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AI artwork featuring #zetaCollab
สร้างฟรี

ゆきうさぎ

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
ゆ

ゆきうさぎ

ดูเพิ่มเติม

คอมเมนต์

1girl, solo, virgin killer sweater, backless outfit, halterneck, turtleneck, sleeveless, bare shoulders, completely bare back, drawstring at neckband, chunky cream aran knit, ribbed knit texture, short sweater dress, cream knit thigh-high socks, bare legs between hem and sock tops, sitting, side saddle, on windowsill, knees drawn up, arms wrapped around shins, chin on knees, looking to the side, looking out window, sideways glance, from behind, over-shoulder composition, three-quarter back view, head turned in profile, back to viewer, profile, long wavy hair, loose hair falling over one shoulder, hair down, soft smile, closed mouth, half-closed eyes, faint blush, dusk, window light, rim light along spine and shoulder blades, warm interior, cool blue window glow, backlit The camera sits behind her and slightly to her left, three-quarter back view, so the entire open back is the first thing the frame gives up: her spine runs as a soft lit channel from the drawstring at the nape down to where the knit gathers at the small of her back, the cream wool ribbed and nubby where it stretches across her sides, bunching in thick folds under each arm and along the halterneck straps where they meet the collar. She sits side-saddle on a deep windowsill, one hip and the outside of one thigh on the painted wood, both knees drawn up toward her chest, arms folded around her shins with her hands clasped loosely at the ankles. Her chin rests on the top of her knees, cheeks slightly squashed. Her long wavy hair spills forward over her right shoulder, a few loose strands drinking the window light along the open back. The crop of the sweater hem sits high; below it, bare skin, then the cream knit thigh-high socks pulled tight, both sock tops at slightly different heights because of how her legs are folded, one sock's cuff rolled a little thicker over the other. She looks out through the window with her head turned in profile away from the viewer; her eyes are half-lidded and one lip corner is gently lifted, a soft closed-mouth smile aimed at nothing in particular outside the glass. The room is quiet: a narrow sill, a frame with chipped paint visible at the lower left, beyond the glass a low dusk sky in cool blue going to grey at the bottom. The only light is the failing daylight through the window behind the lens's right, striking the open back, her shoulder blades and the rim of her cheek as warm-tinged highlights, while the interior of the room behind her falls off into warm, deep shadow; the cream knit holds the last light in its texture and the folds of the sweater throw small soft shadows across the small of her back. Palette of cream and bare warm skin against cool blue window and brown-shadowed interior. One physical detail: where the knit has pressed against her back all evening the ribbing stays slightly indented and stretched across the shoulder blades even after she leans forward. A thin, distinct mist on the windowpane, the breath of her breath fogging a small patch, and a single drop-trace running down the glass catching the light. Quiet, intimate, solitary.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
virgin killer sweater, backless outfit
โหมด
flash
ขนาด
1104 x 1824
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.51k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
ゆ
1girl, solo, virgin killer sweater, backless outfit, halterneck, turtleneck, sleeveless, bare shoulders, completely bare back, drawstring at neckband, chunky cream aran knit, ribbed knit texture, short sweater dress, cream knit thigh-high socks, bare legs between hem and sock tops, sitting, side saddle, on windowsill, knees drawn up, arms wrapped around shins, chin on knees, looking to the side, looking out window, sideways glance, from behind, over-shoulder composition, three-quarter back view, head turned in profile, back to viewer, profile, long wavy hair, loose hair falling over one shoulder, hair down, soft smile, closed mouth, half-closed eyes, faint blush, dusk, window light, rim light along spine and shoulder blades, warm interior, cool blue window glow, backlit The camera sits behind her and slightly to her left, three-quarter back view, so the entire open back is the first thing the frame gives up: her spine runs as a soft lit channel from the drawstring at the nape down to where the knit gathers at the small of her back, the cream wool ribbed and nubby where it stretches across her sides, bunching in thick folds under each arm and along the halterneck straps where they meet the collar. She sits side-saddle on a deep windowsill, one hip and the outside of one thigh on the painted wood, both knees drawn up toward her chest, arms folded around her shins with her hands clasped loosely at the ankles. Her chin rests on the top of her knees, cheeks slightly squashed. Her long wavy hair spills forward over her right shoulder, a few loose strands drinking the window light along the open back. The crop of the sweater hem sits high; below it, bare skin, then the cream knit thigh-high socks pulled tight, both sock tops at slightly different heights because of how her legs are folded, one sock's cuff rolled a little thicker over the other. She looks out through the window with her head turned in profile away from the viewer; her eyes are half-lidded and one lip corner is gently lifted, a soft closed-mouth smile aimed at nothing in particular outside the glass. The room is quiet: a narrow sill, a frame with chipped paint visible at the lower left, beyond the glass a low dusk sky in cool blue going to grey at the bottom. The only light is the failing daylight through the window behind the lens's right, striking the open back, her shoulder blades and the rim of her cheek as warm-tinged highlights, while the interior of the room behind her falls off into warm, deep shadow; the cream knit holds the last light in its texture and the folds of the sweater throw small soft shadows across the small of her back. Palette of cream and bare warm skin against cool blue window and brown-shadowed interior. One physical detail: where the knit has pressed against her back all evening the ribbing stays slightly indented and stretched across the shoulder blades even after she leans forward. A thin, distinct mist on the windowpane, the breath of her breath fogging a small patch, and a single drop-trace running down the glass catching the light. Quiet, intimate, solitary.
