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AI artwork featuring #ฮัตสึเนะ มิกุ, #โวคาลอยด์ and #ผมระหว่างตา

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ฮัตสึเนะ มิกุ, โวคาลอยด์

#ฮัตสึเนะ มิกุ #โวคาลอยด์#ผมระหว่างตา

เผยแพร่เมื่อ Oct 25, 2026

Matheus Henrique

ดูเพิ่มเติม

character: hatsune_miku 1girl, solo, hatsune miku, aqua hair, very long hair, floor-length twintails, aqua eyes, aqua nails, painted fingernails, grey shirt, collarless shirt, necktie, aqua necktie, pleated skirt, thighhighs, boots, thigh boots, full body, from below, dutch angle, wide shot, concert, stage, stage lights, turquoise lighting, singing, holding microphone, arm up, head tilt, looking up, open mouth, :d, dynamic pose, hair between eyes, hair ornament, detached sleeves, bare shoulders, sleeveless shirt, backlighting, rim lighting, lens flare, depth of field Low-angle wide shot skewed on a slight dutch tilt, the whole figure of the singer standing full length from the toes of her boots to the tips of her twintails in one frame against the concert stage. She is caught mid-note, spine arched a little back, weight loaded on her right leg while the left boot pushes forward onto the ball of the foot; her right arm is flung up and out toward the bank of stage lights, fingers splayed so the aquamarine nails catch the glow, and her left hand grips a microphone at chest height, forearm crossing her ribcage. Her chin lifts, one side of her jaw catching the light, open-mouthed grin with the upper teeth showing, both eyes angled up along the light beam rather than at the lens. The two aquamarine twintails fall nearly to the stage floor, the one on the far side swinging across her back and out of the frame edge, the near one caught in the rising air so it bellies away from her hip; loose strands lift at the crown. The grey collarless shirt is open at the throat with nothing at the neck but the aquamarine necktie hanging slightly askew in motion, its knot pulled a touch to the left; the pleated skirt flares out to her right as she turns against it, pleats splaying and stacking. Thigh-high boots climb past the knee, their tops compressed very slightly where the skirt hem grazes them. The lighting is the whole world of the picture: a bank of turquoise stage lights behind and above her right shoulder is the only source, so the rim of her hair, the edge of the shirt shoulder and the top plane of the boots glow aquamarine while her front falls into a cool deep-teal shadow, her face lit only by the bounce coming up off the stage floor. Light spills through the haze of theatrical fog in visible cones and picks out drifting dust motes. Behind her, the dark stage recedes into unlit blackness with only the faintest suggestion of scaffolding and a curved rig of unlit lamps, deliberately illegible. Turquoise bleeds into deep cyan and near-black; no other hue is admitted except the white of the stage haze and the grey of the shirt. A single detail holds the physics: her thrown-back shadow lands on the stage floor stretched long and narrow by the low angle, its edge pooling where the fog has settled closest to the boards. Electric, uplifting.

ฮัตสึเนะ มิกุ, โวคาลอยด์

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