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C9I

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C9I

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คอมเมนต์

low-angle shot, from below, two subjects, giant crumbling stone statue of Lady Justice, blindfolded statue, thick blindfold cloth, thick dark tears streaming from beneath the blindfold, dark tear streaks running down carved stone cheeks, hairline cracks splitting the stone beneath the tear trails, chipped weathered stone surface, scales held in one stone hand, sad raven perched on the statue's shoulder, black raven, ruffled feathers, feathers blown back by cold wind, torn legal document in beak, blood-stained legal document, blood-red stain soaking the paper, abandoned graveyard background, leaning crooked headstones, cracked graveslab silhouettes, creeping mist, heavy storm clouds, cold moonlight breaking through the clouds, shaft of moonlight, chiaroscuro, desaturated blacks, sickly pale grays, subtle blood-red accent, hyperdetailed oil painting texture, dark gothic, melancholic, despair, tragic, masterpiece The camera sits far below the two subjects and looks steeply upward along the statue's body: in the near foreground the ragged hem of Lady Justice's stone robe and the top edge of a broken pedestal, then her colossal torso rearing above it, the blindfolded head at the apex of the frame against the storm sky. Her stone arm on the right of frame holds the scales high, one pan tipped and empty, and her weight rests entirely on that forward leg, the opposite knee buckled inward where a slab of stone has fallen away, exposing a soft crumbled void instead of a carved leg. The blindfold is a thick band of worn cloth pressed into the eye sockets; from under its lower edge two thick dark tear trails well out and descend the stone cheeks, each trail cutting a branching crack that widens as it travels and sheds fine dust along the ridges of her jaw and throat. The raven sits on the shoulder nearest the viewer, its claws gripping the lip of the crumbling epaulette, body hunched low and head drawn down so the beak and the document hang just below the shoulder line; the torn legal document is pierced at the corner by the beak, its loose corner caught and bent by the wind, a dried blood-red stain soaked through the paper and a line of illegible type running across the surviving fragment. The raven's head is tilted down toward the tears on the statue's cheek; the statue has no eyes to answer, and the whole posture of the bird reads as bending over something it cannot mend. Wind presses the raven's feathers back from its breast and flattens its tail toward the shoulder, and torn strips of the blindfold's trailing edge flick away from the stone. Cold moonlight is the only light: it breaks through a split in the storm clouds behind and to the left of the statue, striking the left side of the stone face and the raven's shoulder and leaving the right half of the statue and the deep graveyard behind in falling darkness. Mist creeps at ground level around the pedestal and threads between crooked headstones in the midground, dimmed and cooled to almost nothing. Palette holds to desaturated blacks and sickly pale grays across stone, cloth and cloud, with the blood-red admitted only in the document's stain and a faint echo in the drying red-brown at the tear trails' source. Heavy oil paint handling: thick impasto on the stone's chipped edges and the raven's contours, fine scumbled grain across the moonlit haze, the wet sheen of tears catching the moonlight as a thin cold highlight. Despair and monumental melancholy.