ゆきうさぎ
AI artwork
ゆ
1girl, solo, virgin killer sweater, backless outfit, halterneck, turtleneck, sleeveless, bare shoulders, completely bare back, drawstring at neckband, chunky cream aran knit, ribbed knit texture, short sweater dress, cream knit thigh-high socks, bare legs between hem and sock tops, sitting, side saddle, on windowsill, knees drawn up, arms wrapped around shins, chin on knees, looking to the side, looking out window, sideways glance, from behind, over-shoulder composition, three-quarter back view, head turned in profile, back to viewer, profile, long wavy hair, loose hair falling over one shoulder, hair down, soft smile, closed mouth, half-closed eyes, faint blush, dusk, window light, rim light along spine and shoulder blades, warm interior, cool blue window glow, backlit The camera sits behind her and slightly to her left, three-quarter back view, so the entire open back is the first thing the frame gives up: her spine runs as a soft lit channel from the drawstring at the nape down to where the knit gathers at the small of her back, the cream wool ribbed and nubby where it stretches across her sides, bunching in thick folds under each arm and along the halterneck straps where they meet the collar. She sits side-saddle on a deep windowsill, one hip and the outside of one thigh on the painted wood, both knees drawn up toward her chest, arms folded around her shins with her hands clasped loosely at the ankles. Her chin rests on the top of her knees, cheeks slightly squashed. Her long wavy hair spills forward over her right shoulder, a few loose strands drinking the window light along the open back. The crop of the sweater hem sits high; below it, bare skin, then the cream knit thigh-high socks pulled tight, both sock tops at slightly different heights because of how her legs are folded, one sock's cuff rolled a little thicker over the other. She looks out through the window with her head turned in profile away from the viewer; her eyes are half-lidded and one lip corner is gently lifted, a soft closed-mouth smile aimed at nothing in particular outside the glass. The room is quiet: a narrow sill, a frame with chipped paint visible at the lower left, beyond the glass a low dusk sky in cool blue going to grey at the bottom. The only light is the failing daylight through the window behind the lens's right, striking the open back, her shoulder blades and the rim of her cheek as warm-tinged highlights, while the interior of the room behind her falls off into warm, deep shadow; the cream knit holds the last light in its texture and the folds of the sweater throw small soft shadows across the small of her back. Palette of cream and bare warm skin against cool blue window and brown-shadowed interior. One physical detail: where the knit has pressed against her back all evening the ribbing stays slightly indented and stretched across the shoulder blades even after she leans forward. A thin, distinct mist on the windowpane, the breath of her breath fogging a small patch, and a single drop-trace running down the glass catching the light. Quiet, intimate, solitary.
ゆきうさぎ
AI artwork
ゆ
1girl, solo, virgin killer sweater, backless outfit, halterneck, turtleneck, sleeveless, bare shoulders, completely bare back, drawstring at neckband, chunky cream aran knit, ribbed knit texture, short sweater dress, cream knit thigh-high socks, bare legs between hem and sock tops, sitting, side saddle, on windowsill, knees drawn up, arms wrapped around shins, chin on knees, looking to the side, looking out window, sideways glance, from behind, over-shoulder composition, three-quarter back view, head turned in profile, back to viewer, profile, long wavy hair, loose hair falling over one shoulder, hair down, soft smile, closed mouth, half-closed eyes, faint blush, dusk, window light, rim light along spine and shoulder blades, warm interior, cool blue window glow, backlit The camera sits behind her and slightly to her left, three-quarter back view, so the entire open back is the first thing the frame gives up: her spine runs as a soft lit channel from the drawstring at the nape down to where the knit gathers at the small of her back, the cream wool ribbed and nubby where it stretches across her sides, bunching in thick folds under each arm and along the halterneck straps where they meet the collar. She sits side-saddle on a deep windowsill, one hip and the outside of one thigh on the painted wood, both knees drawn up toward her chest, arms folded around her shins with her hands clasped loosely at the ankles. Her chin rests on the top of her knees, cheeks slightly squashed. Her long wavy hair spills forward over her right shoulder, a few loose strands drinking the window light along the open back. The crop of the sweater hem sits high; below it, bare skin, then the cream knit thigh-high socks pulled tight, both sock tops at slightly different heights because of how her legs are folded, one sock's cuff rolled a little thicker over the other. She looks out through the window with her head turned in profile away from the viewer; her eyes are half-lidded and one lip corner is gently lifted, a soft closed-mouth smile aimed at nothing in particular outside the glass. The room is quiet: a narrow sill, a frame with chipped paint visible at the lower left, beyond the glass a low dusk sky in cool blue going to grey at the bottom. The only light is the failing daylight through the window behind the lens's right, striking the open back, her shoulder blades and the rim of her cheek as warm-tinged highlights, while the interior of the room behind her falls off into warm, deep shadow; the cream knit holds the last light in its texture and the folds of the sweater throw small soft shadows across the small of her back. Palette of cream and bare warm skin against cool blue window and brown-shadowed interior. One physical detail: where the knit has pressed against her back all evening the ribbing stays slightly indented and stretched across the shoulder blades even after she leans forward. A thin, distinct mist on the windowpane, the breath of her breath fogging a small patch, and a single drop-trace running down the glass catching the light. Quiet, intimate, solitary.
ゆきうさぎ
#zetaCollab

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ที่คุณอาจชอบ

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
14#คางามิเนะ ริน#โวคาลอยด์#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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5#ผ่าพิภพไททัน#มิคาสะ อัคเคอร์แมน
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