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AI art "Fox Girl Vibes in Pantyhose!"
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Fox Girl Vibes in Pantyhose!

I absolutely adore the sleek look of this fox girl, especially how the black pantyhose under her shorts accentuate her legs and feet. The orange eyes and multicolored hair give her such a unique charm that I can't stop staring at. If you love this style as much as I do, please leave a like, follow for more, and tell me what you think in the comments!

#หูสัตว์#นั่ง#ฝ่าเท้า#โฟกัสที่เท้า#ผมหลายสี#ตาสีส้ม#ถุงน่องสีดำ#ผู้หญิง 1 คน#สาวจิ้งจอก#ถุงน่องใต้กางเกงขาสั้น
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คอมเมนต์

บน PixAI พรอมต์จะเป็นสาธารณะโดยค่าเริ่มต้น แต่ผู้สร้างสามารถซ่อนพรอมต์ในผลงานที่เผยแพร่ได้ ผู้สร้างผลงานนี้เลือกที่จะซ่อนไว้ คำที่ใช้สร้างภาพนี้จึงเป็นส่วนตัวและมีเพียงผู้สร้างเท่านั้นที่เห็นได้ การซ่อนพรอมต์ไม่ได้เปลี่ยนสิ่งอื่นใด ผลงานยังคงเป็นสาธารณะ และคุณยังกดถูกใจ แสดงความคิดเห็น และแชร์ได้ตามปกติ
ซ่อนโดยผู้เขียน
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