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พรอมต์ต้นฉบับ
Dark gothic melancholic illustration of a sad raven sitting on the shoulder of a crumbling stone statue of Lady Justice. The statue is blindfolded, but thick, dark tears are streaming down from beneath the cloth, cracking the stone. The raven holds a torn, blood-stained legal document in its beak, its feathers ruffled by a cold wind. Cold moonlight breaking through heavy storm clouds, creeping mist, an abandoned graveyard in the background. Despair, the failure of justice, tragedy, hyperdetailed oil painting texture, chiaroscuro, desaturated blacks, sickly pale grays, subtle blood-red accents, cinematic low-angle shot, by Gustave Doré and Zdzisław Beksiński, masterpiece, 8K --ar 2:3 --v 6
โหมด
pro
ขนาด
992 x 992
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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ดูเพิ่มเติม
AI artwork
Avatar image of C9I
low-angle shot, from below, two subjects, giant crumbling stone statue of Lady Justice, blindfolded statue, thick blindfold cloth, thick dark tears streaming from beneath the blindfold, dark tear streaks running down carved stone cheeks, hairline cracks splitting the stone beneath the tear trails, chipped weathered stone surface, scales held in one stone hand, sad raven perched on the statue's shoulder, black raven, ruffled feathers, feathers blown back by cold wind, torn legal document in beak, blood-stained legal document, blood-red stain soaking the paper, abandoned graveyard background, leaning crooked headstones, cracked graveslab silhouettes, creeping mist, heavy storm clouds, cold moonlight breaking through the clouds, shaft of moonlight, chiaroscuro, desaturated blacks, sickly pale grays, subtle blood-red accent, hyperdetailed oil painting texture, dark gothic, melancholic, despair, tragic, masterpiece The camera sits far below the two subjects and looks steeply upward along the statue's body: in the near foreground the ragged hem of Lady Justice's stone robe and the top edge of a broken pedestal, then her colossal torso rearing above it, the blindfolded head at the apex of the frame against the storm sky. Her stone arm on the right of frame holds the scales high, one pan tipped and empty, and her weight rests entirely on that forward leg, the opposite knee buckled inward where a slab of stone has fallen away, exposing a soft crumbled void instead of a carved leg. The blindfold is a thick band of worn cloth pressed into the eye sockets; from under its lower edge two thick dark tear trails well out and descend the stone cheeks, each trail cutting a branching crack that widens as it travels and sheds fine dust along the ridges of her jaw and throat. The raven sits on the shoulder nearest the viewer, its claws gripping the lip of the crumbling epaulette, body hunched low and head drawn down so the beak and the document hang just below the shoulder line; the torn legal document is pierced at the corner by the beak, its loose corner caught and bent by the wind, a dried blood-red stain soaked through the paper and a line of illegible type running across the surviving fragment. The raven's head is tilted down toward the tears on the statue's cheek; the statue has no eyes to answer, and the whole posture of the bird reads as bending over something it cannot mend. Wind presses the raven's feathers back from its breast and flattens its tail toward the shoulder, and torn strips of the blindfold's trailing edge flick away from the stone. Cold moonlight is the only light: it breaks through a split in the storm clouds behind and to the left of the statue, striking the left side of the stone face and the raven's shoulder and leaving the right half of the statue and the deep graveyard behind in falling darkness. Mist creeps at ground level around the pedestal and threads between crooked headstones in the midground, dimmed and cooled to almost nothing. Palette holds to desaturated blacks and sickly pale grays across stone, cloth and cloud, with the blood-red admitted only in the document's stain and a faint echo in the drying red-brown at the tear trails' source. Heavy oil paint handling: thick impasto on the stone's chipped edges and the raven's contours, fine scumbled grain across the moonlit haze, the wet sheen of tears catching the moonlight as a thin cold highlight. Despair and monumental melancholy.
C9I
AI artwork
Avatar image of C9I
low-angle shot, from below, two subjects, giant crumbling stone statue of Lady Justice, blindfolded statue, thick blindfold cloth, thick dark tears streaming from beneath the blindfold, dark tear streaks running down carved stone cheeks, hairline cracks splitting the stone beneath the tear trails, chipped weathered stone surface, scales held in one stone hand, sad raven perched on the statue's shoulder, black raven, ruffled feathers, feathers blown back by cold wind, torn legal document in beak, blood-stained legal document, blood-red stain soaking the paper, abandoned graveyard background, leaning crooked headstones, cracked graveslab silhouettes, creeping mist, heavy storm clouds, cold moonlight breaking through the clouds, shaft of moonlight, chiaroscuro, desaturated blacks, sickly pale grays, subtle blood-red accent, hyperdetailed oil painting texture, dark gothic, melancholic, despair, tragic, masterpiece The camera sits far below the two subjects and looks steeply upward along the statue's body: in the near foreground the ragged hem of Lady Justice's stone robe and the top edge of a broken pedestal, then her colossal torso rearing above it, the blindfolded head at the apex of the frame against the storm sky. Her stone arm on the right