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หน้าอก, ผิวเข้ม

#หน้าอก#ผิวเข้ม#บอดี้สูท#ไมโครโฟน#ผมยาว#ผมดำ#ผมบลอนด์#ผมสีเขียว#ผมหลายสี#วงดนตรี#คอนเสิร์ต#ผมสีเทา#กีตาร์#กลองชุด#ขาตั้งไมโครโฟน#แอมพลิฟายเออร์#เครื่องดนตรี#หน้าม้าตรง#อ้าปาก#หลับตา#กลอง#ผู้หญิงหลายคน#แขนยาว#คีย์บอร์ด#ถือ#กีตาร์ไฟฟ้า#หน้าอกขนาดปานกลาง#ปิดปาก#ฝูงชน#หญิงผิวเข้ม
ดูเพิ่มเติม

คอมเมนต์

4 girls, four-person band, all-female band, on stage, live performance, blacklight, neon red highlights, neon green highlights, blonde hair, long hair, undercut, cybernetic fingers, futuristic electric guitar, guitarist, intense focus, red hair, hair spikes, partial mohawk, glowing eyes, augmented eyes, bassist, swaying hips, bass guitar, plucking, black hair, short curly hair, glowing hair tips, dark skin, drummer, mechanical arms, augmented arms, drumsticks, drum kit, motion blur, metallic hair, blunt cut, shoulder-length hair, keytarist, holographic instrument, keytar, shimmering musical notes, dancing, glossy latex, latex bodysuit, bdsm elements, glowing circuit patterns, cutouts, large breasts, wide hips, curvy, busty, dynamic lighting, smoke, concert atmosphere, from above, wide shot, dutch angle, looking at instrument, half-closed eyes, parted lips, cast shadows, stage lighting The camera looks down on the four-piece from a high catwalk angle, tilted slightly into a dutch angle so the whole stage floor cuts diagonally through the frame — the four performers arranged left to right along the front of that diagonal, a wide shot that keeps all four bodies whole from boots to hair while the drum riser sits on the upper right. Far left: the blonde guitarist plants her weight on her back right leg, front foot forward on the monitor wedge, head tipped down and brow furrowed hard over the strings, lips pressed thin in total concentration — her long blonde hair sweeps forward over the shaved undercut side as she leans into the futuristic electric guitar, whose angular white shell narrows toward a black and chrome neck tipped with small green LEDs; both hands are on it, her cybernetic metal finger segments snapping off chord after chord with their red knuckle lights streaking faintly through the motion blur. To her right: the redhead bassist stands hip-shot, weight thrown onto one leg so the opposite hip pushes out and her glossy latex-laden torso sways into the bass she holds low and wide, her fingers plucking deep on the strings; her head turns in profile toward the falling crowd, chin lifted, half-closed eyes glowing hot red from the augmented irises, a partial mohawk of red spikes catching the blacklight along its crest. Right of the bassist and up on the riser: the African-American drummer is caught mid-strike, short black curly hair hugging her skull with its tips lit green and framing both cheeks, leaning back and then forward over the kit; both augmented mechanical arms are doubled into visible afterimage trails — chrome plated, piston joints firing, one stick already on the snare skin and the other raised — she bites her lower lip in a sharp grin of mechanical precision. Far right: the Asian keytarist dances forward on the balls of her feet, hips swinging across her own centerline, shoulder-length bright metallic hair in a blunt cut whipping around her jaw at the ends, smiling open-mouthed at the instrument she carries; the holographic keytar hangs clear of her hips as a translucent sheet of light whose wavering body casts a faint projection of shimmering notes up onto the smoke above her. All four share the same family of outfit: skin-tight glossy latex catching blacklight as soft violet and blue sheens across every curve, hardened red circuit lines running along seams and collar rings, and strategic cutouts opening at the waist, thigh and shoulder in smooth-edged windows — each figure busty and wide-hipped inside that skin-tight material. Their stage is a raised grid-floored platform with cable runs and amp stacks behind, layered smoke drifting low and thick across the front edge, dispersed between them so the beams cut visible edges into it. The blacklight is the base coat, a deep violet wash from the overhead truss; two hard follow-spots strike down from the top corners, one pure neon red from the upper left raking the guitarist and bassist, one neon green from the upper right raking the drummer and keytarist, and each light leaves a crisp short shadow pooled at the boots. A purple-tinged backglow silhouettes their hair. Palette is violet, red and green on black, all of it pitched into the blocky pixel grid. The smoke catches the green spotlight as faint dithered grain, brighter where the beams cut through it. Immersive, electric.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