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ดูเพิ่มเติม
AI artwork
Avatar image of 風竜桜華
character: shirakami_fubuki 1girl, solo, shirakami_fubuki, long white hair, ahoge, single braid over one shoulder, hair between eyes, sidelocks, aqua-green eyes, white animal ears, black shorts, detached sleeves, neckerchief, gold earrings, thigh strap, sitting, leaning back on both hands, legs raised, both feet up, soles of feet, bare right foot, right foot sole bare and damp, left foot wearing a single white sock, sock sole visibly damp and darkened, sweaty, showing off both soles, looking at viewer, one eye half-closed, lopsided smirk, blush, from below, foreshortening, close-up on feet, The camera sits low and close, tilted up from below the level of her knees, so her raised feet dominate the foreground with their soles turned flat toward the lens while her upper body recedes small and tilted behind them. She has flopped back onto a low padded bench, weight propped on both hands planted behind her hips, elbows slightly bent, arms taking the load; her spine arches and her shoulders roll back, which lifts both bare legs high and swings them toward the viewer. Her right leg crosses slightly over the left so the two soles sit one above the other, both facing outward, toes of the right foot spread and the right sole fully exposed from heel to ball; the left foot sits just behind it, its sole seen through the pale knit of a single white sock. The bare right sole reads damp: skin sheened and faintly flushed pink at the heel and the ball, a soft shine along the arch where moisture catches the light, tiny beaded sweat along the edges of the toes and a few curling strands of hair stuck to the ankle. The sock on the left foot is damp through, the sole fabric darkened in a soft irregular blotch at the ball and heel, clinging and slightly wrinkled where it presses, the toe seam a little wet-darkened. Her white hair spills back over the bench edge in a loose fan, the single braid flipped forward across her shoulder with its tip resting near her hip, sidelocks hanging free, and the animal ears tilt outward as she turns her chin down over her chest to look straight into the lens, one eye half-lidded, one corner of her mouth pulled up in a lopsided smirk, a light flush across the nose and cheeks. Contact points are exact: both palms flat on the bench cushion just behind her hips, the cushion compressed and creased under them, her shoulder blades brushing the bench back, her shorts hem rucked up at the hip, the two soles hanging over the bench edge with nothing supporting the heels. Warm afternoon light comes in low from a window at the left of frame, striking the outer edge of the bare right sole and the curve of her ankle while the inner arch and the socked sole sit in a soft olive-grey shadow; the bench, the pale wall behind and the floor fall into muted shadow beyond, and her cast shadow slides down and to the right across the floor. Palette is restricted to white, warm pink-skin tones, dusty slate grey and the deeper grey of the damp sock, with only her aqua eyes as saturated accent. The smooth matte of the bench fabric, the moist gleam of the bare sole and the flat wet cling of knit against skin are the three distinct surfaces carrying the detail. Warm, teasing.
風竜桜華
AI artwork
Avatar image of 風竜桜華
character: shirakami_fubuki 1girl, solo, shirakami_fubuki, long white hair, ahoge, single braid over one shoulder, hair between eyes, sidelocks, aqua-green eyes, white animal ears, black shorts, detached sleeves, neckerchief, gold earrings, thigh strap, sitting, leaning back on both hands, legs raised, both feet up, soles of feet, bare right foot, right foot sole bare and damp, left foot wearing a single white sock, sock sole visibly damp and darkened, sweaty, showing off both soles, looking at viewer, one eye half-closed, lopsided smirk, blush, from below, foreshortening, close-up on feet, The camera sits low and close, tilted up from below the level of her knees, so her raised feet dominate the foreground with their soles turned flat toward the lens while her upper body recedes small and tilted behind them. She has flopped back onto a low padded bench, weight propped on both hands planted behind her hips, elbows slightly bent, arms taking the load; her spine arches and her shoulders roll back, which lifts both bare legs high and swings them toward the viewer. Her right leg crosses slightly over the left so the two soles sit one above the other, both facing outward, toes of the right foot spread and the right sole fully exposed from heel to ball; the left foot sits just behind it, its sole seen through the pale knit of a single white sock. The bare right sole reads damp: skin sheened and faintly flushed pink at the heel and the ball, a soft shine along the arch where moisture catches the light, tiny beaded sweat along the edges of the toes and a few curling strands of hair stuck to the ankle. The sock on the left foot is damp through, the sole fabric darkened in a soft irregular blotch at the ball and heel, clinging and slightly wrinkled where it presses, the toe seam a little wet-darkened. Her white hair spills back over the bench edge in a loose fan, the single braid flipped forward across her shoulder with its tip resting near her hip, sidelocks hanging free, and the animal ears tilt outward as she turns her chin down over her chest to look straight into the lens, one eye half-lidded, one corner of her mouth pulled up in a lopsided smirk, a light flush across the nose and cheeks. Contact points are exact: both palms flat on the bench cushion just behind her hips, the cushion compressed and creased under them, her shoulder blades brushing the bench back, her shorts hem rucked up at the hip, the two soles hanging over the bench edge with nothing supporting the heels. Warm afternoon light comes in low from a window at the left of frame, striking the outer edge of the bare right sole and the curve of her ankle while the inner arch and the socked sole sit in a soft olive-grey shadow; the bench, the pale wall behind and the floor fall into muted shadow beyond, and her cast shadow slides down and to the right across the floor. Palette is restricted to white, warm pink-skin tones, dusty slate grey and the deeper grey of the damp sock, with only her aqua eyes as saturated accent. The smooth matte of the bench fabric, the moist gleam of the bare sole and the flat wet cling of knit against skin are the three distinct surfaces carrying the detail. Warm, teasing.
