fart cloud, farting, gas billowing from diaper, standing, leaning back, knees bent, legs apart, one hand braced on own thigh, other hand gripping the diaper waistband, strained expression, gritted teeth, closed eyes, blush, embarrassed, full body, from below, cowboy shot, dramatic, single subject, indoors, simple background
A low, slightly from-below cowboy-shot view looks up at one adult male anthropomorphic otter, seen almost full-body against a plain apartment interior. He is a heavy, genuinely muscular male otter: broad shoulders, thick powerful arms, a defined slabbed chest and abs under dense short brown fur, cream fur running down the muzzle, throat, and belly, a small round head with short rounded ears, whiskers, and a thick tapered otter tail hanging down behind his thighs. The only thing on his body is a thick white absorbent diaper, oversized and pulled snug around his waist and hips; its tapes are fastened slightly unevenly, and its front and seat sag and bulge enormously under a gigantic load, the padding stretched spherical and heavy, its leg cuffs digging into his thighs. The diaper is heavily soiled — bloomy dark-brown stains soaked outward across the seat and lower front, wide yellow rings spreading from the same areas into the white pulp, the wet-dry boundary clearly visible as a hard tide line on the padding.
He is caught mid-fart, weight rocked back onto his heels with both knees bent and thighs apart so the diaper hangs free; his left hand is braced flat on his own left thigh while his right hand grips and tugs the diaper waistband at his hip. His chin is tucked, teeth clenched, brow furrowed, one eye squeezed shut and the other narrowed downward, cheeks flushed dark. A dense, turbulent cloud of greenish-yellow gas has just torn out from the fully loaded seat of his diaper and billows up and back past his hip and thigh; the cloud is thickest at the point it escapes the padding, thinning into curling wisps as it rises, and it visibly ripples the loose edge of the diaper and the fur along that hip. The gas drifts up toward the upper-left of the frame, so his tail swings out to the right to counterbalance, and the fur on his chest and arms lifts slightly in the disturbance.
The interior is a plain, sparsely furnished room: a bare wall behind him, a wooden chair pushed back slightly to his right, the floorboards empty. A hard light source sits high and left of frame, so the key strikes his chest, shoulder and the top of the diaper, and the gas cloud is lit from behind so it glows semi-transparent greenish-yellow along its edges; his body casts a crisp shadow toward the lower right, and the darkening room beyond the light's throw falls away. The palette stays narrow: warm brown and cream fur, white padding, dirty brown and yellow in the stains, the greenish tint in the gas, and a muted ochre wall. Grimy, absurd, deliberately gross comedy.
I am chease man
ia
Muscular Otter in Wet Underwear!
I am chease man
ia
1boy, solo, anthro, male, adult, muscular, muscular male, otter, furry, brown fur, short fur, thick tail, otter tail, shirtless, bare torso, olive green cargo shorts, loose shorts, heavy cotton, from below, low angle, three-quarter view from behind, looking back, standing on one leg, one leg raised, raised leg, leaning forward slightly, one hand braced on knee, head turned over shoulder, grin, one eye closed, smug, raised eyebrow, open mouth, tongue visible, fart, flatulence, green cloud, gas cloud, visible gas, humorous, comic, no text
The camera sits low and behind him at three-quarter angle, close to the floor, so his raised hindquarters dominate the foreground and his thick brown-furred tail sweeps up and to the right, clear of the line of fire. He is an adult anthropomorphic otter, short dense brown fur over a heavy, genuinely muscular build — broad shoulders, thick arms, a barrel chest, a solid gut — standing shirtless with his weight all on his left leg while his right leg lifts and folds up, knee out, foot hooked in the air. His left hand braces flat on his left knee, fingers spread and pressing the fur down; his right hand hangs loose, half-curled. He is turned away from the lens but his head swings over his right shoulder and back toward the viewer, chin low, one eye squeezed shut and the other wide and bright, lopsided grin with the tongue just showing between his teeth, one brow cocked — an audience-seeking, unapologetic smirk. Below and behind him, a billowing sulphur-green cloud of gas erupts from under the loose olive cargo shorts, the fabric of the right seat flap lifted and blown outward by the blast, the cloud roiling with visible internal curls and thinning into wisps at the edges. The shorts hang off his hips in heavy cotton folds, creased where his leg is raised. Ground is a bare neutral grey floor, seamless, no location beyond it. A single hard side lamp from the left throws the raised leg's shadow long across the floor and lights the leading edge of the gas cloud from within, making it glow brighter on its left flank while the far side stays murky; his own shadow is crisp and dark beneath his planted foot. Palette is restricted to warm brown fur, olive green fabric, and the yellow-green of the cloud against the neutral grey ground. Dense detail on the raised leg, the tail, the twisting torso, the cloud's inner turbulence and the pulled shorts hem; the floor stays flat and simple. Crude, gleeful, deadpan-comic.
I am chease man
สำรวจเพิ่มเติม
ผู้ใช้แนะนำ
ที่คุณอาจชอบ
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
1
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
คอมเมนต์