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สร้างฟรี

V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

ดูเพิ่มเติม

คอมเมนต์

cinematic shot, wide shot, from side, from below, one mature man, king, bald head, short-trimmed grey beard, bare shoulders above water, bathing, seated in shallow reflecting pool, calm water surface, ripples, concentric ripples, water rings, doves, perched doves, two doves, dove on stone rim, dove on fallen branch, broken glass window, shattered stained glass window, stained glass mosaic window, twigs, branches, bare branches through window, branches intruding through broken pane, dim sun rays, god rays, volumetric light shafts, dust motes, settled dust, dust layer on floor, wild plants, vines on walls, moss on stone, wellspring, spring water, ancient stone bathhouse, cool colors, desaturated palette, simple aesthetic, hdr, sharp quality, sharp focus, crisp, clear, no blur, best photometry, dull ambience A wide, low-set view from slightly below and off to the side of the pool: a ruined stone bathhouse, its entire frame sharp and legible from the near coping to the far wall. The man sits waist-deep in the shallow reflecting pool, off-center to the right in the frame, water at the level of his collarbones; his shoulders are bare, his head bald, a short-trimmed grey beard edging his jaw. His weight rests back on his left hip and left hand, pressed flat on a submerged stone step behind him; his right forearm rests along his right knee under the water, elbow bent. His head is turned in profile, chin slightly lifted, eyes on the bright opening of the broken window rather than the lens, lids half-lowered, mouth closed and relaxed. The water circles away from his chest in slow, clean, evenly spaced rings that widen and flatten toward the pool's edge. Behind him, the far wall carries a tall stained glass mosaic window, its once-gridded pattern of cool glass intact at the outer edges and burst at its center; through the jagged opening, bare twigs and thin branches push inward into the room, a few leaves catching the light. The window's remaining glass throws scattered cool color onto the water and the stone rim. A dove perches on the broken sill with its head tucked and one foot drawn up; a second dove sits on a fallen branch that juts over the pool, its body angled back toward the window. Dim sun rays come in low through the breach as visible slanted shafts, sagging slightly in the old air, and land as soft-edged patches on the far wall, the coping and the water's rippling face. Dust is settled everywhere it would fall: a pale even layer over the flag floor around the pool, a thicker rim of it along the wall base, motes only drifting where the light strikes them. Wild plants have rooted in the masonry -- climbers and moss climbing the walls in vertical runs, grass tufts pushing from cracks -- and the pool is fed from a low stone wellspring at the left, water seeping in and sliding over its lip without splashing. Palette: cool grey-blue, pale green-grey water, muted oxidized copper, desaturated violet glass; warm tones only inside the narrow sun shafts. Light rays are the single source beyond the soft skylight of the broken window; shadows sit cool and granular on the dust. Quiet, still, watchful.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
king bathing, doves perched, twigs and branches emerge from broken glass window, dim sun rays, dust settled on the ground, calming reflecting pool, moving waters, dull ambience, cool colors, simple aesthetic, wild plants grown on walls, stain glass mosaic windows, hdr, wellspring, sharp quality, perfect blender render, artstation, cinematic shot, best photometry, clear, no blur
โหมด
flash
ขนาด
1104 x 1824
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of V ι ƒ  . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
cinematic shot, wide shot, from side, from below, one mature man, king, bald head, short-trimmed grey beard, bare shoulders above water, bathing, seated in shallow reflecting pool, calm water surface, ripples, concentric ripples, water rings, doves, perched doves, two doves, dove on stone rim, dove on fallen branch, broken glass window, shattered stained glass window, stained glass mosaic window, twigs, branches, bare branches through window, branches intruding through broken pane, dim sun rays, god rays, volumetric light shafts, dust motes, settled dust, dust layer on floor, wild plants, vines on walls, moss on stone, wellspring, spring water, ancient stone bathhouse, cool colors, desaturated palette, simple aesthetic, hdr, sharp quality, sharp focus, crisp, clear, no blur, best photometry, dull ambience A wide, low-set view from slightly below and off to the side of the pool: a ruined stone bathhouse, its entire frame sharp and legible from the near coping to the far wall. The man sits waist-deep in the shallow reflecting pool, off-center to the right in the frame, water at the level of his collarbones; his shoulders are bare, his head bald, a short-trimmed grey beard edging his jaw. His weight rests back on his left hip and left hand, pressed flat on a submerged stone step behind him; his right forearm rests along his right knee under the water, elbow bent. His head is turned in profile, chin slightly lifted, eyes on the bright opening of the broken window rather than the lens, lids half-lowered, mouth closed and relaxed. The water circles away from his chest in slow, clean, evenly spaced rings that widen and flatten toward the pool's edge. Behind him, the far wall carries a tall stained glass mosaic window, its once-gridded pattern of cool glass intact at the outer edges and burst at its center; through the jagged opening, bare twigs and thin branches push inward into the room, a few leaves catching the light. The window's remaining glass throws scattered cool color onto the water and the stone rim. A dove perches on the broken sill with its head tucked and one foot drawn up; a second