Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork featuring #หุ่นยนต์
สร้างฟรี

หุ่นยนต์

#หุ่นยนต์
Avatar image of クロックロック

クロックロック

ดูเพิ่มเติม

คอมเมนต์

1 mecha, no humans, giant robot, humanoid tank, large-scale body, super-heavy armor, six legs, continuous tracks, tank treads for feet, foot undersides split into four segments front-to-back, visor, camera eye, scope, radar dome, head-mounted radar, both arms heavily armored, bucket wheel excavator, bucket wheel on right arm, high-speed rotating bucket wheel, rail cannon, rail cannon on left arm, six missiles, missile pods on back, assembly-type missiles, boosters, leg-mounted boosters, high-output boosters, speeding, running at full speed, wasteland, desert, dust cloud, from below, dutch angle, foreshortening, dynamic angle, wide shot, low horizon, profile, motion blur, exhaust, sparks, no text, solo, single vehicle A low, tilted camera looks up from the cracked desert floor as the colossal humanoid tank thunders across the wasteland, its mass filling the frame from the lower left toward the upper right. The machine's torso is a squat, armored box of layered steel plates, riveted seams and overlapping skirts, so wide that the six legs splay beneath it like a beetle's. Each leg is a thick hydraulic column ending in a flat pad whose underside is split into four heavy continuous tracks running front to back; the tracks bite the dust in sequence, the front segments throwing up a plume of grit while the rear segments press flat and leave a gouge, and the machine's whole hull tilts forward with the running stride, weight carried on the leading three legs while the rear three shove off. Dust and gravel spray backward from the treads in a long tumbling wake that stretches to the horizon. The head sits low and forward between hunched shoulder blocks: a broad visor stretches across the front like a dark slit, its camera eye a bright band glowing under the armored brow. Above the visor a stubby cylindrical scope juts forward, and behind it a domed radar sweeps, the dish tilted, its shadow sliding across the head's top plate. Both arms are encased in enormous slab armor. The right arm ends in a bucket wheel excavator: a huge toothed ring of buckets spinning at speed, its blur a smear of steel, grit and sparks flung outward in an arc, casting the dust around it into a halo. The left arm is a long rail cannon, twin rails and cooling fins along its length, muzzle pointed forward and slightly out of frame, heat shimmer curling above the rails. On the back, six large assembled missiles stand in a racked row, angled upward, their fins crisp against the sky, held by clamps and struts. Down the outer sides of the legs, huge high-output boosters are bolted in armored housings, their nozzles flaring with blue-white flame and a hot orange core, exhaust blasting backward and downward, kicking dust into a boiling cloud, heat distortion bending the air behind the flame. The light is a hard low sun from the right, raking across the armor: highlights burn along the upper plates and the bucket ring, while the undersides, the leg interiors and the far side of the hull drop into deep shadow. The palette is dry ochre and burnt sienna dust, gunmetal and chipped steel grey, rust, with the visor's cold cyan band and the boosters' blue-white and orange the only saturated accents. A single dust-caked panel plate hangs slightly ajar on the near leg, rattling with the stride, and the tread segments leave a repeating four-groove impression in the dirt behind. Overwhelming momentum, apocalyptic roar.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
大型機体,超重装甲な巨大人形戦車,6本足,脚部底面は前後に4分割された巨大無限軌道,頭部のカメラアイの形状をバイザー型にする,大型の装甲が装着された両腕,右手首から先を高速回転するバケットホイールエクスカベーターに変更,左腕を大型のレールキャノンに改造,背中に組み立て式の大型ミサイルを6基搭載,頭部にスコープとレーダードームを搭載,脚部側面に重装甲化された大型高出力ブースターを装備, 荒野を爆走する巨大人形戦車,
โหมด
flash
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1104 x 1824
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.45k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of クロックロック