A pixel-art cyberpunk scene depicts a 4-female metal band performing on stage under blacklights with neon red and green highlights. The blonde guitarist shreds with intense focus, her cybernetic fingers flying across the strings of a futuristic electric guitar, hair long and flowing with an undercut. The redhead bassist sways her hips seductively while plucking deep resonant notes, her augmented eyes glowing, hair spiked into a partial Mohawk. The African-American drummer pounds the drums with mechanical precision, augmented arms moving in a blur, black curly hair short with glowing tips and framing her face. The Asian keytarist dances energetically while playing, her holographic instrument projecting shimmering notes, shoulder length hair a bright metallic color in a blunt cut. Their outfits fuse cyber-pop aesthetics with BDSM elements - glossy latex, glowing circuit patterns, and strategic cutouts accentuating their curvaceous, busty figures. The stage is bathed in dynamic lighting with smoke effects, creating an immersive concert atmosphere. ,
โหมด
pro
Style Code
DH338338
แท็กคุณภาพ
Epic, cinematic ,brilliant, stunning, intricate, meticulously detailed, dramatic, atmospheric, maximalist, digital matte painting, year_2024, year_2025﹝Prompts﹞, ﹝พรอมต์﹞
ขนาด
1280 x 768
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of MalletMann
4girls, pixel art, concert, band, on stage, performing, blacklight, neon red lighting, neon green lighting, cyberpunk, cybernetic, cybernetic hands, electric guitar, futuristic guitar, focused, intense expression, blonde hair, long hair, flowing hair, undercut, redhead, bassist, bass guitar, glowing eyes, augmented eyes, mohawk, partial mohawk, dark-skinned female, drummer, drums, drumsticks, augmented arms, mechanical arms, short hair, black hair, curly hair, glowing hair tips, asian, keytarist, keytar, holographic, dancing, energetic, metallic hair, blunt bangs, shoulder-length hair, latex, tight, glossy latex, shiny, glowing circuit patterns, cutouts, cleavage, large breasts, curvaceous, bare shoulders, bare thighs, industrial punk, full group, dynamic pose, open mouth, wide shot, from below, smoke, spotlights, dark background, crowded The camera looks up from the pit through drifting stage smoke, and all four women stand staggered across a raised black platform in a shallow diagonal: the blonde guitarist at the front left edge nearest the lens, the redhead bassist a step behind her center-left, the Asian keytarist center-right a stride further back with her keytar swung hip-height, and the African-American drummer seated at her drum kit on the highest rear riser at the right, her kit's cymbal stands splintering the red and green haze behind her. Long strands of the blonde's hair have broken loose from its undercut whipping across her jaw as she leans into the guitar, its futuristic tapered body tilted up toward the light, and her cybernetic segmented fingers are frozen mid-shred curled over the strings, tendon-plates compressed at the knuckles, chin tucked and brows knit hard at the frets, eyes locked down on her own hands with total focus. The redhead bassist has her weight sunk onto her back hip and the front of one thigh punched forward, hips cocked into the sway mid-shift as her slick bass hangs low on its strap, one hand riding up the neck and three fingers walking the frets in a deep pluck, her augmented eyes burning green from within their sockets and her spiked partial Mohawk throwing a ragged shadow onto the smoke; her head is turned back over one shoulder toward the drummer with a slow sideways glance, tongue pressed to the corner of her lip, sweat running from her temple down the side of her throat. Behind, the drummer's short black curls fan out around her face with the glowing tips lighting the underside of her cheekbones, and her augmented arms come down on the snare and hi-hat as paired blurs, pistons compressed at the elbows, her jaw set in a flat determined line and her eyes hard on the hi-hat stand, drumstick tips bounced off the head with the rebound visible in the angled wrist. The Asian keytarist is caught mid-hop with one knee driven high and her back heel kicked up, spilling the keytar forward across her body, her eyes crescent and laughing over a wide open-mouthed grin as she looks out across the crowd, her bright