of frame holds the scales high, one pan tipped and empty, and her weight rests entirely on that forward leg, the opposite knee buckled inward where a slab of stone has fallen away, exposing a soft crumbled void instead of a carved leg. The blindfold is a thick band of worn cloth pressed into the eye sockets; from under its lower edge two thick dark tear trails well out and descend the stone cheeks, each trail cutting a branching crack that widens as it travels and sheds fine dust along the ridges of her jaw and throat. The raven sits on the shoulder nearest the viewer, its claws gripping the lip of the crumbling epaulette, body hunched low and head drawn down so the beak and the document hang just below the shoulder line; the torn legal document is pierced at the corner by the beak, its loose corner caught and bent by the wind, a dried blood-red stain soaked through the paper and a line of illegible type running across the surviving fragment. The raven's head is tilted down toward the tears on the statue's cheek; the statue has no eyes to answer, and the whole posture of the bird reads as bending over something it cannot mend. Wind presses the raven's feathers back from its breast and flattens its tail toward the shoulder, and torn strips of the blindfold's trailing edge flick away from the stone. Cold moonlight is the only light: it breaks through a split in the storm clouds behind and to the left of the statue, striking the left side of the stone face and the raven's shoulder and leaving the right half of the statue and the deep graveyard behind in falling darkness. Mist creeps at ground level around the pedestal and threads between crooked headstones in the midground, dimmed and cooled to almost nothing. Palette holds to desaturated blacks and sickly pale grays across stone, cloth and cloud, with the blood-red admitted only in the document's stain and a faint echo in the drying red-brown at the tear trails' source. Heavy oil paint handling: thick impasto on the stone's chipped edges and the raven's contours, fine scumbled grain across the moonlit haze, the wet sheen of tears catching the moonlight as a thin cold highlight. Despair and monumental melancholy.
C9I
AI artwork
Avatar image of C9I
low-angle shot, from below, two subjects, giant crumbling stone statue of Lady Justice, blindfolded statue, thick blindfold cloth, thick dark tears streaming from beneath the blindfold, dark tear streaks running down carved stone cheeks, hairline cracks splitting the stone beneath the tear trails, chipped weathered stone surface, scales held in one stone hand, sad raven perched on the statue's shoulder, black raven, ruffled feathers, feathers blown back by cold wind, torn legal document in beak, blood-stained legal document, blood-red stain soaking the paper, abandoned graveyard background, leaning crooked headstones, cracked graveslab silhouettes, creeping mist, heavy storm clouds, cold moonlight breaking through the clouds, shaft of moonlight, chiaroscuro, desaturated blacks, sickly pale grays, subtle blood-red accent, hyperdetailed oil painting texture, dark gothic, melancholic, despair, tragic, masterpiece The camera sits far below the two subjects and looks steeply upward along the statue's body: in the near foreground the ragged hem of Lady Justice's stone robe and the top edge of a broken pedestal, then her colossal torso rearing above it, the blindfolded head at the apex of the frame against the storm sky. Her stone arm on the right of frame holds the scales high, one pan tipped and empty, and her weight rests entirely on that forward leg, the opposite knee buckled inward where a slab of stone has fallen away, exposing a soft crumbled void instead of a carved leg. The blindfold is a thick band of worn cloth pressed into the eye sockets; from under its lower edge two thick dark tear trails well out and descend the stone cheeks, each trail cutting a branching crack that widens as it travels and sheds fine dust along the ridges of her jaw and throat. The raven sits on the shoulder nearest the viewer, its claws gripping the lip of the crumbling epaulette, body hunched low and head drawn down so the beak and the document hang just below the shoulder line; the torn legal document is pierced at the corner by the beak, its loose corner caught and bent by the wind, a dried blood-red stain soaked through the paper and a line of illegible type running across the surviving fragment. The raven's head is tilted down toward the tears on the statue's cheek; the statue has no eyes to answer, and the whole posture of the bird reads as bending over something it cannot mend. Wind presses the raven's feathers back from its breast and flattens its tail toward the shoulder, and torn strips of the blindfold's trailing edge flick away from the stone. Cold moonlight is the only light: it breaks through a split in the storm clouds behind and to the left of the statue, striking the left side of the stone face and the raven's shoulder and leaving the right half of the statue and the deep graveyard behind in falling darkness. Mist creeps at ground level around the pedestal and threads between crooked headstones in the midground, dimmed and cooled to almost nothing. Palette holds to desaturated blacks and sickly pale grays across stone, cloth and cloud, with the blood-red admitted only in the document's stain and a faint echo in the drying red-brown at the tear trails' source. Heavy oil paint handling: thick impasto on the stone's chipped edges and the raven's contours, fine scumbled grain across the moonlit haze, the wet sheen of tears catching the moonlight as a thin cold highlight. Despair and monumental melancholy.
