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View detailsดูพารามิเตอร์
- พรอมต์ต้นฉบับ
- 1girl Maki Zenin wearing short nurse outfit with leggings
- โหมด
- flash
- แท็กคุณภาพ
- ﹝พรอมต์﹞
- ขนาด
- 1104 x 1824
ตัวช่วยพรอมต์
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติมcharacter: zen'in_maki
1girl, zenin maki, green hair, short hair tied in a high ponytail, yellow eyes, glasses, short nurse outfit, white nurse dress, short hem, short sleeves, white apron, red trim, leggings, opaque black leggings, standing, from below, cowboy shot, dutch angle, leaning forward, one hand on hip, other hand holding clipboard against her chest, head tilt, smug, lopsided smirk, raised eyebrow, one eye half-closed, looking down at viewer, bare earlobes, empty hands except clipboard, solo, hospital corridor background, fluorescent light
The camera looks up from hip height at a slight dutch tilt, so the figure fills the frame from the hem of the nurse dress down to mid-shin, and the corridor's ceiling tiles converge behind her head. She stands with her weight sunk into her right leg, left knee bent and toe set forward, hip cocked out; the short white nurse dress with red trim and a small apron panel rides at mid-thigh, its hem hanging away from the body, and beneath it the opaque black leggings run smooth and unbroken from waist to ankle, catching one long specular streak down the left shin. Her right hand presses flat on her hip, the thumb hooked into the dress's side seam so the fabric tents; her left forearm folds across her chest, the clipboard pinned between palm and sternum, the board's lower corner digging a soft crease into the apron. Her ponytail swings forward over her right shoulder, the tail of green hair crossing the dress's shoulder seam, and a few short strands stir loose at her temple. Her chin tips down toward the lens, one eyebrow arched high above the other, one eyelid lowered, the smirk pulled up on the left corner of her mouth; her glasses sit slightly low on her nose and her eyes come over the rim, aimed straight down at the viewer. The only light is the corridor's overhead fluorescent, cool and greenish-white, falling from directly above: it flattens her shoulders, burns a highlight on the clipboard's metal clip and on the crown of her head, and drops a hard shadow beneath her jaw, beneath the dress hem onto the leggings, and a short dark pool at her feet. Behind her the corridor recedes — a row of pale doors on the left, a wheeled cart pushed to the right wall, a poster in illegible micro-text — bent by the wide low lens so the walls lean outward, the far end dissolving into dim gray. Palette of clinical white and cool gray with red trim as the only warm note, plus the deep matte black of the leggings. Confident, faintly teasing.
James Ricks
character: zen'in_maki
1girl, zenin maki, green hair, short hair tied in a high ponytail, yellow eyes, glasses, short nurse outfit, white nurse dress, short hem, short sleeves, white apron, red trim, leggings, opaque black leggings, standing, from below, cowboy shot, dutch angle, leaning forward, one hand on hip, other hand holding clipboard against her chest, head tilt, smug, lopsided smirk, raised eyebrow, one eye half-closed, looking down at viewer, bare earlobes, empty hands except clipboard, solo, hospital corridor background, fluorescent light
The camera looks up from hip height at a slight dutch tilt, so the figure fills the frame from the hem of the nurse dress down to mid-shin, and the corridor's ceiling tiles converge behind her head. She stands with her weight sunk into her right leg, left knee bent and toe set forward, hip cocked out; the short white nurse dress with red trim and a small apron panel rides at mid-thigh, its hem hanging away from the body, and beneath it the opaque black leggings run smooth and unbroken from waist to ankle, catching one long specular streak down the left shin. Her right hand presses flat on her hip, the thumb hooked into the dress's side seam so the fabric tents; her left forearm folds across her chest, the clipboard pinned between palm and sternum, the board's lower corner digging a soft crease into the apron. Her ponytail swings forward over her right shoulder, the tail of green hair crossing the dress's shoulder seam, and a few short strands stir loose at her temple. Her chin tips down toward the lens, one eyebrow arched high above the other, one eyelid lowered, the smirk pulled up on the left corner of her mouth; her glasses sit slightly low on her nose and her eyes come over the rim, aimed straight down at the viewer. The only light is the corridor's overhead fluorescent, cool and greenish-white, falling from directly above: it flattens her shoulders, burns a highlight on the clipboard's metal clip and on the crown of her head, and drops a hard shadow beneath her jaw, beneath the dress hem onto the leggings, and a short dark pool at her feet. Behind her the corridor recedes — a row of pale doors on the left, a wheeled cart pushed to the right wall, a poster in illegible micro-text — bent by the wide low lens so the walls lean outward, the far end dissolving into dim gray. Palette of clinical white and cool gray with red trim as the only warm note, plus the deep matte black of the leggings. Confident, faintly teasing.