metallic shoulder-length blunt-cut swinging out in a stiff blade of light and the keys under her fingers shedding sharp-edged notes of floating holographic glyphs that climb up into the dark above the stage. All four wear glossy black latex cut into industrial-punk shapes—hard buckled straps and sharp zipped seams and thonged hardware at the hips—with panels cut away at the shoulders and collarbones and thighs so skin shows between glowing circuit patterns that run each woman's torso and hips like veins of trace-light, the curves of their busty frames running unbroken in the latex's tight reflection down to the drum riser and the keytar's underside. The key light is blacklight: cold violet wash from above and behind the band that turns the latex to wet black mirror, sinking every figure's front into deep shadow while neon red floods from a strip at the front apron of the stage and neon green floods from the rear riser, so red catches the blonde's undercut and the underside of her chin, green catches the drummer's curls and both of the bassist's glowing sockets, and where red and green meet across the keytarist's arms and keytar they smear to a thin acid yellow-green along her forearms. Smoke rolls in low grey layers around their boots and is cut into separate shafts by the spot beams, drifting slow across the stage while the faster pinwheels of light off the cymbals spin through it—and where each figure's sweat beads and drops, every droplet lights red on her left side and green on her right, revealing the beam directions above the crowd's dark hands. The palette is limited to wet black, violet-black shadow, neon red, neon green and the pale glow of the holographic notes, nothing else admitted. Pixel-grid rendering: chunky square pixels crawl along every neon edge and stair-step the curved guitar bodies and latex highlights, the palette banded into a few flat steps of each hue, no smoothing on the smoke or the glow. Frantic, loud.
MalletMann
AI artwork
Avatar image of MalletMann
4girls, pixel art, concert, band, on stage, performing, blacklight, neon red lighting, neon green lighting, cyberpunk, cybernetic, cybernetic hands, electric guitar, futuristic guitar, focused, intense expression, blonde hair, long hair, flowing hair, undercut, redhead, bassist, bass guitar, glowing eyes, augmented eyes, mohawk, partial mohawk, dark-skinned female, drummer, drums, drumsticks, augmented arms, mechanical arms, short hair, black hair, curly hair, glowing hair tips, asian, keytarist, keytar, holographic, dancing, energetic, metallic hair, blunt bangs, shoulder-length hair, latex, tight, glossy latex, shiny, glowing circuit patterns, cutouts, cleavage, large breasts, curvaceous, bare shoulders, bare thighs, industrial punk, full group, dynamic pose, open mouth, wide shot, from below, smoke, spotlights, dark background, crowded The camera looks up from the pit through drifting stage smoke, and all four women stand staggered across a raised black platform in a shallow diagonal: the blonde guitarist at the front left edge nearest the lens, the redhead bassist a step behind her center-left, the Asian keytarist center-right a stride further back with her keytar swung hip-height, and the African-American drummer seated at her drum kit on the highest rear riser at the right, her kit's cymbal stands splintering the red and green haze behind her. Long strands of the blonde's hair have broken loose from its undercut whipping across her jaw as she leans into the guitar, its futuristic tapered body tilted up toward the light, and her cybernetic segmented fingers are frozen mid-shred curled over the strings, tendon-plates compressed at the knuckles, chin tucked and brows knit hard at the frets, eyes locked down on her own hands with total focus. The redhead bassist has her weight sunk onto her back hip and the front of one thigh punched forward, hips cocked into the sway mid-shift as her slick bass hangs low on its strap, one hand riding up the neck and three fingers walking the frets in a deep pluck, her augmented eyes burning green from within their sockets and her spiked partial Mohawk throwing a ragged shadow onto the smoke; her head is turned back over one shoulder toward the drummer with a slow sideways glance, tongue pressed to the corner of her lip, sweat running from her temple down the side of her throat. Behind, the drummer's short black curls fan out around her face with the glowing tips lighting the underside of her cheekbones, and her augmented arms come down on the snare and hi-hat