dove sits on a fallen branch that juts over the pool, its body angled back toward the window. Dim sun rays come in low through the breach as visible slanted shafts, sagging slightly in the old air, and land as soft-edged patches on the far wall, the coping and the water's rippling face. Dust is settled everywhere it would fall: a pale even layer over the flag floor around the pool, a thicker rim of it along the wall base, motes only drifting where the light strikes them. Wild plants have rooted in the masonry -- climbers and moss climbing the walls in vertical runs, grass tufts pushing from cracks -- and the pool is fed from a low stone wellspring at the left, water seeping in and sliding over its lip without splashing. Palette: cool grey-blue, pale green-grey water, muted oxidized copper, desaturated violet glass; warm tones only inside the narrow sun shafts. Light rays are the single source beyond the soft skylight of the broken window; shadows sit cool and granular on the dust. Quiet, still, watchful.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ  . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
1boy, solo, adult male, bald, salt-and-pepper beard, short groomed beard, heavy gold circlet, ruby in circlet, naked, bathing, standing waist-deep in water, wet skin, water droplets on shoulders, from side, profile, dutch angle, looking down at water, half-closed eyes, calm expression, doves, five doves, perched, doves on stone rim, dove on king's outstretched forearm, broken glass window, twigs emerging from window, branches through broken panes, stained glass mosaic windows, wild plants on walls, vines, ferns, moss, dust settled on ground, dim sun rays, god rays, single light shaft, reflecting pool, calm water, moving water, ripples, concentric ripples, wellspring, stone basin, cool colors, teal, slate blue, desaturated green, dull ambience, simple aesthetic, cinematic shot, wide shot, depth of field, sharp focus, crisp, clear, no blur, photorealistic 3d render, physically based lighting The camera sits low and slightly off-axis, tilted a few degrees into a dutch angle, looking along the water from the side: a bald, broad-shouldered man stands waist-deep in a shallow stone reflecting pool, seen in near-profile with his chest turned a quarter toward the lens, his right arm lifted and held out level above the water. His short salt-and-pepper beard is wet at the edges and beaded with droplets, water sheets down his shoulders and forearms, and a heavy gold circlet with a single ruby rests low on his brow, its metal clouded by steam. A grey dove perches on his extended forearm, its claws closed on his skin, head turned down toward the water; four more doves sit spaced along the pool's stone rim behind him, one preening its own back, one with its head tucked, all still. He does not look at them and does not look at the lens: his chin is lowered and his half-closed eyes rest on the point where his own reflection breaks, a faint closed-mouth calm in the set of his jaw. The pool is a shallow stone basin -- the wellspring -- its rim worn round and dark with damp; the water's surface swings in slow, unbroken concentric rings out from where his thighs displace it, and the rings warp the reflected shape of the window above into stretched ribbons. Patches of settled dust grey the dry flagstones beyond the basin's lip, and the moisture line on the stone marks exactly how far the water has reached, leaving the dust untouched past it. Behind him the wall climbs in cracked plaster, and wild plants have taken it: ferns unfurling from the joints of the masonry, ivy ropes hanging down, moss furring the mortar in the damp shade. High in that wall a broken glass window gapes, most of its panes gone, and bare twigs and leafy branches have pushed in through the empty frame and hang into the room, their leaves stirring slightly above the pool. To its left, stained glass mosaic windows hold their leaded grid intact, their cool blues and greens and one muted violet reading as dim jewels rather than light. The only light is a single shaft of sun angling through the broken window, already weak and dusty, laying a soft-edged parallelogram of pale gold across the basin and across the king's shoulder and beard; the doves on the rim nearest the shaft catch a rim of it, and everything outside that shaft -- the far corners, the ceiling, the wall behind the ivy -- sinks into flat, cool shadow. The shaft makes the airborne dust visible as a faint haze, but the dust on the floor lies undisturbed. Palette is closed and cool: teal and slate-blue water, cold grey stone, desaturated greens in the plants, the gold circlet and the warm shaft the only warm notes in a dull, quiet room. Crisp, evenly sharp throughout, clean physically based render with no softness anywhere, simple and austere in composition. Quiet, solemn stillness.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ  . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
birds bathing, doves perched, broken window with twigs and branches growing out, dim sun rays, dust settled on the ground, reflecting pool, moving water, wild plants on walls, stained glass mosaic windows, cool colors, no people, landscape, wide shot, from a low side angle, backlit, sharp focus, crisp detail, depth of field, no blur, cinematic composition, volumetric light shafts, caustic reflections, ripples, moss, ivy, ferns, stone basin, still water, shallow water, splashing, droplets, wet feathers, perched on branch, perched on stone ledge, stained glass fragments, broken glass shards, sunbeam, god rays, dust motes, muted palette, desaturated teal and slate grey, high dynamic range, mist Seen from a low side angle inside a ruined stone hall, the room opens toward a broken arched window on the right, its stained glass reduced to a mosaic of leaded fragments -- deep teal, sea green, pale smoke grey, one shard of dull amber -- still set in the tracery at the top while the lower panes are