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AI art "新山聡美(せんのう沢 愛の鐘)"
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新山聡美(せんのう沢 愛の鐘)

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#หญิงวัยผู้ใหญ่#รองเท้าบูต#กลางแจ้ง#ยิ้ม#หัวใจ#ดอกไม้#ค้อน#กระดิ่ง#กระเป๋าสะพายไหล่#เสียงเพลง ผูกใจไว้ที่เธอ#ซาโตมิ นียามะ
ดูเพิ่มเติม

คอมเมนต์

copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, An outdoor landscape image depicting a woman striking a bell with an attached small bell hammer at the "Sennosawa Love Bell" in Shiroishi City, Miyagi Prefecture, on a bright autumn day in late October. In a small open square in a lush green mountainous area, a white heart-shaped metal frame and a black hanging bell are installed. The surrounding area is lush with trees, the ground is covered with gravel, and potted flowers, a white garden table, and chairs are placed. It expresses a quiet and warm atmosphere characteristic of a rustic tourist spot cherished by local people. The clear autumn natural light brightly illuminates the entire square, creating a natural travel photo-like finish where the person, bell, and surrounding facilities are clearly visible. Near the center of the frame, there is a white metal heart-shaped frame and an elongated black bell suspended from the tip where part of the frame is cut out. The white frame is composed of rounded metal pipes, forming an elegant curve reminiscent of a large heart. Designed with one side of the heart-shaped loop cut away, the smooth white surface has a natural luster. The highest part of the frame is about 1.8 meters from the ground, making it a life-sized small outdoor monument that fits under 2 meters in height. Rather than a huge gate or large monument, it is a realistic size where the frame extends just slightly above head height when an adult woman stands right beside it. The thickness and curvature of the metal pipes, as well as the fixing part to the ground, are also depicted with natural dimensions. A part of the side of the heart-shaped frame is cut away, and from its tip, a black elongated cylindrical bell is suspended by a chain or metal fitting. The bell is at a height reachable by the woman's hand, hanging vertically from the tip of the cut-away white frame. The surface of the bell is black, with its elongated cylindrical shape clearly recognizable. The hanging fitting and chain firmly support the bell, leaving room for the bell to sway naturally. The size of the bell is kept within a realistic range for an actual outdoor bell, maintaining accurate dimensional relationships with the frame and the woman. The woman's attire is elegant and natural, suitable for visiting an outdoor tourist spot in autumn. Over a soft ivory-colored knit, she wears a pale beige or greige below-the-knee coat. For bottoms, she wears a subdued brown-toned or charcoal gray long skirt, paired with comfortable, elegant dark brown short boots on her feet. She wears a small, simple shoulder bag with understated accessories. The color palette is subdued to blend with autumn nature, presenting a neat, clean, adult look that is not too flashy. The woman's hairstyle utilizes the long hair specified in the character LoRA, with the back hair flowing naturally down her back. The hair is neatly groomed with a soft gloss, leaving a few natural strands of hair around her face. Her hair does not spread unnaturally or become entangled with the bell or frame during movement. Her expression is gentle and approachable, with a modest smile as if she is enjoying ringing the Love Bell. Expressed as a natural moment at a tourist spot, she is not posing for the camera, but focusing her attention on the bell in front of her. The clothing, hairstyle, accessories, posture, and facial expression are depicted according to the specifications in this text. The woman stands right next to the white heart-shaped