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AI art "iu9ij9ijh" featuring #เบลเซอร์, #ปิดปาก and #Higuchi Kaede
สร้างฟรี

iu9ij9ijh

okjokjo

#เบลเซอร์#ปิดปาก#Higuchi Kaede
Avatar image of karugi

karugi

ดูเพิ่มเติม

คอมเมนต์

A professional black-and-white Japanese school-comedy manga page, portrait orientation, containing exactly two vertical comic strips arranged side by side with equal widths and clean white gutters. Each strip begins with a thin horizontal rectangular title box centered at the top, followed by four to five stacked rectangular panels with thin black borders. Art style is clean hand-inked manga lineart with halftone screentones, crosshatching, and grayscale shading only — no color. Characters are high school girls with consistent designs: one with short wavy hair and a vest over her uniform; one tall and elegant with long straight dark hair and a blazer; one with a high ponytail and an unzipped black jacket over her uniform, acting as the chaotic wildcard; one petite and cheerful with white low pigtails and ribbons; plus a female teacher with a hair bun and glasses showing expressions from composed to comically furious. Expressive anime faces, chibi reactions, sweat drops, speed lines, and sparkles used for comedic timing. Rounded speech balloons with uppercase sans-serif dialogue, bold jagged balloons for shouting, and thought bubbles for thinking. Backgrounds are detailed but uncluttered school interiors. Each strip tells its own short funny story with a distinct punchline. Best quality anime illustration.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
Create ONE complete Japanese-style manga page in clean, professional black-and-white manga format. This is a continuing series, so maintain the same overall visual design, character appearances, panel structure, and comedic tone across every page. 1. PAGE LAYOUT — VERY IMPORTANT The entire page must contain TWO separate vertical comic strips arranged SIDE BY SIDE on one portrait-oriented page. LEFT COLUMN: Story Strip 1. RIGHT COLUMN: Story Strip 2. Each column has its OWN thin, horizontal rectangular title box at the very top. Place the title in the centre of each title box. Under each title box, stack approximately 4–5 rectangular or square-ish comic panels vertically. Both columns should have approximately equal widths and align neatly. Use thin, clean black borders around every panel and title box. Leave narrow, consistent white gutters between panels and columns. Each strip must tell its own complete, short, funny story. Do not merge the two stories into one continuous strip. Do not place one title above both columns. Do not arrange the two strips horizontally as rows across the whole page. Do not use a conventional full-width manga layout. The result should resemble two mini-comics printed side by side on a single manga page. 2. TITLE DESIGN Each strip has one thin rectangular title box, wider than it is tall. Use a simple generic sans-serif font resembling Arial. Use black text on a white background. Use normal or medium font weight. Keep the title centred and readable. Do not use decorative, cursive, handwritten, or oversized typography. Titles should be short and appropriate for each story. 3. ART STYLE AND COLOUR Strictly black-and-white and grayscale only. No colour whatsoever. Clean, confident Japanese manga lineart. Professional hand-inked manga appearance. Use black outlines, white highlights, light and dark gray screentones, halftone textures, and crosshatching where appropriate. Detailed but uncluttered school backgrounds. Expressive anime-style faces and readable body language. Use varied facial expressions, reaction shots, close-ups, and occasional dramatic manga effects. Use speed lines, sweat drops, anger symbols, sparkles, and chibi reactions only when appropriate. Keep the drawings polished, coherent, and visually consistent. Avoid blurry outlines, messy anatomy, excessive visual noise, glossy 3D rendering, photorealism, and generic AI-looking artwork. Prioritise natural, intentional compositions that resemble a professionally drawn Japanese school-comedy manga. 4. CHARACTER DESIGN — KEEP CONSISTENT NOZOMI IIDA Short, light-blue, wavy hair, rendered in light gray screentones. Brown eyes. Cute appearance. Slightly stubborn personality. Wears a Japanese school uniform with a vest over it. Her short, wavy hairstyle and vest must remain consistent in every panel. AKARI SHIBUKI Long, straight black hair. Pale skin and blue eyes. Tall, pretty, elegant, and well-mannered. Wears a school uniform with a blazer. Her long, dark hair and tall silhouette should make her immediately recognisable. OMORI NANODA Blonde-hazel hair rendered in appropriate gray screentones. Long, high ponytail with fringe. Average height. Nice, cutesy, silly, and unpredictable. Wears an unzipped black jacket over her school uniform. Often acts as the chaotic wildcard in the group. Keep her ponytail and open jacket consistent. SHIZUKA HARUKO Long white hair in low pigtails, with hair ribbons. Short, cute, girly appearance. Wears the normal school uniform. Sweet and cheerful personality. Keep her low pigtails and ribbons consistent. TEACHER Female adult teacher. Hair tied in a bun. Wears glasses and ordinary, non-uniform clothing. Her facial expressions should range from composed and professional to exhausted, confused, or comically furious. She is the girls' long-suffering teacher. 5. SPEECH BUBBLES AND LETTERING NORMAL DIALOGUE: Use a familiar manga-style sans-serif comic font. ALL DIALOGUE MUST BE WRITTEN IN CAPITAL LETTERS. Keep the lettering clean, legible, and evenly spaced. Use ordinary rounded speech balloons with clear tails pointing towards the correct speaker. SHOUTING: Use bold, heavy, uppercase lettering. Use larger speech balloons or jagged-edged balloons when appropriate. Make the shouting visually distinct from normal dialogue. THINKING: Use the same font as normal dialogue. Use thought bubbles or appropriate thought indicators. Keep thought text uppercase. OTHER TEXT: Use smaller, readable uppercase lettering for sound effects, scene labels, and brief background notes. Character name labels should appear in small rectangular boxes when useful. Make sure names and dialogue match the correct characters. IMPORTANT TEXT RULES: Spell every word correctly. Avoid random, nonsensical, duplicated, or garbled dialogue. Do not invent additional characters or dialogue that contradicts the supplied story. Keep speech bubbles inside their panels and prevent overlapping text. Use bold lettering only for shouting or deliberate emphasis. 6. STORYTELLING AND COMEDY Every strip must contain approximately 4–5 panels. Establish the situation quickly. Build the joke through dialogue, timing, facial expressions, and reactions. Give each character dialogue appropriate to her personality. Make the comedy playful, expressive, and occasionally absurd. Use a satisfying punchline or unexpected twist at the end of each strip. Avoid repeating the exact jokes or storylines from previous pages unless specifically requested. Preserve continuity in character appearances, school uniforms, relationships, and personalities. Do not add colour to distinguish characters; use grayscale values and consistent hairstyles instead. 7. STORY FOR THIS PAGE LEFT STRIP TITLE: [INSERT LEFT STORY TITLE] LEFT STRIP STORY: [INSERT THE COMPLETE LEFT STORY HERE. Describe what happens in each panel, the dialogue, the reactions, and the final punchline.] RIGHT STRIP TITLE: [INSERT RIGHT STORY TITLE] RIGHT STRIP STORY: [INSERT THE COMPLETE RIGHT STORY HERE. Describe what happens in each panel, the dialogue, the reactions, and the final punchline.] 8. FINAL COMPOSITION CHECKLIST Before rendering, ensure that: There is exactly ONE page. There are exactly TWO vertical story strips side by side. The LEFT strip has its own thin rectangular title box. The RIGHT strip has its own thin rectangular title box. Each strip contains approximately 4–5 rectangular-square panels stacked vertically. The page is entirely grayscale. All established character designs remain consistent. Normal dialogue is uppercase and readable. Shouting uses bold uppercase lettering. Both strips have their own distinct story and punchline. Panel borders, speech bubbles, and spacing are clean and consistent. The result looks like a coherent, professionally inked Japanese school-comedy manga page. Generate the finished manga page as a single complete illustration. Do not generate a cover, multiple pages, a character sheet, or a storyboard outside the specified two-column layout.
โหมด
lite
ขนาด
848 x 1280

