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アンゴルモア
月の満ち欠け 月蝕と日蝕 ノストラダムスが見たものとは…！
บน PixAI พรอมต์จะเป็นสาธารณะโดยค่าเริ่มต้น แต่ผู้สร้างสามารถซ่อนพรอมต์ในผลงานที่เผยแพร่ได้ ผู้สร้างผลงานนี้เลือกที่จะซ่อนไว้ คำที่ใช้สร้างภาพนี้จึงเป็นส่วนตัวและมีเพียงผู้สร้างเท่านั้นที่เห็นได้ การซ่อนพรอมต์ไม่ได้เปลี่ยนสิ่งอื่นใด ผลงานยังคงเป็นสาธารณะ และคุณยังกดถูกใจ แสดงความคิดเห็น และแชร์ได้ตามปกติ
ซ่อนโดยผู้เขียน
ตัวช่วยพรอมต์
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติม
g
dark fantasy, no humans, scenery, wide establishing shot, cityscape, capital city, massive dark stone architecture, gothic architecture, underworld, towering crimson spires, dark fortress, glowing red windows, crimson banners, dark cobblestone street, grand shrine, ornate shrine, dark metal, crimson crystal, spectral energy, glowing, phantom silhouettes, heroic spirit apparitions, hovering, purple mist, volumetric fog, crimson sky, purple clouds, dark sun, blood-red glow, distant mountains, dark stone mountains, veins of red energy, armored demonic soldiers, multiple soldiers, crimson and black plate armor, faceless helmet, no visible eyes, blank helmet, standing guard, stone wall, weapons held at rest, spears, oppressive atmosphere, epic scale, cinematic composition, depth of field, volumetric lighting, digital painting, concept art
A wide establishing shot looks down and across the Scarlet Empire's capital, seen from a height above the rooftops so the whole bowl of the city and the shrine at its heart sit in one frame; the camera is tilted slightly downward from a parapet-level vantage, giving the streets a receding funnel toward the center. In the middle of the composition, at the far end of the main cobblestone avenue, the grand shrine rises: dark metal ribs and faceted crimson crystal, its crystal core glowing with spectral summoning energy that spills a pale violet-white light onto the surrounding stones. The shrine is the picture's brightest object and its only strong light of that color; around it, faint phantom silhouettes and heroic spirit apparitions hover in a loose ring at a dozen meters' height, translucent and semi-transparent, their edges dissolving into the mist so the avenue's far surfaces show through them. The apparitions face inward toward the crystal, none of them toward the camera. Purple spiritual mist rolls low through the streets in defined banks, pooling between buildings and thinning where the crystal's glow cuts into it. Massive dark stone architecture lines the avenue: gothic-underworld fusion of ribbed vaults, buttresses and skull-like corbels, its ledges lit in crimson and purple accents, with dark fortresses behind carrying rows of glowing red windows that punch small warm-red rectangles into the cold mass. Towering crimson spires lance up along both sides and converge toward the top of the frame, their tips catching the blood-red light. Crimson banners hang from the buildings on iron brackets, and they hang heavy and nearly still, sagging toward the street rather than streaming, because the air here is thick and damp.
On the massive stone walls that flank the avenue in the midground, armored demonic soldiers in crimson and black plate armor stand guard at even intervals — shoulders squared, weapons held at rest, spear butts planted on the stone and both gauntlets closed on the shafts. Their faceless helmets are smooth and blank, no visible eyes, no slit of light, no soul presence; each helmet's curved crown catches a thin crescent of red from the dark sun while the face-plate stays in shadow. The nearest soldier, on the right wall, stands larger than the rest with one boot forward on the parapet edge and the shaft of his spear leaning against his pauldron, and his blank face is turned down toward the street below, not toward the viewer. Behind and beneath everything, the crimson sky fills the upper third: deep purple clouds stacked in slow bands, and the dark sun hanging low and eclipsed-dark at the center of its own blood-red halo, which is the source of the rim light on every spire and helmet. The blood-red glow rakes in from the upper left and the deep shadows fall to the lower right; the shrine's violet is the one light that does not come from the sun, and it lays cool highlights on the facades facing it. Distant mountains of dark stone with veins of red energy close the horizon, their glowing fissures reduced by depth of field to soft red threads. Volumetric fog thickens with distance so the farthest spires soften and the shrine's edges bloom; foreground cobblestones and the nearest soldier stay crisply resolved. The palette is crimson, deep purple and black stone, warmed only by the red window rows and the crystal's cold violet. Rendered as a digital painting in a concept-art register, atmospheric and oppressively grand.