as paired blurs, pistons compressed at the elbows, her jaw set in a flat determined line and her eyes hard on the hi-hat stand, drumstick tips bounced off the head with the rebound visible in the angled wrist. The Asian keytarist is caught mid-hop with one knee driven high and her back heel kicked up, spilling the keytar forward across her body, her eyes crescent and laughing over a wide open-mouthed grin as she looks out across the crowd, her bright metallic shoulder-length blunt-cut swinging out in a stiff blade of light and the keys under her fingers shedding sharp-edged notes of floating holographic glyphs that climb up into the dark above the stage. All four wear glossy black latex cut into industrial-punk shapes—hard buckled straps and sharp zipped seams and thonged hardware at the hips—with panels cut away at the shoulders and collarbones and thighs so skin shows between glowing circuit patterns that run each woman's torso and hips like veins of trace-light, the curves of their busty frames running unbroken in the latex's tight reflection down to the drum riser and the keytar's underside. The key light is blacklight: cold violet wash from above and behind the band that turns the latex to wet black mirror, sinking every figure's front into deep shadow while neon red floods from a strip at the front apron of the stage and neon green floods from the rear riser, so red catches the blonde's undercut and the underside of her chin, green catches the drummer's curls and both of the bassist's glowing sockets, and where red and green meet across the keytarist's arms and keytar they smear to a thin acid yellow-green along her forearms. Smoke rolls in low grey layers around their boots and is cut into separate shafts by the spot beams, drifting slow across the stage while the faster pinwheels of light off the cymbals spin through it—and where each figure's sweat beads and drops, every droplet lights red on her left side and green on her right, revealing the beam directions above the crowd's dark hands. The palette is limited to wet black, violet-black shadow, neon red, neon green and the pale glow of the holographic notes, nothing else admitted. Pixel-grid rendering: chunky square pixels crawl along every neon edge and stair-step the curved guitar bodies and latex highlights, the palette banded into a few flat steps of each hue, no smoothing on the smoke or the glow. Frantic, loud.
MalletMann
AI artwork
Avatar image of MalletMann
4girls, pixel art, concert, band, on stage, performing, blacklight, neon red lighting, neon green lighting, cyberpunk, cybernetic, cybernetic hands, electric guitar, futuristic guitar, focused, intense expression, blonde hair, long hair, flowing hair, undercut, redhead, bassist, bass guitar, glowing eyes, augmented eyes, mohawk, partial mohawk, dark-skinned female, drummer, drums, drumsticks, augmented arms, mechanical arms, short hair, black hair, curly hair, glowing hair tips, asian, keytarist, keytar, holographic, dancing, energetic, metallic hair, blunt bangs, shoulder-length hair, latex, tight, glossy latex, shiny, glowing circuit patterns, cutouts, cleavage, large breasts, curvaceous, bare shoulders, bare thighs, industrial punk, full group, dynamic pose, open mouth, wide shot, from below, smoke, spotlights, dark background, crowded The camera looks up from the pit through drifting stage smoke, and all four women stand staggered across a raised black platform in a shallow diagonal: the blonde guitarist at the front left edge nearest the lens, the redhead bassist a step behind her center-left, the Asian keytarist center-right a stride further back with her keytar swung hip-height, and the African-American drummer seated at her drum kit on the highest rear riser at the right, her kit's cymbal stands splintering the red and green haze behind her. Long strands of the blonde's hair have broken loose from its undercut whipping across her jaw as she leans into the guitar, its futuristic tapered body tilted up toward the light, and her cybernetic segmented fingers are frozen mid-shred curled over the strings, tendon-plates compressed at the knuckles, chin tucked and brows knit hard at the frets, eyes locked down on her own hands with total focus. The redhead bassist has her weight sunk onto her back hip and the front of one thigh punched forward, hips cocked into the sway mid-shift as her slick bass hangs low on its strap, one hand riding up the neck and three fingers walking the frets in a deep pluck, her augmented eyes burning green from within