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AI art "Bewitching Under the Red Moon"
สร้างฟรี

Bewitching Under the Red Moon

There's just something about a mysterious beauty wielding a giant scythe under a crimson moon that completely captivates me. The striking contrast of her elegant black dress against the glowing red backdrop gives off such a powerful, alluring vibe that I can't get enough of. If you find her as mesmerizing as I do, please leave a like and follow for more dark fantasy art!

#หญิงวัยผู้ใหญ่#หน้าอก#ตาแดง#มีส่วนเว้าส่วนโค้ง#ท้องฟ้า#รองเท้าส้นสูง#ดวงจันทร์#เงา#ผมยาว#เดี่ยว#พระจันทร์สีแดง#ผมดำ#อาวุธ#ยิ้มกว้าง#ยิ้ม#ไขว่ห้าง#เคียวด้ามยาว#พระจันทร์เต็มดวง#มองมาที่ผู้ชม#เดรสสีดำ#ผู้หญิง 1 คน#ถือ#เต็มตัว#ผมลอย#ชุดเดรสยาว#สะโพกกว้าง
Avatar image of Vasja Malignant

Vasja Malignant

ดูเพิ่มเติม

คอมเมนต์

solo, 1girl, adult female, extremely large breasts, wide hips, long black hair, red eyes, purple lips, fitted black dress, bare shoulders, long sleeves, black heels, sadistic grin, holding scythe, holding weapon, red moon, red lighting, full moon, night, from below, vertical, looking down, looking at viewer, dutch angle, low angle, foreshortening, arm support, standing on one leg, one eye closed, smirk, teeth, :d, half-closed eyes, parted lips, long hair flowing, hair blowing in the wind, wind, black dress, tight dress, high heels, scythe, polearm, weapon, moon, red sky, dramatic angle, glowing eyes The camera is low and tilted a few degrees off level, tilted up at a long-legged adult woman who stands in a shallow hipshot pose with most of her weight sunk into one black heel, the other leg angled forward with the toe lightly touching down, her whole body leaning back a touch so the chest juts forward and the wide hips push out to one side. She looks straight down at the lens from under lowered lids with one eye half shut, one brow arched, her grin peeled wide and lopsided to bare a corner of teeth. Her purple-lipsticked mouth is open on one side of the grin. Long black hair streams sideways and up across the frame, pulled by a crosswind and snagged at a few strands across her jaw and one bare shoulder. The fitted black dress clings over the enormous bust, the fabric strained taut between the breasts and dropping to a narrow waist before it flares over the wide hips and thigh; the sleeves run full length down her arms to her wrists. Both shoulders are bare above the dress neckline, smooth skin lit up by the red glow. Her right hand grips the scythe shaft low down, the long handle leaning diagonally across her body, the great curved blade riding high above her head out of the top of the frame. Her left hand rides loose higher on the shaft, fingers curled around the wood. The scythe is an old, dark wood pole with iron fittings; the blade is long, curved, heavy, and edged with a pale worn shine. She stands on a flat darkness, its surface barely readable, broken stone or at least a dark ground plane, and behind her a huge red moon fills the sky. The moon is enormous and low. Its face is cratered, dusty and deep red, with black clouds drifting across its edge. The whole scene is bathed in red light: the moon is the one source, and it comes from behind and above her, rimming her hair and the tops of her bare shoulders in crimson, catching on the rising curve of the scythe blade and on the tight fabric over her bust as it throws the undersides of her breasts and the inside of the dress into deep shadow. Her red eyes glow with reflected light. Her lipsticked mouth stays dark and matte. Black hair falls into near-black silhouette where the red rim light does not touch it. The visible ground receives a long, narrow, blurred cast shadow stretching away from her at a sharp angle. Wind pushes the hair and presses the dress tight to the front of her thigh. The palette is red and black and the pale iron of the blade, with the bare shoulders warming to a flushed rose-red in the light, and nothing else. The wind drags a thin smear of cloud across the moon and the hair keeps streaming from it. Arrogant, dread-soaked, effortlessly cruel.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
solo, adult female, (extremely large breasts), wide hips, long black hair, red eyes, purple lips, fitted black dress (bare shoulders, long sleeve), black heels, sadistic grin, holding scythe, red moon, red lighting,
โหมด
flash
ขนาด
768 x 1280
ตัวช่วยพรอมต์