frame, lightly tapping the black bell using the attached small bell hammer. Her body faces the bell, positioned at a distance reachable by naturally extending her arm. With one hand, she firmly grasps the handle of the small hammer, lightly bends her elbow, and extends her arm naturally toward the side of the bell. Depict the moment the small striking part of the hammer touches the surface of the bell, or the motion right after it touches, making it clear at a glance that the woman is actually striking the bell with the hammer. The hammer is not a large tool like a carpentry tool, but a small bell hammer attached to this facility. The handle and striking part are clearly visible, and the woman's hand grips the hammer correctly. The handle of the hammer connects naturally to the hand, ensuring arms and fingers do not merge unnaturally with the bell. The hand not holding the hammer hangs naturally at her side or rests gently against the front of her coat. Her shoulders are relaxed without raising her arm unnaturally high, maintaining a natural posture suited to the woman's height and the bell's height. Even with her arm extended to strike the bell, her body does not tilt excessively, standing stably with both feet firmly on the ground. The woman's expression conveys the joy and gentle anticipation of ringing the bell. The composition clearly shows her gaze directed at the bell and the hand operating the hammer, conveying the purpose of the action. The surrounding square is a rustic outdoor space surrounded by mountain nature. The ground is covered with gray and pale brown pebbles, with soil and fallen leaves visible in some areas. At the base of the heart-shaped frame, there is a concrete foundation or small pedestal, and several flower pots are planted with red, orange, and yellow flowers. Around it, there are pot stands made from tree stumps and small stands hanging flowers. On the right, a white metal round table and decorative chairs are placed, and in the background to the left, a simple greenhouse or small building can be seen. The background is a lush green forest, with green trees enclosing the square. Facilities such as utility poles, power lines, and support pillars are also arranged in a realistic manner, creating a scene that retains a local, lived-in feel while being maintained as a tourist spot. Reflecting the current late-October autumn season, while the background trees still retain many green leaves, trees partially colored in yellow and orange can also be seen. A small amount of dead leaves are scattered on the ground, making the transition of the season feel natural. Rather than making all the trees bright red, it is a realistic forest blending deep evergreen and autumn-colored leaves. The calm sunlight of a clear autumn day illuminates the leaves and the upper part of the frame, casting soft highlights on the curves of the white metal. Ensure that the woman's coat, hair, the bell, the flowers, and the white chairs are sufficiently bright, with no details lost in dark shadows. The camera is positioned to capture the woman and the bell from a slightly oblique front angle, composed so that the woman's full body and the entire heart-shaped frame can be seen simultaneously. The woman is placed near the center of the screen, making the positional relationship between the hammer, the bell, and the woman's arm easy to see so that the action of striking the bell is clear. The frame from its peak down to the ground foundation fits within the screen, allowing the size of the frame to be conveyed in comparison to the woman. A white garden table and chairs are arranged on the right side of the screen, with a lush forest in the background, naturally keeping the surrounding facilities and space seen in the original photo. Instead of a portrait with the woman unnecessarily large, it is a realistic photo-style