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新山聡美(芋煮会)

Contest Entry

2nd "Favorite Work" Contest

#หญิงวัยผู้ใหญ่#กลางแจ้ง #อาหาร #ยิ้ม #ผัก #กระบวย #แหวนแต่งงาน #แม่น้ำ #ถือ #ซุป #การทำอาหาร #เสียงเพลง ผูกใจไว้ที่เธอ #ซาโตมิ นียามะ #หม้อ

เผยแพร่เมื่อ Oct 28, 2026

絵知能

ดูเพิ่มเติม

copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, if the ring finger of the left hand is depicted, place a wedding ring only on the left ring finger, high-quality depiction of a scene where a lone woman is enjoying an imoni-kai (taro root stew party), a seasonal autumn tradition, on a riverbed in Miyagi Prefecture on a sunny day in October. The setting is a riverbed near a shallow river where various sizes of round stones and gravel are exposed. Autumn grasses grow along the river, and low vegetation and trees are visible on the embankment. Bright autumn sunlight reflects on the water's surface, evoking the open outdoor air and the calm atmosphere unique to an autumn riverbank. Make it a rustic and warm scene of a Miyagi-style imoni-kai that local people enjoy with family and friends. In the foreground, there is a fire pit made of river stones, with a large metal pot placed on top. The pot is a deep, sturdy large pot used for actual outdoor cooking, showing rounded metal sides and dark-colored handles. Firewood burns beneath the pot, with orange-red flames warming the bottom. The flames are not too large and appear naturally between the stones. Around the pot are heated stones and firewood, and the ground is covered with river gravel and flat stones. Maintain a rustic atmosphere of actually making imoni on a riverbank, rather than being too orderly like a campsite facility. Inside the pot, Miyagi-style imoni is simmering. Large pieces of taro, pork, daikon radish, carrots, burdock, konjac, mushrooms, and long green onions are plenty in the miso-based broth. The broth is a warm miso color, and the surface of the simmered ingredients has a natural gloss. White steam rises softly from the mouth of the pot and spreads into the autumn air. The steam is softly translucent in the sunlight, conveying that the pot is boiling hot. The ingredients are naturally visible in the pot, giving the feel of home-style imoni in the middle of cooking. Around the pot, a minimum of necessary tools are placed, such as a ladle used for cooking, long wooden cooking chopsticks, and small containers that held the ingredients. Character design such as facial features and hair characteristics of the woman is left to the character LoRA; clothing, accessories, posture, and expression shall follow the specifications of this prompt. The woman is the only person in this scene and is depicted as the protagonist cooking the imoni. She is crouching alone right next to the large pot, stirring the imoni while checking the contents. Her body is naturally turned toward the pot, with her upper body leaning slightly forward. With one hand, she holds a metal ladle with a long handle, slowly stirring the ingredients in the pot. The other hand is not too close to the edge of the pot, either holding long wooden cooking chopsticks or resting naturally near her knee to stabilize her posture. The shape of the wrists and fingers is natural, and the cooking motion is unforced. The woman's gaze is directed at the ingredients in the pot, conveying that she is cooking while checking the progress. The woman's expression is calm, with a modest smile as if she is enjoying making the imoni. Give her a natural, everyday expression, looking at the steaming pot and checking the taste and tenderness. She should not be posing for the camera or laughing exaggeratedly, but capturing a natural moment as if photographed mid-cooking. Her long hair is lightly arranged so as not to interfere with cooking, but not tied too tightly, flowing naturally around her shoulders. Her hair is not disturbed by strong wind and blends into the calm outdoor autumn air. The woman's clothing is a movable, neat, and elegant autumn casual style suitable for an imoni-kai on a riverbed in October. On her upper body, she is wearing a soft beige or light greige long-sleeved knit. The knit is a material with a subdued stitch, has moderate looseness, and forms natural wrinkles while crouching and cooking. The bottoms are dark indigo blue denim pants, with realistic creases corresponding to the crouching posture. On her feet are subdued brown or dark beige outdoor shoes or short boots, easy to walk in on the river stones. If necessary, add a simple apron around her waist for practical cooking utility. Accessories should be modest, such as small earrings, and she should not wear large decorations that interfere with cooking. The overall look is coordinated in natural autumn colors, creating a clean, adult-woman impression without being too flashy. The woman's posture is a stable position, either lightly bending one knee to crouch or bending both knees to align her gaze with the height of the pot. Her center of gravity is naturally low, supporting her body effortlessly on the stony riverbed ground. The positional relationship between the face, arms, legs, and fingers is realistic, maintaining a human structure suited for the action of handling the pot. The woman's body is not too close to the pot, and her face is in a position where it is not completely hidden by the steam. The relationship between the hand holding the ladle and the ingredients in the pot is clear, making it obvious at a glance that she is actually stirring the pot. In the background, a shallow river flowing through the riverbed and grasslands and autumn trees on the opposite bank are visible. Along the shore, in addition to grass that remains green, slightly yellowed grass and plants starting to wither are mixed, naturally representing the season of October. The river stones are irregular in size and shape, with rounded gray and brown stones overlapping. In the distance, low embankments and trees are visible, evoking a bright sky and calm autumn nature. The riverbed is not crowded, and no other people appear in the screen. While focusing on the woman and the pot, leave the background to convey the expanse of the riverbed and the situation of making imoni outdoors. The camera is placed at a position capturing the woman and the pot from a diagonal front. Place the large pot slightly forward from the center of the screen, and show the crouching woman cooking next to it prominently. The composition should simultaneously show the woman's face and upper body, the hand holding the ladle, the mouth of the large pot, the ingredients in the pot, and the firewood under the pot. The woman is shown as a natural medium shot where part of the whole body is visible, not a portrait showing only the face. The pot is placed in the foreground at the bottom of the screen, and the steam rises naturally from the woman's hand toward her face. Leave a wide view of the river, the stony riverbed, and the autumn vegetation in the background to make it clear that it is an imoni-kai scene. Use a horizontal composition where the positional relationship between the woman and the pot is clear, conveying the cooking motion and the warmth of the imoni. The light is natural bright autumn daylight. The sun is not too high, softly illuminating the entire riverbed. Natural light hits the woman's face, making her expression and eyes clearly visible. There are shadows and wrinkles in the beige knit and denim according to the material, and the metal part of the pot has a modest luster reflecting the sky and surrounding stones. The white steam coming from the pot looks three-dimensional as it receives backlight or side light, and the orange of the firewood reflects faintly on the bottom of the pot. The overall screen is bright and refreshing, but not overexposed, so the details of the woman, pot, river stones, and ingredients are clearly visible. Carefully and naturally depict the textures of the riverbed stones, the natural surface of the river water, autumn vegetation, firewood, steam, the metal pot, and the imoni with simmered taro and vegetables. The woman's expression, fingers, and crouching posture are natural, and the motion of stirring the pot is convincing. Through the warm steam, firewood, and bright autumn air, convey the joy of a Miyagi-style imoni-kai and the calm atmosphere of gathering around food on an autumn riverbank. Make it a high-quality image with a sense of presence, as if a real landscape and person were photographed. Do not add titles, logos, watermarks, or signatures to the image.

新山聡美(芋煮会)

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โมเดลและ LoRA ที่ใช้

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