shattered, and out through the jagged gap a cluster of bare twigs and slender branches pushes into the interior, bark cool and damp, a few small leaves unfurling at their tips. Ivy and ferns have taken the walls in flat climbing sheets, hugging the stone courses and trailing down toward the floor. In the left-middle of the composition sits a shallow circular stone basin, its rim worn and lichen-mottled, water brimming to the edge and running over the lip in a thin glassy sheet that slides down the stone and darkens it; the pool's surface reflects the window's mosaic in broken inverted patches, ripples spreading in slow concentric rings where the bathers stir it, and on the far lip the water clings and beads before dropping. Three small songbirds with iridescent blue and grey plumage stand thigh-deep in the shallows at the basin's near edge, one caught mid-splash with wings half-raised and droplets flying off the primaries, one dipping its head and flicking beads off its crown, one crouched low with its breast pressed to the water; a fourth perches on the wet rim shaking itself out, feathers ruffled and spiky. On the dry stone ledge to the right, two plump white doves with soft grey wing-tips sit calmly on a broken slab of the window sill, one with its head tucked a little into its shoulders, the other preening the side of its own wing, both facing inward toward the water; a third dove perches on the lowest branch that juts through the window, its feet wrapped around the bark, head turned down at the basin. A film of fine grey dust lies undisturbed across the raised flagstones and the flat dry ground away from the water, marked only by faint scattered bird tracks and one small feather fallen at the basin's base; dust hangs in slow suspension in the beams, and only the wet-flagged ring around the pool is dark and un-dusted. The light is a low, weak sun coming through the window from the right and slightly behind, so the birds and the branch cluster read as soft silhouettes with rimmed edges; the beams cross the room in visible shafts thick with drifting motes, and everything off the beams sits in cool shadow. The palette stays in cool greys, slate blue, teal and moss green, with the single dull amber shard and the pale white of the doves as the only break. High dynamic range, crisp micro-detail on feather barb and wet stone, a precise hard edge on the glass shards and twigs, physically accurate reflections -- the pool's reflected mosaic dimmer and softer than the real window it mirrors -- over a clean, uncluttered composition. Quiet, still, gently melancholic.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ  . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
cinematic shot, wide shot, no humans, calm reflective pool, still reflecting pool, moving water, rippling water, concentric ripples, shallow water, stone basin, spring wellspring, water flowing from stone, wild plants, vines growing on walls, moss on stone, stained glass mosaic windows, mosaic glass tiles, cool color palette, teal, slate blue, pale cyan, muted grey stone, dull ambience, overcast diffuse light, sharp focus, deep focus, high detail, wellspring, architectural interior, vaulted stone chamber, simple aesthetic A cinematic wide shot from a low eye-level camera inside a quiet vaulted stone chamber, the frame built around a shallow circular reflecting pool set into the worn flagstone floor in the lower third; the pool is the picture's anchor, its surface alive with slow moving water — fine overlapping concentric rings spreading from the point where the spring's water enters, each ring perfectly circular and catching a thin bright rim on its outer edge, the rings widening and softening as they travel outward until they flatten against the pool's stone lip. At the pool's far edge a low stone wellspring rises out of the floor, a weathered block worn smooth and dark at the waterline, and a thin thread of water pours from its lip into the basin, the falling stream breaking into droplets that bead and slide down the wet stone face and darken a fan of damp stone beneath. Wild plants have taken the walls: moss mats the joints between blocks in soft green-grey patches that thicken toward the damp lower courses, ferns and thin-leaved creepers sprout from cracks and hang down over the mortar, and a few pale stalks lean out far enough to catch the light and throw small trembling shadows onto the stone behind them. Above and behind the pool, the chamber's tall windows are stained glass mosaics — hundreds of small glass tiles set in lead cames, in cool blues, sea-greens, pale cyans and a scatter of near-white, the mosaic panels curving with the arch of each window so the tile grid bends along the stone tracery; the light passing through them lands in soft, cool pools of blue-green on the flagstones in the midground and tints the mist hanging over the water. The light is diffuse and overcast-bright through the glass, no hard sun anywhere, the wellspring and the far wall softly modeled by that even wash while the corners and the ceiling vaults sink into quiet shadow; the only specular highlights in the frame are on the moving water and the wet stone lip of the spring. The palette is disciplined and cool — slate blue, teal, sea-green, pale cyan, damp grey stone, moss green, and a muted near-white in the brightest mosaic tiles, nothing warm admitted anywhere. The aesthetic stays simple and uncluttered: one pool, one spring, plant-eaten walls, glass windows, no ornament, no clutter, no figures. Everything is in sharp focus from the near stone lip to the far window tracery, the mosaic tiles individually legible, the fern fronds crisp, the rings on the water resolved as distinct lines. A faint cold mist clings to the surface of the pool and drifts a hand's width above it, thinning where the moving water disturbs it. Quiet, hushed.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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