C9I
AI artwork
Avatar image of C9I
1 animal, solo, raven, black corvid, perched, perched on scales, scales of justice, broken brass scales, tipped scales, corrupted scales, gold chains, chains, king's crown, crown in pan, white feather, single feather, withered feather, crushed flower, wilted flower, head bowed, looking down, glossy eyes, sorrowful, drooping feathers, wet feathers, rain-soaked, heavy rain, rain, fog, gray fog, ruined courthouse, blurred background, depth of field, bokeh, charcoal texture, ink texture, hyperdetailed, chiaroscuro, strong shadow, desaturated, monochrome palette, cold blue tones, cinematic composition, film grain, wide shot, low angle, dark fantasy, gothic, melancholic, no humans Low-angle wide shot, camera set slightly below the scale's central pivot and tilted a few degrees off level, so the tilted brass beam cuts a hard diagonal across the frame from upper left to lower right. The massive broken scale of justice dominates the midground, its ornate brass column rising out of cracked wet flagstones in the foreground; verdigris and black tarnish bloom across the metal, the beam's central pivot is snapped and splinted with wire, and one hanger ring is bent open so its pan hangs crooked. The raven perches on the high, lifted end of the beam, claws clamped around the tarnished brass, its body leaning into the downward slope, head bowed low so the beak points almost straight down at the lighter pan; its feathers hang in soaked, clumped points, water beading along the spine and dripping from the tail tip, and a single fat drop falls free of the lowest feather. Its one visible eye is glossy and wet, catching a cold pinpoint of light, lids heavy, gazing down into the pan below. Right side of the beam is driven low and heavy: a deep pan piled with tangled heavy gold chains, links thick as fingers, coiled and spilling over the rim and hanging in loops beneath the pan, the gold the only warm note in the frame, muted to dull ochre by the wet. A king's crown rests in the lower pan, half sunk among the chains, one point bent, its jewels dark and clouded, gold filigree packed with grime. Left side rides high and light: a single withered white feather lying alone in the shallow pan, its barbs broken and splayed, and beside it a crushed flower, petals flattened and bruised to a gray-violet pulp, stem snapped. A fine chain of water runoff traces the beam's tilt and gathers at the low end before falling. Behind, a ruined courthouse recedes into cold gray fog: broken portico columns, a cracked pediment, boarded windows, all dissolved by shallow depth of field into soft hulking masses, only their silhouette edges readable. Heavy rain falls as long slanted streaks through the whole frame, dense in the far fog and sharp in the near foreground; where the rain crosses the fog it reads brightest, and the flagstones below are a mirror of puddled water broken into rings by impact. The single cold light source sits high and behind, above and left of the frame, so the scale's upper surfaces and the raven's back are rimmed in pale blue-gray while the undersides, the crowned pan and the courthouse face fall into deep black; the raven throws a hard wet shadow down the slope of the beam. Palette is closed: desaturated blacks, charcoal grays, wet slate, one cold blue tone in the fog and highlights, and the dull drowned gold of the chains and crown, nothing else admitted. Everything is rendered in hyperdetailed charcoal and ink texture: granular black stroke, dry-brush edges on the feathers, ink bleed into the fog, heavy film grain over the whole plate, the blacks crushed and the highlights scraped thin. The composition weights the frame to the right, the light pan and the feather small and stranded at the top left, the rain and the fog swallowing the far end of the courtyard. Quiet, inconsolable grief.
C9I

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
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