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AI art "From Dusk Till Dawn but Babylon"
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From Dusk Till Dawn but Babylon

Avatar image of Dermot

Dermot

ดูเพิ่มเติม

คอมเมนต์

A full body shot from a low-angle view, depicting a voluptuous young woman, Santanico Pandemonium, standing atop a feasting table in a Babylonian temple, facing the viewer in a three-quarter view. She has a golden tan, long wavy black hair crowned with a gold leaf headdress and red plumes, and a hypnotic expression with smoky makeup and pouting red lips. She wears a tiny gold bikini set adorned with lapis lazuli and sheer red silk streamers, with gold cuffs and anklets. A huge albino python is draped across her shoulders. She holds a gold jug, tipping wine in a thin stream down her raised shin onto the lips of a spellbound king in his 30s, who sits frozen in a carved cedar throne wearing a deep blue fringed robe. The setting is the Temple of Ishtar, featuring glazed lapis-blue brick walls with golden lion reliefs, bronze braziers with leaping fire, and incense smoke. The atmosphere is sultry and dangerous, illuminated by flickering orange-red firelight against deep blue and gold tones, rendered in a vivid, high-saturation anime illustration style.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
A full body shot framed head to toe, from a low angle, the viewer looking up. The image is a restaging of Santanico Pandemonium's snake dance from From Dusk Till Dawn (1996), with its composition and pose carried into a Babylonian temple, dancing for a king. She is a young woman in her 20s, Santanico Pandemonium, the sacred serpent dancer of a Babylonian temple who is far more than she seems. The image has an ancient Babylonian vibe of ziggurats and lapis-blue gates, golden lions and temple fire, wine and incense, a serpent dancer and the night about to turn very strange, and the mood is hypnotic, sultry and dangerous, a whole court in a trance. She is breathtaking, a woman with a voluptuous hourglass build: petite, with smooth, rounded shoulders, soft arms, a tiny waist, full, rounded hips and shapely, curving legs, and large, full breasts. Her skin is a warm golden tan glistening in the firelight, and her face is sultry and breathtaking, with a soft oval shape, high, rounded cheekbones, large, smouldering dark brown eyes with long lashes, thick, arched black brows, a small, straight nose and full, pouting lips. Her expression is hypnotic and teasing, her heavy-lidded eyes locked on him and a slow, wicked smile on her lips. Her very long, glossy black hair falls loose in waves to her hips, crowned with a tall gold headdress of gold leaves and red plumes. She wears a tiny gold bikini top of jewelled cups set with lapis lazuli and fine gold chains, her full breasts bursting round the tiny cups, and a tiny matching gold jewelled bikini bottom hung at the hips with long, sheer red silk streamers, with gold cuffs high on both arms and gold anklets, so that her shoulders, her arms, most of her breasts, her whole midriff, her hips, her thighs and her legs down to her bare feet are bare. A huge albino python with white and yellow scales lies draped across her shoulders. Her makeup is smoky dark lids, heavy kohl liner, long lashes and a deep red lip. Below her sits the king, a nervous, wide-eyed man in his 30s with short dark hair and a neatly trimmed beard, staring up at her, spellbound. He wears a long fringed robe of deep blue wool embroidered in gold, a gold diadem and a gold cuff on one wrist, and he sits frozen in a carved cedar throne at the feasting table. The setting is the great hall of a temple of Ishtar in Babylon, late at night: walls of glazed lapis-blue brick paraded with golden lions and bulls in relief, massive cedar beams, a dais of leaping fire in bronze braziers and burning oil lamps at the back, musicians with harps and drums in shadow, a long feasting table of dark wood crowded with gold cups, wine jars and platters of figs, and a crowd of adult courtiers and guards in fringed robes watching from the incense smoke, entranced. The whole scene is fully detailed. Seen from a low angle, she stands on top of the feasting table in front of the king, facing the viewer in three-quarter view, the python coiled across her shoulders, one leg raised and stretched out so that her bare foot rests at his lips, tipping a gold jug of wine so that it runs in a thin stream down her raised shin and off her toes into his mouth, her other hand on her hip, while he sits frozen in his throne, gazing up at her. Hot firelight from below: the leaping fire of the bronze braziers and the oil lamps throw a hot, flickering orange-red light up across her golden skin, the jewels and the pale python, the glazed lapis walls glowing deep blue behind the gold lions, while the edges of the hall fall into deep, smoky shadow round the watching court. Lapis blue and gold dominate, with flame orange, wine red, python white and smoky black as the accents. Neon Vivid style: sharp, clean internal linework with an outer silhouette that blends softly into the background through colour bleed and painterly edges, a vivid, highly saturated palette of lapis blue, gold, flame orange, wine red and python white, and a high-energy poster-illustration finish with strong warm-cool colour contrast. The low view up at her on the table with the python on her shoulders, wine running down her leg to the spellbound man below, follows Santanico Pandemonium's snake dance in From Dusk Till Dawn, carried into a Babylonian temple.
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1280 x 960

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