1 mecha, no humans, giant robot, humanoid tank, large-scale body, super-heavy armor, six legs, continuous tracks, tank treads for feet, foot undersides split into four segments front-to-back, visor, camera eye, scope, radar dome, head-mounted radar, both arms heavily armored, bucket wheel excavator, bucket wheel on right arm, high-speed rotating bucket wheel, rail cannon, rail cannon on left arm, six missiles, missile pods on back, assembly-type missiles, boosters, leg-mounted boosters, high-output boosters, speeding, running at full speed, wasteland, desert, dust cloud, from below, dutch angle, foreshortening, dynamic angle, wide shot, low horizon, profile, motion blur, exhaust, sparks, no text, solo, single vehicle A low, tilted camera looks up from the cracked desert floor as the colossal humanoid tank thunders across the wasteland, its mass filling the frame from the lower left toward the upper right. The machine's torso is a squat, armored box of layered steel plates, riveted seams and overlapping skirts, so wide that the six legs splay beneath it like a beetle's. Each leg is a thick hydraulic column ending in a flat pad whose underside is split into four heavy continuous tracks running front to back; the tracks bite the dust in sequence, the front segments throwing up a plume of grit while the rear segments press flat and leave a gouge, and the machine's whole hull tilts forward with the running stride, weight carried on the leading three legs while the rear three shove off. Dust and gravel spray backward from the treads in a long tumbling wake that stretches to the horizon. The head sits low and forward between hunched shoulder blocks: a broad visor stretches across the front like a dark slit, its camera eye a bright band glowing under the armored brow. Above the visor a stubby cylindrical scope juts forward, and behind it a domed radar sweeps, the dish tilted, its shadow sliding across the head's top plate. Both arms are encased in enormous slab armor. The right arm ends in a bucket wheel excavator: a huge toothed ring of buckets spinning at speed, its blur a smear of steel, grit and sparks flung outward in an arc, casting the dust around it into a halo. The left arm is a long rail cannon, twin rails and cooling fins along its length, muzzle pointed forward and slightly out of frame, heat shimmer curling above the rails. On the back, six large assembled missiles stand in a racked row, angled upward, their fins crisp against the sky, held by clamps and struts. Down the outer sides of the legs, huge high-output boosters are bolted in armored housings, their nozzles flaring with blue-white flame and a hot orange core, exhaust blasting backward and downward, kicking dust into a boiling cloud, heat distortion bending the air behind the flame. The light is a hard low sun from the right, raking across the armor: highlights burn along the upper plates and the bucket ring, while the undersides, the leg interiors and the far side of the hull drop into deep shadow. The palette is dry ochre and burnt sienna dust, gunmetal and chipped steel grey, rust, with the visor's cold cyan band and the boosters' blue-white and orange the only saturated accents. A single dust-caked panel plate hangs slightly ajar on the near leg, rattling with the stride, and the tread segments leave a repeating four-groove impression in the dirt behind. Overwhelming momentum, apocalyptic roar.
クロックロック
AI artwork
Avatar image of クロックロック
1 mecha, no humans, giant robot, humanoid tank, large-scale body, super-heavy armor, six legs, continuous tracks, tank treads for feet, foot undersides split into four segments front-to-back, visor, camera eye, scope, radar dome, head-mounted radar, both arms heavily armored, bucket wheel excavator, bucket wheel on right arm, high-speed rotating bucket wheel, rail cannon, rail cannon on left arm, six missiles, missile pods on back, assembly-type missiles, boosters, leg-mounted boosters, high-output boosters, speeding, running at full speed, wasteland, desert, dust cloud, from below, dutch angle, foreshortening, dynamic angle, wide shot, low horizon, profile, motion blur, exhaust, sparks, no text, solo, single vehicle A low, tilted camera looks up from the cracked desert floor as the colossal humanoid tank thunders across the wasteland, its mass filling the frame from the lower left toward the upper right. The machine's torso is a squat, armored box of layered steel plates, riveted seams and overlapping skirts, so wide that the six legs splay beneath it like a beetle's. Each leg is a thick hydraulic column ending in a flat pad whose underside is split into four heavy continuous tracks running front to back; the tracks bite the dust in sequence, the front segments throwing up a plume of grit while the rear segments press flat and leave a gouge, and the machine's whole hull tilts forward with the running stride, weight carried on the leading three legs while the rear three shove off. Dust and gravel spray backward from the treads in a long tumbling wake that stretches to the horizon. The head sits low and forward between hunched shoulder blocks: a broad visor stretches across the front like a dark slit, its camera eye a bright band glowing under the armored