their sockets and her spiked partial Mohawk throwing a ragged shadow onto the smoke; her head is turned back over one shoulder toward the drummer with a slow sideways glance, tongue pressed to the corner of her lip, sweat running from her temple down the side of her throat. Behind, the drummer's short black curls fan out around her face with the glowing tips lighting the underside of her cheekbones, and her augmented arms come down on the snare and hi-hat as paired blurs, pistons compressed at the elbows, her jaw set in a flat determined line and her eyes hard on the hi-hat stand, drumstick tips bounced off the head with the rebound visible in the angled wrist. The Asian keytarist is caught mid-hop with one knee driven high and her back heel kicked up, spilling the keytar forward across her body, her eyes crescent and laughing over a wide open-mouthed grin as she looks out across the crowd, her bright metallic shoulder-length blunt-cut swinging out in a stiff blade of light and the keys under her fingers shedding sharp-edged notes of floating holographic glyphs that climb up into the dark above the stage. All four wear glossy black latex cut into industrial-punk shapes—hard buckled straps and sharp zipped seams and thonged hardware at the hips—with panels cut away at the shoulders and collarbones and thighs so skin shows between glowing circuit patterns that run each woman's torso and hips like veins of trace-light, the curves of their busty frames running unbroken in the latex's tight reflection down to the drum riser and the keytar's underside. The key light is blacklight: cold violet wash from above and behind the band that turns the latex to wet black mirror, sinking every figure's front into deep shadow while neon red floods from a strip at the front apron of the stage and neon green floods from the rear riser, so red catches the blonde's undercut and the underside of her chin, green catches the drummer's curls and both of the bassist's glowing sockets, and where red and green meet across the keytarist's arms and keytar they smear to a thin acid yellow-green along her forearms. Smoke rolls in low grey layers around their boots and is cut into separate shafts by the spot beams, drifting slow across the stage while the faster pinwheels of light off the cymbals spin through it—and where each figure's sweat beads and drops, every droplet lights red on her left side and green on her right, revealing the beam directions above the crowd's dark hands. The palette is limited to wet black, violet-black shadow, neon red, neon green and the pale glow of the holographic notes, nothing else admitted. Pixel-grid rendering: chunky square pixels crawl along every neon edge and stair-step the curved guitar bodies and latex highlights, the palette banded into a few flat steps of each hue, no smoothing on the smoke or the glow. Frantic, loud.
MalletMann
AI artwork
ha
4girls, girls band, gyaru, sailor school uniform, electric guitar, bass guitar, keyboard, drums, heavy metal, from below, wide shot, tanned skin, bleached hair, long nails, platform boots, loud makeup, instruments, concert stage, stage lighting, smoke, high energy A low-angle wide shot looking up at a four-piece gyaru heavy metal band on a dark concert stage. In the foreground, the guitarist leans forward with a wide stance, weight shifted to her left leg; she has bleached-blonde curled hair and dramatic makeup, aggressively shredding a pointed black electric guitar, her fingers gripping the fretboard tight. Beside her, the bassist stands in a low slung posture, tanned skin and brown hair with pink streaks, her hand plucking the thick strings of a dark bass guitar. To the side, the keyboardist is captured mid-sway, long dark hair swept over one shoulder, her long manicured nails pressing the keys of a black synthesizer. In the background, the drummer is a blur of motion, short platinum hair and heavy eyeliner, her arms raised mid-strike over a massive drum kit. All four wear navy sailor uniforms customized with metal spikes, studs, and chain accessories, their pleated skirts flaring with their movement. Harsh, saturated magenta and electric blue spotlights strike them from above, cutting through thick plumes of stage smoke and creating sharp, high-contrast shadows on the floor. The floor is a polished black surface reflecting the neon glare and the boots of the band. High energy, effortlessly stylish.
H akasaka

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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