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新山聡美(亀山テラス360°)

Contest Entry

2nd "Favorite Work" Contest

#หญิงวัยผู้ใหญ่#ใบไม้เปลี่ยนสี #นั่ง #ผ้าพันคอ #กลางแจ้ง #ใบหน้าด้านข้าง #ตอนเย็น #มหาสมุทร #พระอาทิตย์ตก #ภูเขา #โซฟา #มุมมองด้านข้าง #เสียงเพลง ผูกใจไว้ที่เธอ #ยูยากิ #ซาโตมิ นียามะ

เผยแพร่เมื่อ Oct 27, 2026

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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, A natural and immersive landscape image depicting a woman gazing at the Kesennuma Bay and mountain range dyed in the sunset from Kameyama Terrace on Kesennuma Oshika Peninsula in Kesennuma City, Miyagi Prefecture, in late October at dusk. It is the quiet time immediately after sunset; the higher parts of the sky are a calm bluish-gray, while the areas closer to the horizon transition softly from yellow to orange and deep amber. The distant mountains are dark silhouettes against the sunset, and small lights are scattered across the foothills and the coastal town. The city lights and the colors of the evening sky are faintly reflected on the sea surface, conveying the silence and warmth unique to an autumn evening. In the foreground, an open wooden deck typical of Kameyama Terrace spreads out. The floor consists of wooden planks laid horizontally, showing the grain of the wood and a natural, worn texture. Several large outdoor sofas and lounge chairs made of dark brown woven material are placed on the deck, equipped with thick dark brown cushions. The furniture is arranged leisurely facing the sea, with appropriate space between adjacent seats. Slender, cylindrical warm-toned lighting lamps are installed near the walkways and steps of the wooden deck. These lamps emit a soft golden light, creating warm patterns of light and natural shadows on the floorboards. The light of the lamps gently illuminates the terrace as it begins to darken, creating a beautiful contrast with the cool-toned sky and sea of the sunset. The woman's clothing is high-quality and in subdued tones, suitable for an observation terrace at autumn dusk. She wears a soft ivory-colored knit under a knee-length long coat in pale beige or greige, paired with a long skirt in charcoal gray or deep brown. An elegant scarf in a dull bordeaux color is wrapped around her neck, and she wears subdued dark brown short boots. She carries a small, simple shoulder bag, and her accessories are understated. Avoiding flashy decorations, her attire is refined and natural. Clothing, accessories, posture, and expression are depicted according to the specifications. The woman is sitting alone on a dark brown sofa on the terrace, quietly gazing at the sunset over Kesennuma Bay spreading before her. She sits naturally on the seat, with her upper body facing the sea and mountains. The composition is primarily from behind, showing her profile and the flow of her hair from a diagonal rear angle. Her back is naturally straight, her posture is relaxed with shoulders dropped, one hand rests lightly on the sofa's armrest, and the other is placed naturally on her knee. Her legs are naturally together or aligned at a natural angle, showing a calm sitting posture. The woman does not look at the camera, but quietly enjoys the scenery while looking at the sunset and city lights. Her expression is peaceful and contented, conveying an atmosphere of enjoying a beautiful landscape at the end of the day. Her long hair flows naturally from her shoulders down her back, with the ends swaying slightly in the evening breeze. The season is late October autumn. Along the perimeter of the terrace and on the slopes of the mountains below, deciduous trees colored in reddish-brown, deep orange, and golden yellow can be seen alongside dark green evergreens. The autumn colors have natural variations in intensity, ensuring the mountains are not unnaturally dyed in a single color. The orange of the sunset faintly illuminates the mountain ridges, and deep blue-gray shadows spread over the areas where the sun has set. Due to the clear autumn air, the distant mountains and the coastal town are relatively clear, and the city lights after sunset are gradually becoming more prominent. While the autumn coolness is conveyed, the warm lighting of the terrace provides a sense of security and warmth. Beyond the sea, the wide waters of Kesennuma Bay and its intricate coastline spread out, with layers of mountains visible in the distance. Small white and yellow lights are scattered in the coastal town, with thin reflections of those lights on the sea surface. A bright band of sunset remains along the mountain ridges, while the upper part of the sky is a calm tone transitioning into night. The bright sky, dark mountain range, reflections in the bay, and the golden light of the lamps in the foreground create natural layers of light and shadow, resulting in a landscape with depth. The camera is positioned slightly high on the terrace, with a composition looking diagonally across the deck and the sea. In the foreground are the wooden deck, woven sofas, and warm lighting; in the middle ground is the sofa where the woman sits and the terrace furniture; in the background are Kesennuma Bay and city lights, with the mountain range against the sunset further back. The woman is placed slightly to the left or right of the center, blending naturally with the furniture and lighting. The figure is not drawn too large, allowing the sunset sky, mountain range, and the expanse of the bay to occupy most of the screen. The composition ensures it is clear that the woman is relaxing on the sofa gazing at the scenery, while conveying both the coziness of the entire terrace and the grand evening scenery. The natural light immediately after sunset and the soft golden light emitted by the terrace lamps are meticulously depicted. Natural light and color reflections according to the evening sky and lighting are added to the woman's coat, hair, shoulders, and sofa cushions. Exposure and shading are adjusted to blend with the environment so that the woman does not stand out as if it were daytime. The grain of the wood, the weave of the furniture, the texture of the coat's fabric, the softness of the muffler, and the minute reflections on the sea surface are realistically expressed. The final result is a calm, travel-photo-like finish where the bluish evening sky, the dark silhouettes of the mountains, the warm lamp light, and the woman's elegant attire harmonize. The only person in the frame is the woman; no other people or silhouettes appear. The woman's limbs, fingers, and facial shape are drawn naturally, ensuring that the body and clothing do not unnaturally merge with the sofa. The structure of the sofas, chairs, lighting lamps, deck planks, and railings is kept natural. No text, logos, watermarks, or nonsensical sign text are included, focusing the depiction on the woman's peaceful time spent on the terrace in the evening scenery.

新山聡美(亀山テラス360°)

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