brow. Above the visor a stubby cylindrical scope juts forward, and behind it a domed radar sweeps, the dish tilted, its shadow sliding across the head's top plate. Both arms are encased in enormous slab armor. The right arm ends in a bucket wheel excavator: a huge toothed ring of buckets spinning at speed, its blur a smear of steel, grit and sparks flung outward in an arc, casting the dust around it into a halo. The left arm is a long rail cannon, twin rails and cooling fins along its length, muzzle pointed forward and slightly out of frame, heat shimmer curling above the rails. On the back, six large assembled missiles stand in a racked row, angled upward, their fins crisp against the sky, held by clamps and struts. Down the outer sides of the legs, huge high-output boosters are bolted in armored housings, their nozzles flaring with blue-white flame and a hot orange core, exhaust blasting backward and downward, kicking dust into a boiling cloud, heat distortion bending the air behind the flame. The light is a hard low sun from the right, raking across the armor: highlights burn along the upper plates and the bucket ring, while the undersides, the leg interiors and the far side of the hull drop into deep shadow. The palette is dry ochre and burnt sienna dust, gunmetal and chipped steel grey, rust, with the visor's cold cyan band and the boosters' blue-white and orange the only saturated accents. A single dust-caked panel plate hangs slightly ajar on the near leg, rattling with the stride, and the tread segments leave a repeating four-groove impression in the dirt behind. Overwhelming momentum, apocalyptic roar.
クロックロック
AI artwork
Avatar image of クロックロック
1 mecha, no humans, giant robot, humanoid tank, large-scale body, super-heavy armor, six legs, continuous tracks, tank treads for feet, foot undersides split into four segments front-to-back, visor, camera eye, scope, radar dome, head-mounted radar, both arms heavily armored, bucket wheel excavator, bucket wheel on right arm, high-speed rotating bucket wheel, rail cannon, rail cannon on left arm, six missiles, missile pods on back, assembly-type missiles, boosters, leg-mounted boosters, high-output boosters, speeding, running at full speed, wasteland, desert, dust cloud, from below, dutch angle, foreshortening, dynamic angle, wide shot, low horizon, profile, motion blur, exhaust, sparks, no text, solo, single vehicle A low, tilted camera looks up from the cracked desert floor as the colossal humanoid tank thunders across the wasteland, its mass filling the frame from the lower left toward the upper right. The machine's torso is a squat, armored box of layered steel plates, riveted seams and overlapping skirts, so wide that the six legs splay beneath it like a beetle's. Each leg is a thick hydraulic column ending in a flat pad whose underside is split into four heavy continuous tracks running front to back; the tracks bite the dust in sequence, the front segments throwing up a plume of grit while the rear segments press flat and leave a gouge, and the machine's whole hull tilts forward with the running stride, weight carried on the leading three legs while the rear three shove off. Dust and gravel spray backward from the treads in a long tumbling wake that stretches to the horizon. The head sits low and forward between hunched shoulder blocks: a broad visor stretches across the front like a dark slit, its camera eye a bright band glowing under the armored brow. Above the visor a stubby cylindrical scope juts forward, and behind it a domed radar sweeps, the dish tilted, its shadow sliding across the head's top plate. Both arms are encased in enormous slab armor. The right arm ends in a bucket wheel excavator: a huge toothed ring of buckets spinning at speed, its blur a smear of steel, grit and sparks flung outward in an arc, casting the dust around it into a halo. The left arm is a long rail cannon, twin rails and cooling fins along its length, muzzle pointed forward and slightly out of frame, heat shimmer curling above the rails. On the back, six large assembled missiles stand in a racked row, angled upward, their fins crisp against the sky, held by clamps and struts. Down the outer sides of the legs, huge high-output boosters are bolted in armored housings, their nozzles flaring with blue-white flame and a hot orange core, exhaust blasting backward and downward, kicking dust into a boiling cloud, heat distortion bending the air behind the flame. The light is a hard low sun from the right, raking across the armor: highlights burn along the upper plates and the bucket ring, while the undersides, the leg interiors and the far side of the hull drop into deep shadow. The palette is dry ochre and burnt sienna dust, gunmetal and chipped steel grey, rust, with the visor's cold cyan band and the boosters' blue-white and orange the only saturated accents. A single dust-caked panel plate hangs slightly ajar on the near leg, rattling with the stride, and the tread segments leave a repeating four-groove impression in the dirt behind. Overwhelming momentum, apocalyptic roar.