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Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
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รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
e1
1girl, solo, female shinigami, tall female, 176cm, long black hair, straight black hair, black eyes, beautiful woman, mature female, slender, long legs, great figure, wide hips, narrow waist, black robe, hooded black robe, long black hooded robe, heavy matte black fabric, floor-length robe, wide sleeves, bare hands, holding scythe, large scythe, long wooden shaft, curved polished steel blade, both hands on shaft, from below, low angle, dutch angle, close-up on upper body, looking down at viewer, cruel expression, cold eyes, half-closed eyes, thin cruel smile, smirk, raised eyebrow, head tilted down, wind-blown hair, empty dark background, painterly anime illustration, soft oil texture, luminous watercolor light, airy brushstrokes, natural color bleeding, The camera sits low, tilted a few degrees off level, looking up at her from roughly waist height, so the hooded figure towers over the lens and the scythe's blade cuts diagonally across the upper frame. She is the only figure in the shot, upper body and thighs filling a vertical frame that crops just below the hip line; above and behind her is nothing but a deep black field. Her chin is tipped down and her eyes are half-lidded beneath lowered brows, pupils aimed straight into the lens, and the corner of her mouth pulls up on one side only — a thin, patient, merciless curl. Long straight black hair falls past her shoulders and past her chest, its left mass slipping out from under the hood to hang in front of the robe while the rest is pushed back inside; the low angle throws the crown of the hood into shadow. She grips the scythe with both hands on the wooden shaft, right hand higher near her collarbone with the fingers wrapped and the thumb locked over the wood, left hand lower across her body, and the shaft runs diagonally in front of her chest so the polished steel blade arcs over her head and out of the top of the frame. The heavy matte black fabric of the robe hangs in deep vertical folds from her shoulders, cinched, then flaring, and the wide sleeve of her raised arm slides back to bare her forearm. A single low light source burns from below and in front, climbing the underside of her jaw, the bridge of her nose, the rims of her hands and the long edge of the blade; everything behind and above her stays absolute black, with a faint cold highlight riding the steel and the wet shine on her lower lip. Palette is disciplined to black fabric, blue-black hair, skin, and one cold silver line for the scythe, nothing else admitted. The sharpest detail goes to her eyes, the tendons of her gripping hands and the contact where the shaft crosses her palm; the robe stays broad-brushed and painterly, oil softness in the cloth and watercolour glow bleeding along the lit edge of the blade. Cruel, statuesque.
eitaeita.1007@icloud.com
#บลีช เทพมรณะ
AI artwork
e1
1girl, solo, beautiful woman, tall female, 176cm, slender, long legs, great figure, black hair, long hair, straight black hair, expressionless, blank stare, deadpan, black robe, hooded robe, heavy black fabric, holding scythe, large scythe, both hands on shaft, scythe blade overhead, from below, low angle, dutch angle, full body, standing, weight on one leg, windblown hair, looking at viewer, night, cold blue light, dark background, painterly, visible brush textures, layered color blocks, cool teal-blue atmosphere, warm golden rim light, loose sketch-like linework, quiet dread The camera sits low and tilted, looking up the full height of the single figure so that her 176cm reads as towering: the tilted horizon cuts diagonally behind her hips and the scythe's long dark shaft rises past her shoulder to the frame's top edge, its curved blade crossing the upper corner behind her head. She stands with her weight sunk into her left leg, right knee eased forward and the right hip dropped, shoulders squared but spine leaning a few degrees back, chin level and tipped down just enough that she looks straight into the lens. Her face is a beautiful mask held entirely still: eyes half-lidded and flat, brows unraised, lips together and level, no smile, no tension at the jaw — the blankness is deliberate, not sleepy. Her long black hair falls past her waist in heavy straight sheets, strands lifting and streaming sideways in the wind, a few crossing her cheek and throat. The black robe is heavy cloth, not gauze: a deep hood pushed back to a thick collar behind her neck, broad sleeves whose cuffs hang low, the fabric gathered at a wide belt at the waist and falling in long vertical folds that flare at the hem, and the wind presses the robe flat against her right thigh and chest while the hem bellies out to her left in one big curved fold. Both hands grip the scythe shaft in front of her body, right hand above left, knuckles pale around the dark wood, forearms braced, and the shaft continues down past her feet out of frame. The scythe's blade is a long crescent of dark steel with a bright polished edge and a single dark smith's mark near the socket, angled so its edge catches the light. The setting is night, open and featureless behind her; a cold blue-teal ambient sits over everything, and one warm golden rim light rakes in from high behind her left shoulder, striking the crest of her hair, the outer edge of the hood collar, the top edge of the forearm and the scythe blade, while the front of her body and the center of the robe fall into deep matte black shadow; the light is the only light, and beyond its reach the darkness is absolute. Where the blade bites the ambient, a thin sliver of the teal sky shows through the negative space inside the crescent; the polished bevel throws a smeared, dimmer reflection of that sky rather than a mirror shine, and the gold rim light does not touch the flat of the blade at all. Palette held to black, cold teal-blue and that one warm gold, with her pale skin the only light neutral note at the center of the frame. Rendering is soft and painterly, built from visible brush textures and layered color blocks with loose, sketch-like linework, the large shapes of robe and blade kept simple and the detail spent on the face, the hands and the light's edge. Quiet dread.
eitaeita.1007@icloud.com

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