風竜桜華
AI artwork
Avatar image of 風竜桜華
character: shirakami_fubuki 1girl, solo, shirakami_fubuki, long white hair, ahoge, single braid over one shoulder, hair between eyes, sidelocks, aqua-green eyes, white animal ears, black shorts, detached sleeves, neckerchief, gold earrings, thigh strap, sitting, leaning back on both hands, legs raised, both feet up, soles of feet, bare right foot, right foot sole bare and damp, left foot wearing a single white sock, sock sole visibly damp and darkened, sweaty, showing off both soles, looking at viewer, one eye half-closed, lopsided smirk, blush, from below, foreshortening, close-up on feet, The camera sits low and close, tilted up from below the level of her knees, so her raised feet dominate the foreground with their soles turned flat toward the lens while her upper body recedes small and tilted behind them. She has flopped back onto a low padded bench, weight propped on both hands planted behind her hips, elbows slightly bent, arms taking the load; her spine arches and her shoulders roll back, which lifts both bare legs high and swings them toward the viewer. Her right leg crosses slightly over the left so the two soles sit one above the other, both facing outward, toes of the right foot spread and the right sole fully exposed from heel to ball; the left foot sits just behind it, its sole seen through the pale knit of a single white sock. The bare right sole reads damp: skin sheened and faintly flushed pink at the heel and the ball, a soft shine along the arch where moisture catches the light, tiny beaded sweat along the edges of the toes and a few curling strands of hair stuck to the ankle. The sock on the left foot is damp through, the sole fabric darkened in a soft irregular blotch at the ball and heel, clinging and slightly wrinkled where it presses, the toe seam a little wet-darkened. Her white hair spills back over the bench edge in a loose fan, the single braid flipped forward across her shoulder with its tip resting near her hip, sidelocks hanging free, and the animal ears tilt outward as she turns her chin down over her chest to look straight into the lens, one eye half-lidded, one corner of her mouth pulled up in a lopsided smirk, a light flush across the nose and cheeks. Contact points are exact: both palms flat on the bench cushion just behind her hips, the cushion compressed and creased under them, her shoulder blades brushing the bench back, her shorts hem rucked up at the hip, the two soles hanging over the bench edge with nothing supporting the heels. Warm afternoon light comes in low from a window at the left of frame, striking the outer edge of the bare right sole and the curve of her ankle while the inner arch and the socked sole sit in a soft olive-grey shadow; the bench, the pale wall behind and the floor fall into muted shadow beyond, and her cast shadow slides down and to the right across the floor. Palette is restricted to white, warm pink-skin tones, dusty slate grey and the deeper grey of the damp sock, with only her aqua eyes as saturated accent. The smooth matte of the bench fabric, the moist gleam of the bare sole and the flat wet cling of knit against skin are the three distinct surfaces carrying the detail. Warm, teasing.
風竜桜華
AI artwork
Avatar image of 風竜桜華
character: shirakami_fubuki bare right foot, barefoot, black knee-high sock on left leg only, single sock, one leg bare, one leg covered, both soles shown to viewer, sole focus, soles facing viewer, sweaty feet, damp soles, glistening skin, toes curled, foot up, legs up, lying on back, from below, foreshortening, close-up on feet, white hair, long hair, ahoge, single braid, hair between eyes, sidelocks, aqua eyes, green eyes, animal ears, fox ears, detached sleeves, black shorts, neckerchief, earrings, looking at viewer, smug, half-closed eyes, blush, open mouth, toes spread on the bare foot From a low camera almost at floor level, looking up along her legs, both soles are pushed toward the lens in strong foreshortening and fill the near half of the frame. She lies back on a low cushioned bench, hips settled at its edge, right leg bent and lifted with the bare sole turned square to the viewer, left leg raised alongside it with the black knee-high sock pulled taut from ankle to below the knee and its dark sole facing out beside the bare one. The bare right foot is the brighter, nearer shape: warm skin, heel creased, toes splayed and slightly curled from the stretch, the ball of the foot flushed pink. On the socked left foot the knit ribs catch the light along the instep and thin at the ankle where the sock wrinkles, its sole a flat dark oval with a faint sheen. Both soles are damp, a fine glossy film across the bare arch and a darker, sweat-soaked patch worked into the knit under the left foot, small beads catching the light along the outer edge of the right heel. Her hands rest behind her on the bench, elbows locked, fingers curled over the cushion edge, one shoulder lifted higher than the other as her weight sinks into the seat. Above the raised legs her white hair falls back loose over the cushion, the single braid and sidelocks spilling to one side, one fox ear tipped forward and the other swiveled back with a small hoop in it. Her chin is tucked toward her chest and she looks down the length of her legs straight into the lens, one eyebrow arched, a lopsided grin with the tip of her tongue showing, a flush high on her cheeks, the neckerchief askew at her throat and the detached sleeves bunched at her upper arms. The room is dim and warm, a single lamp low and behind her legs so the light rakes across the soles from below and grazes the sock's ribs, leaving the upper half of her body in soft shadow and throwing the bench's short shadow across the floor; a faint sheen of condensation on the near floorboards hints at the humid air. Muted palette of warm skin, deep charcoal knit and cool shadow, white hair the only bright field. Intimate, teasing.
風竜桜華

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