クロックロック
AI artwork
Avatar image of クロックロック
1 mechanical subject, no humans, giant humanoid battle tank, super heavy armor, quadruple split continuous tracks, four-segment tracks front and back, gatling cannon on head, scope on head, radar dome on head, large shoulder and arm armor plates, right forearm replaced by bucket wheel excavator, excavator wheel spinning at high speed with motion blur, left arm is a large rail cannon, six large assembled missiles mounted on the back, leg-mounted heavy-armored high-output boosters, city underfoot, rampaging through daytime city, crushing buildings under treads, from below, extreme low angle, wide shot, foreshortened scale, dutch angle, tilted horizon, rubble mid-air, dust plume, crumbling skyscraper, overcast-bright noon sky, sunlight from upper left, hard shadows on armor, gunmetal and hazard yellow palette, orange fire, grey concrete dust. The camera sits almost at street level, tilted a few degrees off level, looking steeply up: the machine's mass towers over the lens, its tracks filling the lower third of the frame, the far track's treads receding into foreshortened perspective toward the top of the frame while the near track's cleats grind forward enormous and close, crushing a row of low storefront roofs flat beneath the front track segment, concrete slabs buckling upward and bursting out sideways between the cleats. The four track segments sit front and back in two pairs, each wrapped in slab-sided armor, and on the outer face of both near-side segments the heavy high-output boosters bulge as stacked rectangular housings, louvered nozzles pointed backward, their mounting bolts oversized, a heat shimmer above the exhaust mouths as they throttle up. Above the tracks the torso rises in layered super-heavy plate, the head small and sunken in a thick collar of armor: the multi-barrel gatling cannon juts from the jaw line, barrels clustered in a rotating ring caught mid-spin with the muzzles smeared into a bright circular blur, spent casings tumbling out of the ejector port in an arc to the right; a boxy telescopic scope protrudes on a short arm over the right eye slot, and a flat-panel radar dome sweeps slowly on the crown, its segmented face tilted skyward. Both arms are clad in huge shoulder and forearm plates. The right forearm ends not in a hand but in the bucket-wheel excavator: a wide rotating wheel rimmed with toothed buckets, spun fast enough that the buckets blur to a translucent ring with a hot metal streak at the rim, spraying pulverized concrete dust and brick fragments off its leading edge and gouging an intact office block at hip height, the wall shearing away in a diagonal slice as the wheel bites in. The left arm is a rail cannon: two parallel rails on a massive rectangular cradle running the length of the forearm past the heavy elbow plate, coils banded around it, the muzzle glowing faintly with heat haze and cold blue light bleeding off the rails. On the back, six assembled large missiles ride upright in two rows of three on a launch rack, fins folded flat, hazard striping on their noses, the rack hinged open so the missiles angle up and out past the shoulders. Light falls from the upper left, hard noon sun striking the top surfaces of the shoulder armor, the missile noses and the upward faces of the tracks, while the underside of every plate sits in deep shadow and the machine's shadow falls across the already flattened street behind it, long and black over the rubble; the sky behind is bright and hazy so the dark silhouette of the machine reads in hard outline. The palette holds to gunmetal grey, black, hazard yellow stripe bands and orange fire glow against grey-white concrete dust, with the sky a blown pale blue-white. Dust drifts in a slow fall across everything, settling only on the upward-facing surfaces; asphalt cracks radiate outward along the ground plane from under the tracks where the load bears down. Overwhelming, monstrous.
クロックロック
#เมคา#หุ่นยนต์

สำรวจเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
11#คางามิเนะ ริน#โวคาลอยด์#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
4#ผ่าพิภพไททัน#มิคาสะ อัคเคอร์แมน
หน้าหลักโมเดลสร้างโปรไฟล์