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エヴァンゲリオン初号機＆2号機

『ヱヴァンゲリヲン新劇場版』から、初号機と2号機の共演イラストです。薄暗い夜の街にそびえ立つその姿は、神秘的でどこか物悲しく、思わず見入ってしまいました。エヴァの独特な機体デザインとグリーンの発光がたまらないですね。気に入ったらいいね＆フォローお願いします！コメントもお待ちしています。

#เมคา #อีวานเกเลียน มหาสงครามวันพิพากษา #มุมมองจากด้านล่าง #โซริว อาสึกะ แลงก์ลีย์#หุ่นยนต์#กลางคืน #ดวงตาเรืองแสง #เอวานเกเลียน หมายเลข 2 #เอวานเกเลียน หมายเลข 01

เผยแพร่เมื่อ Oct 31, 2026

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character: eva_02, eva_01, eva_00, copyright: neon_genesis_evangelion 3 mecha, evangelion unit-01, evangelion unit-00, evangelion unit-02, purple armor, green armor, red armor, orange armor, single horn, helmet, no humans, large scale, towering, low angle, from below, wide shot, facing each other, standing, city ruins, night, moon, searchlights, backlighting, rim light, lens flare, atmospheric perspective, scale reference,<lora:eva_style:0.8> From a low worm's-eye vantage at street level three titanic armored war machines stand in a loose triangle across a ruined city intersection at night, the camera tilted so far up that the nearest of them eclipses a third of the sky. In the foreground right, seen from below hip and thigh, the purple-and-green machine dominates: its elongated horned helmet juts past the top edge of the frame, one huge foot planted on the split asphalt with the other set back, its torso half-turned and one oversized shoulder pylon lifted as if it has just straightened from a crouch; a giant hand hangs loose and half-clenched, the other rests against the cracked facade of a toppled office block. The head is tilted down and its single glowing eye-slit points across at the other two machines, the green-black mass of the shoulder armor flaring toward the lens with the foreshortening. Further off and left of center, the pale green-white machine stands square and heavy at the far corner of the intersection, its flat visored head catching the searchlights full-on, its top cut off by nothing, every plate edge crisp but its far details simplified by haze; one arm hangs straight, the other is raised a bare degree, mirroring the front machine's lift as if answering it. Between and behind them, half-occluded by the near machine's out-swept shoulder, the red machine stands angled in three-quarter view so that its whole silhouette is compressed into a narrower slab, standing a half-step taller in the receding perspective, the two fin-like protrusions at its head clearly thrust upward and its orange-red plates catching almost no light except a hot rim. All three face inward on the open intersection, their eye lights meeting at the empty center point where the road cracks converge. The scene is backlit from behind them: a low hard moon sits just above the skyline behind the red machine, and from the far streets two searchlight beams rise from the ground, grazing the armor and leaving whole flanks in near-black shadow that pools under the jaws and inside the crotches of the legs. Wet asphalt holds their mirrored reflections and the inverted streak of the moon; thin oil smoke drifts low and drags sideways, revealing the only motion in the still air, and the three figures throw long baying shadows toward the camera across the rubble. Palette locked to purple and green and dead silver for the near machine, pale green-white for the standing one, and red-orange for the receding one, all of it laid against near-black sky. Big-block detail on the near machine's plates, panel seams and the soft grime on its knee; distant machines simply rendered, loose and huge, the street lamps dwarfed to pinpricks at their feet. Cold, awe-struck.

エヴァンゲリオン 初号機＆2号機

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エヴァンゲリオン初号機＆2号機