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AI artwork featuring #โปเกมอน, #ฮิโตคาเงะ and #ลิซาร์ดอน
สร้างฟรี

ฮิโตคาเงะ, ลิซาร์ดอน

#โปเกมอน#ฮิโตคาเงะ#ลิซาร์ดอน
ดูเพิ่มเติม

คอมเมนต์

character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
Aggron is wearing a black hoodie. Charizard,after winning in a race against Aggron,is pulling Aggron's head,trasforming and streching it into a gray towel with Aggron's face stamped on the whole towel. Than Charizard deattached the towel from Aggron's body and attached it(the towel) to a pole,making the towel a flag. The rest of Aggron's body is still normal. Aggron has a scared face(you can clearly see Aggron's spiral black eyes and dizzy mouth) and is blushing so much,his face is all red. Charizard is blushing a lot too and is grinning. Aggron's ears are part of the towel too. Aggron's hands are trying to reach Aggron's face. Aggron's body doesn't have a head anymore. The artstyle is more mature. The towel is really sweaty.
โหมด
flash
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1104 x 1824
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
d
character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
AI artwork
d
character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
AI artwork
d
character: aggron, charizard 2boys, aggron, charizard, black hoodie, headless body, neck stump, gray towel, face on towel, towel flag, flagpole, ears on towel, spiral eyes, dizzy mouth, heavy blush, completely red face, scared, hands reaching up, sweat, sweaty towel, grin, blushing charizard, from below, dutch angle, cowboy shot, claws, mature artstyle, dynamic composition, outdoor race track, daylight The shot is taken from a low dutch angle, tilted a few degrees off level and looking up, so the flagpole cuts a hard diagonal from the lower left of the frame toward the upper right. On the right of the frame, Charizard stands in a cowboy shot, three-quarter turned toward the pole and slightly away from the camera, weight settled back on the right leg with the left foot forward and toes gripping the track surface. His orange scaled body catches the hard daylight along the shoulder and jaw, the flame at the tip of his tail curling up behind him as the only warm accent against the cool sky, and wide leathery wings half-folded but lifted at the shoulders from the sprint he just won. His muzzle is split in a wide open grin, fangs showing at the corner, eyes crinkled at the outer edges, and a heavy blush burns across both cheeks and the bridge of his snout, red under the orange scales. One clawed hand is still raised near the pole, fingers curled from the knot he just tied; the other rests at his hip. He is looking up at the towel, not at the camera, chin lifted, proud and pleased with himself. On the left of the frame, Aggron's body stands headless and upright in a black hoodie, the hood collapsed empty over the bare neck stump, which is visible as a smooth steel-gray ring of hide below the collar with nothing above it. The hoodie's fabric is heavy cotton, wrinkled from the race, sleeves pushed to the forearm, and the body's posture is off balance: knees bent, torso twisted toward the pole, shoulders hunched forward. Both arms are lifted and reaching up and inward toward where the face should be, claws spread and splayed wide, fingertips a hand's width from the empty collar, straining as if trying to grab the head that is no longer attached. The steel-plated feet plant flat on the running track, one heel lifted. High above, jammed over the top of the flagpole and tied tight with a cord at one corner so it hangs and flaps as a flag, is the gray towel. It is Aggron's own head: a wide gray cloth, thick terry texture, edges rounded into the shape of the ears at the two upper corners, so the ears go with the towel. Aggron's face is stamped across the whole spread of it, stretched flat, the spiral black eyes rendered as tight continuous whorls winding inward on the fabric and the dizzy mouth drawn as a wavering wobbly line low on the cloth. The entire towel surface glows a deep saturated red from the blush, and it is soaked through with sweat, dark damp patches pooling at the lower hanging folds, a few beads of moisture visibly running and dripping off the bottom tip. The cloth curls and snaps in the wind, ripples running along its length, one corner flipping over itself so a sliver of the stamped face disappears into the fold. Through the fabric the face still reads, red and terrified and dizzy. The lighting is hard midday sun from the upper left, casting sharp shadows to the lower right: the flagpole's long shadow across the track, the Aggron body's shadow running under the raised arms, Charizard's wing shadow thrown behind him. The palette is gray, black, orange and red, with the sun-bleached warm gray of the track and a pale blue sky behind. In the background, a race track curving away with white lane lines and a low fence at the far edge, kept simplified and out of focus so the two figures hold the eye. The sweat on the towel drips in a visible line toward the sand below. Triumphant and mortifying.
Domenico
AI artwork
Avatar image of Romie Taylor
character: charizard 2subjects, 1monster, 1boy, dragon, black scales, draconic creature, sharp fangs, open mouth, devouring, eating human, swallowing, held in mouth, legs dangling, struggling, flame-tipped tail, fire, glowing eyes, horns, bat wings, leathery wings, massive size difference, young trainer, baseball cap, gloves, from below, low angle, dramatic angle, dynamic composition, volcanic ground, rocks, embers, rim lighting, dark atmosphere Seen from a dramatic low angle looking upward, a colossal black-scaled draconic monster tilts its horned head back as it devours a young human trainer. The massive creature has matte charcoal-black scales, two swept-back horns atop its reptilian skull, glowing molten-orange slit pupils, and a roaring golden-red flame blazing at the end of its thick tail. Its cavernous jaws are stretched wide, with rows of sharp, gleaming fangs locking around the trainer's waist, saliva stringing between the jagged teeth as the creature's thick tongue guides the body into its throat. The young trainer flails in mid-air, kicking legs clad in shorts and scuffed sneakers while gloved hands push desperately against the dragon's scaled snout, a red-and-white peaked cap falling away toward the ground below. In the foreground, one of the dragon's heavy three-toed clawed feet rests heavily on jagged obsidian rocks, crushing a small red-and-white metal sphere into the stone. The primary light source is the intense flare from the tail fire, casting stark amber highlights across the creature's underbelly and leathery wing struts, contrasted by a faint silver moonlight tracing the edges of its charcoal body, while heat ripples physically distort the air above the flaming tail tip. Dark, ferocious intensity.
Romie Taylor

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