James Ricks
character: zen'in_maki
1girl, zenin maki, green hair, short hair tied in a high ponytail, yellow eyes, glasses, short nurse outfit, white nurse dress, short hem, short sleeves, white apron, red trim, leggings, opaque black leggings, standing, from below, cowboy shot, dutch angle, leaning forward, one hand on hip, other hand holding clipboard against her chest, head tilt, smug, lopsided smirk, raised eyebrow, one eye half-closed, looking down at viewer, bare earlobes, empty hands except clipboard, solo, hospital corridor background, fluorescent light
The camera looks up from hip height at a slight dutch tilt, so the figure fills the frame from the hem of the nurse dress down to mid-shin, and the corridor's ceiling tiles converge behind her head. She stands with her weight sunk into her right leg, left knee bent and toe set forward, hip cocked out; the short white nurse dress with red trim and a small apron panel rides at mid-thigh, its hem hanging away from the body, and beneath it the opaque black leggings run smooth and unbroken from waist to ankle, catching one long specular streak down the left shin. Her right hand presses flat on her hip, the thumb hooked into the dress's side seam so the fabric tents; her left forearm folds across her chest, the clipboard pinned between palm and sternum, the board's lower corner digging a soft crease into the apron. Her ponytail swings forward over her right shoulder, the tail of green hair crossing the dress's shoulder seam, and a few short strands stir loose at her temple. Her chin tips down toward the lens, one eyebrow arched high above the other, one eyelid lowered, the smirk pulled up on the left corner of her mouth; her glasses sit slightly low on her nose and her eyes come over the rim, aimed straight down at the viewer. The only light is the corridor's overhead fluorescent, cool and greenish-white, falling from directly above: it flattens her shoulders, burns a highlight on the clipboard's metal clip and on the crown of her head, and drops a hard shadow beneath her jaw, beneath the dress hem onto the leggings, and a short dark pool at her feet. Behind her the corridor recedes — a row of pale doors on the left, a wheeled cart pushed to the right wall, a poster in illegible micro-text — bent by the wide low lens so the walls lean outward, the far end dissolving into dim gray. Palette of clinical white and cool gray with red trim as the only warm note, plus the deep matte black of the leggings. Confident, faintly teasing.
James Ricks
character: zen'in_maki
1girl, solo, zen'in maki, green hair, short hair, ponytail, yellow eyes, glasses, short nurse outfit, nurse cap, white dress, short sleeves, leggings, black leggings, standing, contrapposto, hand on hip, other hand holding clipboard, looking at viewer, half-closed eyes, smug, from below, cowboy shot, dutch angle, hospital corridor, window light, cool palette,
Low-angle cowboy shot tilted slightly off level: a young woman with short green hair pulled into a high ponytail, yellow eyes behind thin-rimmed glasses, stands in a hospital corridor and looks down at the viewer over the rim of those glasses with a half-lidded, lopsided smirk — one brow arched higher than the other. Her weight rests on her left leg, right knee relaxed and slightly forward, hip cocked; her left hand is planted flat on her hip, fingers spread over the fabric of a short white nurse dress with short puff sleeves and a small white nurse cap pinned into the green hair, while her right hand holds a clipboard flat against her thigh, its corner pressed into the black leggings that run in an unbroken matte column from under the hem down out of the bottom of the frame. The ponytail hangs over her right shoulder and its tip swings slightly forward, and the dress hem lifts a little at the hip where her hand pushes it. She is the only figure in the frame. Behind her the corridor recedes in perspective, doors and a handrail shrinking toward a bright window at the far end; that window is the only light source, cold daylight raking in from behind and the right so it rims the edge of her ponytail and the cap, and her face reads in soft reflected fill while her shadow falls long and slightly sideways across the glossy floor toward the camera. The palette stays clinical — white, black and green with a cold blue-grey cast — and the only warm notes are her yellow eyes and a faint flush at her cheeks. Quietly commanding.
James Ricks
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