Oct 23, 2026

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AI art "川沿いのコスモス畑ある公園の中で超巨大ビーチボールを膨らませてキスする花柄の着物着た黒川あかね"

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川沿いのコスモス畑ある公園の中で超巨大ビーチボールを膨らませてキスする花柄の着物着た黒川あかね

เผยแพร่เมื่อ Oct 30, 2026

古

古谷至啓

ดูเพิ่มเติม

character: kurokawa_akane 1girl, solo, kurokawa_akane, blue_hair, short_hair, long_hair, hair_between_eyes, swept_bangs, blue_eyes, star-shaped_pupils, floral pattern kimono, floral print, kimono, huge beach ball, red white blue pattern, glossy surface, matte-lustrous sheen, no reflections, inflating beach ball, blowing, lips pressed to ball, kiss, closed eyes, cheeks slightly puffed, both hands holding ball, from side, profile, cowboy shot, wide river, cosmos flower field, park, outdoors, autumn daylight, looking at ball, Side profile shot from slightly low, eye level with her chin, so the river runs away as a pale band behind her and the cosmos field fills the middle distance. She stands in three-quarter profile facing the right edge of the frame, weight settled on her back foot, hips angled away, her right shoulder pushed forward and her whole upper body leaning into the ball with her chin tipped up a little to meet its curve. Both hands are spread on the ball's near side, fingers dug into its surface, the heels of her palms dimpling the taut rubber around her mouth so the vinyl creases in short radiating ridges. Her lips are sealed against the ball inside a wide flattened ring of contact; the rubber puckers inward and whitens a fraction around her mouth from the inward pull of her breath, and her cheeks are held slightly rounded with air. Her eyes are shut, lashes down, brows eased, one brow a touch higher than the other — working at it rather than posing. Her blue hair is short, with a strand falling between her eyes and swept bangs lifted off her forehead, the loose ends near her jaw stirring a little in the airflow she is pushing into the ball. She wears a kimono printed all over with a dense floral pattern, small blossoms and stems scattered in soft colours over a light ground. The collar crosses at her throat, the long sleeves fall and stack at her elbows where her arms reach forward, and the fabric's front panel is pulled slightly forward by the spread of her shoulders. The obi is tied flat at her waist. The ball is enormous — it rises well past her head and bulges wider than her shoulders, filling the right two-thirds of the frame, its red, white and blue panels banded in wide wedges. Its surface is a hard, glossy laminate with a bright taut sheen that slides along the inflated curve and gathers in a broad soft highlight high on the upper left of the sphere, where the sky touches it; nothing of herself, the field or the water is mirrored anywhere on it, and the sheen rolls off toward the lower right into a deeper, denser vinyl darkness where the field's colour is only a dull tint under the skin. The river runs shallow and silvery along the left edge of the frame, its surface broken by fine wind wrinkling far out, and a low railing and a line of trees mark the park bank. The cosmos field stretches in a broad pink-and-white haze of thin stems behind her, the flower heads dipping slightly toward the right under the same wind that nudges her sleeve hems and the loose ends of her hair. Light comes from the upper left, an autumn afternoon sun that lands hard and clean on the ball's shoulder and along the edge of her jaw and sleeve, and leaves her back and the far bank in a softer, cooler shadow. The palette stays in the ball's three colours, the pale pink and white of the field, the muted kimono florals and the grey-blue of the water, with the sky a dry bright blue above. Quiet and absorbed, like a small private effort in the middle of a vast bright afternoon.

川沿いのコスモス畑ある公園の中で超巨大ビーチボールを膨らませてキスする花柄の着物着た黒川あかね

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