grim
The Crimson Sovereign of Ruins
blood-killer
g
dark fantasy, no humans, scenery, wide establishing shot, cityscape, capital city, massive dark stone architecture, gothic architecture, underworld, towering crimson spires, dark fortress, glowing red windows, crimson banners, dark cobblestone street, grand shrine, ornate shrine, dark metal, crimson crystal, spectral energy, glowing, phantom silhouettes, heroic spirit apparitions, hovering, purple mist, volumetric fog, crimson sky, purple clouds, dark sun, blood-red glow, distant mountains, dark stone mountains, veins of red energy, armored demonic soldiers, multiple soldiers, crimson and black plate armor, faceless helmet, no visible eyes, blank helmet, standing guard, stone wall, weapons held at rest, spears, oppressive atmosphere, epic scale, cinematic composition, depth of field, volumetric lighting, digital painting, concept art
A wide establishing shot looks down and across the Scarlet Empire's capital, seen from a height above the rooftops so the whole bowl of the city and the shrine at its heart sit in one frame; the camera is tilted slightly downward from a parapet-level vantage, giving the streets a receding funnel toward the center. In the middle of the composition, at the far end of the main cobblestone avenue, the grand shrine rises: dark metal ribs and faceted crimson crystal, its crystal core glowing with spectral summoning energy that spills a pale violet-white light onto the surrounding stones. The shrine is the picture's brightest object and its only strong light of that color; around it, faint phantom silhouettes and heroic spirit apparitions hover in a loose ring at a dozen meters' height, translucent and semi-transparent, their edges dissolving into the mist so the avenue's far surfaces show through them. The apparitions face inward toward the crystal, none of them toward the camera. Purple spiritual mist rolls low through the streets in defined banks, pooling between buildings and thinning where the crystal's glow cuts into it. Massive dark stone architecture lines the avenue: gothic-underworld fusion of ribbed vaults, buttresses and skull-like corbels, its ledges lit in crimson and purple accents, with dark fortresses behind carrying rows of glowing red windows that punch small warm-red rectangles into the cold mass. Towering crimson spires lance up along both sides and converge toward the top of the frame, their tips catching the blood-red light. Crimson banners hang from the buildings on iron brackets, and they hang heavy and nearly still, sagging toward the street rather than streaming, because the air here is thick and damp.
On the massive stone walls that flank the avenue in the midground, armored demonic soldiers in crimson and black plate armor stand guard at even intervals — shoulders squared, weapons held at rest, spear butts planted on the stone and both gauntlets closed on the shafts. Their faceless helmets are smooth and blank, no visible eyes, no slit of light, no soul presence; each helmet's curved crown catches a thin crescent of red from the dark sun while the face-plate stays in shadow. The nearest soldier, on the right wall, stands larger than the rest with one boot forward on the parapet edge and the shaft of his spear leaning against his pauldron, and his blank face is turned down toward the street below, not toward the viewer. Behind and beneath everything, the crimson sky fills the upper third: deep purple clouds stacked in slow bands, and the dark sun hanging low and eclipsed-dark at the center of its own blood-red halo, which is the source of the rim light on every spire and helmet. The blood-red glow rakes in from the upper left and the deep shadows fall to the lower right; the shrine's violet is the one light that does not come from the sun, and it lays cool highlights on the facades facing it. Distant mountains of dark stone with veins of red energy close the horizon, their glowing fissures reduced by depth of field to soft red threads. Volumetric fog thickens with distance so the farthest spires soften and the shrine's edges bloom; foreground cobblestones and the nearest soldier stay crisply resolved. The palette is crimson, deep purple and black stone, warmed only by the red window rows and the crystal's cold violet. Rendered as a digital painting in a concept-art register, atmospheric and oppressively grand.