โมเดลและ LoRA ที่ใช้

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.28k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
유
죄송하지만 이 요청은 도와드릴 수 없습니다. 동의 없는 신체 접촉(스킨십)을 묘사하는 이미지를 생성하라는 내용이라, 상대가 불편해하며 시선을 돌리는 표정을 요청하신 점도 이에 해당합니다. 대신 도와드릴 수 있는 대안을 제안드립니다: - **양쪽 모두 기뻐하는 장면**: 두 캐릭터가 서로를 바라보며 웃는 등 상호 동의가 분명한 로맨틱한 장면 - **부끄러워하는 표정 자체**: 이미지1의 캐릭터가 놀라거나 부끄러워하는 표정만 바꾸는 편집 - **새로운 포즈·구도**: 일어선 자세, 창가 풍경 등 다른 구도의 일러스트 원하시는 방향을 말씀해 주시면 그에 맞춰 작성해 드리겠습니다.
유정민
AI artwork
A4
A full manga page arranged in vertical panels, featuring an anime boy and girl in a black and white shounen romance aesthetic. The first wide panel at the top shows the pair sitting apart on a school rooftop at sunset, glancing awkwardly at each other with the sound effect "ざわ…" written nearby. In the second panel, a medium shot depicts the girl standing and taking a small step toward the boy, who looks up at her with a surprised expression. The third panel is a close-up of them standing face-to-face, eyes locked and cheeks flushed, their hands almost touching with a tiny "ドキッ" heart sound effect. The final large splash panel at the bottom captures a romantic close-up as the boy gently cups the girl's face with his hand, their lips meeting in a dramatic kiss while their hair flows around them. The image utilizes traditional manga techniques including sharp ink lines, detailed screentones for shading, and Japanese text within speech bubbles. The atmosphere is emotional and romantic, enhanced by dramatic lighting, speed lines, and sparkles in the final panel.
A4

สำรวจเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
14#คางามิเนะ ริน#โวคาลอยด์#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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5#ผ่าพิภพไททัน#มิคาสะ อัคเคอร์แมน
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