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AI art "女僕越過障礙"
สร้างฟรี

女僕越過障礙

女僕訓練,當主人出現危險時又不顧一切的奔向主人身邊(笑),所以女僕們自辦『跑酷』比賽,訓練能力。(笑笑)

ดูเพิ่มเติม

คอมเมนต์

multiple girls, 5 girls, group of adult women, maids, black and white maid uniforms, maid headdresses, voluptuous, curvy figures, busty, wide hips, hourglass silhouettes, thick thighs, fully clothed, modest covered skirts, blonde hair, high ponytail, green eyes, emerald earrings, torn sleeve, one torn sleeve, vaulting over railing, bent metal railing, worried expression, shouting, open mouth, furrowed brows, other maids leaping down from arena stands, leaping, determined expressions, varied hair colors, varied hairstyles, hair fluttering, skirts fluttering, motion lines, dim arena lighting, blurred audience in background, dynamic action shot, low angle, wide shot, from below, foreshortening, dramatic atmosphere, no text, no letters, no numbers, no signs, clean surface, no watermark, no signature, high resolution, anatomically correct, correct limb counts, distinct separate bodies, no fused bodies, shiny skin, glossy rendering, soft lighting, sweat, tension, midair The camera sits low in the arena aisle looking up, so the vaulting blonde crosses the top of the frame and the stands rise behind her in steep diagonal tiers. She is caught at the apex of her vault, both palms planted flat on the dented top bar of a bent metal railing that sags under her weight and bows toward the viewer, her hips swinging over the bar, one knee snapped high and the other leg trailing back and down, her whole body tipped forward past vertical. Her blonde high ponytail whips out behind her shoulder on the trailing side, the tie holding it high on the crown, and its tip snaps sideways in the air. Her green eyes are wide and wet under drawn-together brows, her mouth wide open mid-shout, chin lifted, throat taut, a fine sheen of sweat on her forehead and at her collarbone. One sleeve of her black and white uniform is torn open along the seam near the shoulder, ragged white edge curling away from bare skin, the other sleeve intact; the apron bib and skirt are pristine, the skirt heavy and full, billowing out behind her hips and falling back down over her thighs so nothing underneath shows. Emerald earrings catch a cold spark at both ears and swing with the motion. Behind and below her, four more maids come off the arena stands like startled birds, each one midair at a different height and angle, none of them touching the ground. Each is fully dressed in a black and white maid uniform with a frilled headdress, each figure fuller and rounder than the one before, hips and bust exaggerated until the last one in the far tier is the softest, most generous silhouette in the frame: one with auburn hair in a low bun dropping forward with a hand catching the rail, one with dark brown twin tails streaming upward as she drops feet-first, one with silver-white short hair mid-leap with her apron strings trailing, one with copper-red hair in a braid arcing over the stanchion. All four have their jaws set and their eyes locked down and forward on their landing, brows flat and determined, chins tucked, and every skirt flares upward against their fall. Motion lines rake behind the blonde and each leaping maid along their arcs of travel, thin even speed lines hugging the bodies. Behind them the arena stands are a dim industrial hollow of steel girders and railings, and the audience sits in the upper tiers as a blurred dark mass of anonymous shapes, deliberately out of focus. The only real light is the hard overhead arena lamp, striking the tops of shoulders, ponytails, headdresses and the bent railing's upper edge and leaving the undersides of every figure and the deeper stands in heavy shadow; the railing's dented section throws a hard shadow across the blonde's apron. Palette stays black, white, warm skin tones and the cold green of her eyes and emeralds, everything else muted into the gloom. Crisp, polished anime rendering with soft blended skin gradients and glossy fabric highlights. Dramatic, breathless.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
masterpiece, best quality, anime illustration, dynamic action shot, low angle, wide shot, multiple girls, group of adult women, maids, black and white maid uniforms, maid headdresses, all voluptuous, curvy figures, busty, wide hips, each maid curvier than the last, front: blonde hair, high ponytail, emerald earrings, green eyes, torn sleeve, vaulting over a bent metal railing, worried expression, shouting, behind her: other maids leaping down from the arena stands like startled birds, varied hair colors and hairstyles, determined expressions, hair and skirts fluttering, motion lines, dim arena lighting, blurred audience in background, dramatic nsfw, nude, nipples, panties, underwear, child, loli, flat chest, text, letters, numbers, sign, watermark, signature, lowres, bad anatomy, extra limbs, extra legs, extra arms, deformed, fused bodies
โหมด
flash
ขนาด
1104 x 1824
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of chakey
multiple girls, 3girls, harem, gothic maid outfit, black maid dress, white frilled apron, white lace headpiece, miniskirt, thighhighs, black thighhigh socks, zettai ryouiki, great body proportions, slender figures, bodies huddled close together, group gathering, leaning together, shoulder pressed to shoulder, cheek near cheek, smiling, looking at viewer, closed-mouth smile, open-mouth smile, head tilt, arms linked behind backs, hand resting on another's shoulder, gorgeous luxurious ornate room, baroque interior, gilded moldings, crystal chandelier, from below, wide shot, cowboy shot, dutch angle, warm candlelit glow, deep crimson and black and gold palette The camera sits low and tilted a few degrees off level, looking up at three maids who fill the frame from mid-thigh to just above their heads, the gilt ceiling and the hanging chandelier glimpsed behind them. They are packed into one tight cluster in the middle of the hall, bodies closed around a shared point: the girl on the left stands with her weight on her back foot, hip cocked, and her left arm disappears behind the waist of the girl in the centre; the centre girl leans in so her shoulder presses flat against the left girl's upper arm and her cheek nearly grazes the right girl's temple, her chin dipped and tilted up toward the lens; the right girl shifts her weight forward, one knee bent out, and loops her right forearm behind the centre girl's back, fingertips visible at her far side. Their free hands are busy with small, character-revealing gestures: the left girl's right hand lifts the hem of her apron in a mock curtsy; the centre girl folds both hands at her sternum over the apron bib; the right girl raises two fingers in a lazy peace sign beside her cheek, elbow tucked, wrist bent. All three faces are turned to the viewer and all three are smiling — the left girl with a faint closed-lip curve and a lowered lash line, the centre girl with an open-mouthed grin that shows the tips of her teeth, the right girl with a lopsided smirk and one brow arched higher than the other, one eye half-closed in a wink. Their eyes meet the lens directly and hold it, the low camera making each set of eyes look slightly up and inward at the same time. Black hair and one ash-blonde head of hair all fall differently under the tilt of the trio: the left girl's straight dark hair sticks to the lace of her headpiece; the centre girl's hair spills forward over her shoulder with the lean; the right girl's short bob swings against her jaw as she tips her head. White lace cuffs and frilled aprons are pressed flat and creased where the bodies overlap, and the short skirts flare outward at the thighs, the black thighhighs catching a thin highlight down the front of each leg above the exposed band of skin. The light is a single warm source above and behind the camera's shoulder line, thrown from the chandelier: it rims the tops of the three heads in gold, catches the crystal drops, and drops off into deep crimson shadow in the corner of the hall behind them, leaving the far end of the room in near blackness. Gold molding and a red velvet drape sit just inside that darkness at the frame's right edge, and the marble floor at the bottom of the frame holds a soft dull reflection of the aprons — darker and softer than the fabric itself. The palette is held to black, white lace, deep crimson and warm gold, with no other hue admitted; the deep black of the dresses anchors the bottom of the cluster and the gold climbs the walls behind. Intimate, opulent.
chakey

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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