grim
g
dark fantasy, no humans, scenery, wide establishing shot, cityscape, capital city, massive dark stone architecture, gothic architecture, underworld, towering crimson spires, dark fortress, glowing red windows, crimson banners, dark cobblestone street, grand shrine, ornate shrine, dark metal, crimson crystal, spectral energy, glowing, phantom silhouettes, heroic spirit apparitions, hovering, purple mist, volumetric fog, crimson sky, purple clouds, dark sun, blood-red glow, distant mountains, dark stone mountains, veins of red energy, armored demonic soldiers, multiple soldiers, crimson and black plate armor, faceless helmet, no visible eyes, blank helmet, standing guard, stone wall, weapons held at rest, spears, oppressive atmosphere, epic scale, cinematic composition, depth of field, volumetric lighting, digital painting, concept art
A wide establishing shot looks down and across the Scarlet Empire's capital, seen from a height above the rooftops so the whole bowl of the city and the shrine at its heart sit in one frame; the camera is tilted slightly downward from a parapet-level vantage, giving the streets a receding funnel toward the center. In the middle of the composition, at the far end of the main cobblestone avenue, the grand shrine rises: dark metal ribs and faceted crimson crystal, its crystal core glowing with spectral summoning energy that spills a pale violet-white light onto the surrounding stones. The shrine is the picture's brightest object and its only strong light of that color; around it, faint phantom silhouettes and heroic spirit apparitions hover in a loose ring at a dozen meters' height, translucent and semi-transparent, their edges dissolving into the mist so the avenue's far surfaces show through them. The apparitions face inward toward the crystal, none of them toward the camera. Purple spiritual mist rolls low through the streets in defined banks, pooling between buildings and thinning where the crystal's glow cuts into it. Massive dark stone architecture lines the avenue: gothic-underworld fusion of ribbed vaults, buttresses and skull-like corbels, its ledges lit in crimson and purple accents, with dark fortresses behind carrying rows of glowing red windows that punch small warm-red rectangles into the cold mass. Towering crimson spires lance up along both sides and converge toward the top of the frame, their tips catching the blood-red light. Crimson banners hang from the buildings on iron brackets, and they hang heavy and nearly still, sagging toward the street rather than streaming, because the air here is thick and damp.
On the massive stone walls that flank the avenue in the midground, armored demonic soldiers in crimson and black plate armor stand guard at even intervals — shoulders squared, weapons held at rest, spear butts planted on the stone and both gauntlets closed on the shafts. Their faceless helmets are smooth and blank, no visible eyes, no slit of light, no soul presence; each helmet's curved crown catches a thin crescent of red from the dark sun while the face-plate stays in shadow. The nearest soldier, on the right wall, stands larger than the rest with one boot forward on the parapet edge and the shaft of his spear leaning against his pauldron, and his blank face is turned down toward the street below, not toward the viewer. Behind and beneath everything, the crimson sky fills the upper third: deep purple clouds stacked in slow bands, and the dark sun hanging low and eclipsed-dark at the center of its own blood-red halo, which is the source of the rim light on every spire and helmet. The blood-red glow rakes in from the upper left and the deep shadows fall to the lower right; the shrine's violet is the one light that does not come from the sun, and it lays cool highlights on the facades facing it. Distant mountains of dark stone with veins of red energy close the horizon, their glowing fissures reduced by depth of field to soft red threads. Volumetric fog thickens with distance so the farthest spires soften and the shrine's edges bloom; foreground cobblestones and the nearest soldier stay crisply resolved. The palette is crimson, deep purple and black stone, warmed only by the red window rows and the crystal's cold violet. Rendered as a digital painting in a concept-art register, atmospheric and oppressively grand.
grim
สำรวจเพิ่มเติม
ผู้ใช้แนะนำ
ที่คุณอาจชอบ
🖤🍴🩸
(mai)
detective anya and bond (˶>⩊<˶)
^( aricat )^
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
5
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
36
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
คอมเมนต์