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AI art "チェッカー・スケーター" featuring #ตาแดง, #โรลเลอร์สเก็ต, #หางม้าข้าง, #Silver-hair-chan and #zetaCollab
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チェッカー・スケーター

Contest Entry
PixAI × zeta Original Character Creation Contest 2026 #zetaCollab
#ตาแดง#โรลเลอร์สเก็ต#หางม้าข้าง#Silver-hair-chan
Avatar image of lalala7979
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lalala7979

ดูเพิ่มเติม

คอมเมนต์

บน PixAI พรอมต์จะเป็นสาธารณะโดยค่าเริ่มต้น แต่ผู้สร้างสามารถซ่อนพรอมต์ในผลงานที่เผยแพร่ได้ ผู้สร้างผลงานนี้เลือกที่จะซ่อนไว้ คำที่ใช้สร้างภาพนี้จึงเป็นส่วนตัวและมีเพียงผู้สร้างเท่านั้นที่เห็นได้ การซ่อนพรอมต์ไม่ได้เปลี่ยนสิ่งอื่นใด ผลงานยังคงเป็นสาธารณะ และคุณยังกดถูกใจ แสดงความคิดเห็น และแชร์ได้ตามปกติ
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โมเดลและ LoRA ที่ใช้

ZepMixIL-LowStep - AI Model cover image

SDXL

ZepMixIL-LowStep
1.24k

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ดูเพิ่มเติม
AI artwork
lg
1girl, solo, late teen, full body, standing, looking at viewer, serious, expressionless, (masterpiece:1.2), (best quality:1.2), (very aesthetic:1.2), (absurdres:1.2), (simple background:1.2), white background, no background, solid plain white field, ash gray hair, bowl cut, blunt bangs, red headband, single braid on right side, red hair streak in middle of hair, red eyes, black and red v-neck cropped camisole, buttoned camisole, high collar, bare midriff, ash gray sport mini tube skirt, red sneakers, white long socks, red thighband on both legs, straight-on view, eye-level camera, subtle contrapposto, arms relaxed at sides, hands loose, faint head tilt, lips pressed flat, brows level, gaze locked forward A single late-teen woman stands alone against a completely empty, seamless solid white field -- pure blank paper white from edge to edge, with no floor line, no wall, no scenery, no furniture, no props, no shadow-casting surface, nothing but her; the camera is at eye level and dead straight-on, a full-body framing that runs from the crown of her head to the soles of her red sneakers with a margin of white above and below, so the white reads as negative space pressed around her silhouette rather than as a room. Her body is not square to the lens: her weight settles onto her left leg, the hip under the ash gray skirt pushed very slightly out, the right knee soft and slightly forward, both feet planted flat and parallel at shoulder width, so the pose is a standing stillness with one small asymmetry keeping it alive -- her shoulders are level, her arms hang close to her body with the elbows a finger's width from her waist, and the fingers of both hands curl loosely inward just touching the outer seam of the skirt, the right thumb resting on the skirt's hem band. Her head is upright with a faint tilt of a degree or two toward her right shoulder, chin level, and her gaze goes straight out of the frame into the viewer's eyes and holds there, unblinking. Her hair is ash gray, pale and cool, cut in a bowl cut: a blunt fringe sliced level across her forehead just above the brows, the sides falling in a smooth even curve past her temples to the jaw, the ends cut flat. A red headband sits over the crown, its band pressing the hair down around it so the strands flatten and kink slightly where they emerge beneath its edge, and the band's width carries the eye up from her face. From the right side of the bowl cut a single narrow braid drops -- tight, even plaits gathered close to the skull and falling to about the collarbone, its tail tipped plain -- while the rest of the hair stays loose and blunt. Down the exact center of her head, parting the fringe into two equal halves, runs a streak of vivid red hair from the crown to the hairline, the red slightly coarser and catching more light than the ash gray around it. Her eyes are red, clear and cool-toned, set under straight ash gray brows, the whites clean, the lids relaxed at a neutral aperture, and her expression is serious: lips shut in a flat line with the corners neither raised nor pulled down, jaw set, the small muscle at the hinge of her jaw just visible, no smile anywhere in her face. Her top is a cropped black and red camisole with a high collar and a deep V at the chest -- the standing collar closes snug at her throat in black, the V opens beneath it edged in red piping, small black buttons march down the center placket, and the hem stops high enough to leave a band of bare midriff between the top and the skirt, the fabric a matte knit with a soft nap that absorbs light rather than shining. The skirt is an ash gray sport mini tube skirt, straight and close, sitting low on her hips with a plain elastic waistband and a short vertical seam at the front, its hem ending at upper thigh. Below it, white long socks rise to just under the knee, their cuffs a ribbed band that dimples the skin beneath, and a red thighband circles each leg high on the thigh -- elastic, flat, a finger's width, the left one sitting a touch higher than the right, both gripping the skin enough to leave a shallow soft crease above and below the band. Her sneakers are red with white soles and white laces, the toe boxes faintly scuffed, the sole edges picking up a thin gray line of wear. The light is a broad, even, directional studio light from above and slightly in front of her left shoulder at a low intensity ratio, so the illumination falls off gently down her body: the tops of her shoulders, the crown of her head, the top plane of the red headband and the upper surfaces of the sneakers' toe caps are the brightest passages, soft highlights sliding down the curve of the ash gray bowl cut; beneath her chin and under the high collar a small shaded pocket forms, the undersides of the braid, the inner edges of the skirt hem and the shadowed under-curve of the thighbands deepen, and a diffuse contact shadow pools small and soft directly under each sneaker, hugging the soles tightly without spreading. The palette is disciplined and narrow: cool ash grays in hair and skirt, black in the top and its buttons, and red as the single sharp accent in the headband, the center streak, the eyes, the V-piping, the thighbands and the sneakers, all of it floating on pure white. Every edge is crisp cel-style linework with clean two-tone shading and no texture noise on the white, the figure rendered at high resolution with fine detail concentrated in the face, the braid's plaits, the knit of the camisole and the ribbing of the socks. Still, cool, and quietly severe.
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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
14#คางามิเนะ ริน#โวคาลอยด์#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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5#ผ่าพิภพไททัน#มิคาสะ อัคเคอร์แมน
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