Oct 23, 2026

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AI art "ゆーびんやさん" featuring #จิบิ, #เสื้อแจ็กเก็ต, #กางเกง and #อาคาร

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ゆーびんやさん

ちっちゃいゆーびんやさん。キノを思い出してみたり。

#จิบิ #เสื้อแจ็กเก็ต #กางเกง #อาคาร

เผยแพร่เมื่อ Oct 29, 2026

Maphine Stewart

ดูเพิ่มเติม

1girl, solo, chibi, super-deformed, short stature, cute girl, dark blue military uniform, military service cap, ash gray hair, semi-long hair, medium hair, gradient eyes, gradient eye color, smug, composed expression, closed mouth, half-closed eyes, running, motion, running toward viewer, large crossbody bag, shoulder bag, diagonal strap, dusk, sunset, evening, golden hour, orange sky, European street, brick houses, cobblestone, low angle, from below, cowboy shot, mid shot, looking at viewer, anime style, flat shading, sharp focus, cel shading, warm light, long shadow, A low-angle middle shot from knee height, looking up: the chibi girl comes straight down the cobbled lane toward the lens, mid-stride, so that her small body towers against the strip of reddening sky between the rooftops. She is super-deformed and short, a big head on a compact body, and the dark blue military uniform sits on her exactly: a double-breasted tunic with two rows of brass buttons, a stiff standing collar closed at the throat, a narrow belt cinched hard at the waist, and a matching service cap pulled level on her brow, its visor casting a thin shadow across the upper half of her face. Her ash-grey semi-long hair falls to just below her jaw and swings out behind her right shoulder with the run, strands lifted by the air she is pushing through. Her eyes are gradient, a pale silver-blue at the lower rim rising to a deep indigo at the lashes, and they are half-lidded, fixed on the viewer with a small self-satisfied closed-mouth smile, chin slightly lifted despite the upward angle, entirely composed. Her right knee drives up and forward, boot sole off the ground; her left leg is planted, and that left foot bears all her weight, the pointed toe of the boot rolling on the cobble so the front of the sole presses down while the heel kicks loose behind. Her arms pump: the left elbow folded and the left fist up near her chest, the right arm thrown back. The big crossbody bag is slung diagonally from her right shoulder across her body to her left hip on a wide strap; it is oversized, half her own height, tan canvas with a dark flap and buckle, and it swings outward and up off her left hip, its flap lifting, the strap taut across the front of her dark blue tunic and pulling a crease into the fabric at her right shoulder. The strap crosses in front of her collar and the bag's body overlaps her left thigh, so the bag reads in front of her hip while the swinging flap hangs clear. The street is a European lane walled by brick houses, three to four storeys, their facades close enough to leave only a narrow band of sky; the low camera makes the brickwork converge steeply upward and to the left, and one house-edge cuts across the top left of the frame while a lamp bracket juts in from the upper right. The sun sits low down the street behind her, so the light comes from behind and to her left: it rims the top edge of her cap, the crown of her hair and the outer line of her right arm in hot orange, lays a long dark shadow of her body and swinging bag down the cobbles toward the viewer, and catches only the forward-facing planes of the bricks, while the whole of her front stays in the softer warm bounce. The palette is the orange-red of the sky and lit brick against the deep navy of the uniform and the ash grey of her hair, with the tan bag as the single warm neutral between them; the far end of the street dissolves in sunset glow. Flat shading, hard cel edges and clean flat colour fields with sharp focus throughout, a single strand of hair and the bag's buckle crisp against the receding street. Effortlessly stylish, quietly triumphant.

ゆーびんやさん

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