composition capturing the entire Love Bell facility, the woman's action, and the surrounding environment in a single image. The entire image is finished with bright, natural daylight. The shape of the white metal frame, the black surface of the bell, the texture of the woman's clothing, the gravel ground, the flowers in the pots, and the details of the background leaves should all be clearly visible. Contrast is not too strong, preventing blown-out highlights on the white parts of the frame or crushed blacks on the black parts of the bell. Maintaining natural perspective and realistic dimensions, the colors of the person's skin, hair, and clothing blend into the surrounding light. The overall atmosphere is calm, like a natural commemorative photo taken at a local tourist spot. Only one woman appears in the frame, with no other tourists or human figures present. The woman's hands, fingers, arms, and legs are depicted naturally, with the grip of the hand holding the hammer shown accurately. There is only one hammer, depicted as a small tool for striking the bell. The action is strictly striking the bell with the small hammer, not touching the bell directly with her hand. The frame height is under 2 meters, just slightly taller than the woman, not a gigantic structure. Avoid unnatural distortion of the white heart-shaped loop, the suspended black bell, the ground foundation, and the surrounding chairs and plants, preventing extra limbs or merging of objects. Without adding meaningless text, logos, or watermarks, depict a focus on the natural moment of the woman ringing the Love Bell with the hammer.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
10月下旬の明るい秋の日、宮城県白石市の「せんのう沢 愛の鐘」で、女性が備え付けの鐘打ち用の小型ハンマーを使って鐘を叩いている瞬間を描いた屋外風景映像。緑豊かな山あいの小さな広場に、白いハート形の金属フレームと黒い吊り鐘が設置されている。周囲には木々が茂り、地面には砂利が広がり、花の植えられた鉢や白いガーデンテーブル、椅子が置かれている。地域の人々が大切にしている素朴な観光スポットらしい、静かで温かみのある雰囲気を表現する。秋晴れの自然光が広場全体を明るく照らし、人物や鐘、周囲の設備がはっきりと見える、自然な旅行写真のような仕上がりとする。 画面の中心付近には、白い金属製のハート形のフレームと、そのフレームの一部が切り取られた先端から吊り下げられた細長い黒い鐘がある。白いフレームは丸みを帯びた金属パイプで構成され、大きなハートを思わせる優雅な曲線を描いている。ハート形の輪の片側の側面が切り取られたデザインで、白く滑らかな表面には自然な光沢がある。フレームの最も高い部分は地面から約1.8メートル程度で、2メートル弱の高さに収まる実物大の小さな屋外モニュメントとする。巨大な門や大きな記念碑ではなく、大人の女性がそのすぐそばに立つと、頭の高さより少し上までフレームが伸びる程度の現実的な大きさにする。金属パイプの太さや曲線、地面への固定部分も自然な寸法で描く。 ハート形のフレームの側面の一部が切り取られ、その先端から、黒い細長い円筒形の鐘が鎖や金具で吊り下げられている。鐘は女性の手が届く高さにあり、切り取られた白いフレームの先端から垂直にぶら下がっている。鐘の表面は黒色で、細長い円筒形の形状が明確に分かる。吊り金具や鎖は鐘をしっかり支え、鐘が自然に揺れる余地がある。鐘の大きさは実際の屋外用の鐘として現実的な範囲に収め、フレームや女性との寸法関係を正確にする。 女性の服装は、秋の屋外の観光スポットを訪れるのにふさわしい、上品で自然な服装をしている。アイボリー色の柔らかなニットの上に、淡いベージュまたはグレージュの膝下丈のコートを羽織っている。ボトムスには落ち着いたブラウン系またはチャコールグレーのロングスカートを合わせ、足元には歩きやすく上品なダークブラウンのショートブーツを履いている。小ぶりでシンプルなショルダーバッグを身につけ、装飾品は控えめにする。色合いは秋の自然に馴染む落ち着いたものとし、派手すぎない清潔感のある大人の着こなしにする。 女性の髪型は、キャラクターLoRAで指定したロングヘアを生かし、後ろ髪が背中に自然に流れるスタイルにする。髪は清潔に整えられ、柔らかな艶があり、顔の周りには自然な毛束が少し残っている。動作中でも髪が不自然に広がったり、鐘やフレームに絡まったりしないようにする。表情は穏やかで親しみやすく、愛の鐘を鳴らすことを楽しんでいるような控えめな笑顔。観光地での自然な一瞬として表現し、カメラに向かってポーズを取るのではなく、目の前の鐘に意識を向けている。服装、髪型、アクセサリー、姿勢、表情は、この文章の指定に従って描写する。 女性は白いハート形のフレームのすぐ横に立ち、備え付けの鐘打ち用の小型ハンマーを使って黒い鐘を軽く叩いている。女性の体は鐘の方へ向き、鐘との距離は腕を自然に伸ばせば届く程度とする。女性は片手で小型ハンマーの柄をしっかりと持ち、肘を軽く曲げ、鐘の側面に向けて腕を自然に伸ばしている。ハンマーの小さな打撃部分が鐘の表面に触れる瞬間、または触れた直後の動作を描き、女性が実際にハンマーで鐘を叩いていることが一目で分かるようにする。ハンマーは大工道具のような大型のものではなく、この施設に備え付けられた小さな鐘用のハンマーとする。柄と打撃部分がはっきり見え、女性の手がハンマーを正しく握っている。ハンマーの柄は手から自然につながり、腕や指が鐘と不自然に融合しないようにする。 ハンマーを持っていない方の手は、体の横に自然に下ろすか、コートの前にそっと添える。肩の力を抜き、無理に腕を高く上げず、女性の身長と鐘の高さに合った自然な姿勢とする。鐘を叩くために腕を伸ばしても体が過度に傾かず、両足を地面にしっかりつけて安定して立っている。女性の表情には、鐘を鳴らす楽しさと穏やかな期待が感じられる。鐘に向けた視線と、ハンマーを操作する手元が明確に分かり、動作の目的が伝わる構図にする。 周囲の広場は、山あいの自然に囲まれた素朴な屋外空間とする。地面には灰色や淡い茶色の小石が広がり、場所によって土や落ち葉が見えている。ハート形のフレームの足元には、コンクリート製の基礎や小さな台座があり、数個の植木鉢には赤や橙、黄色の花が植えられている。周辺には切り株を利用した鉢置きや、花を吊るした小さなスタンドもある。右側には白い金属製の丸テーブルと装飾的な椅子が置かれ、左奥には簡易な温室や小さな建物が見える。背景は自然豊かな林で、緑の木々が広場を包み込む。電柱や電線、支柱などの設備も現実的な範囲で配置され、観光用に整えられた場所でありながら、地域に根ざした生活感が残る景色とする。 現在の季節である10月下旬の秋を反映し、背景の樹木にはまだ緑色の葉を多く残しながら、部分的に黄色や橙色に色づいた木々も見られる。地面には少量の枯れ葉が散り、季節の移り変わりが自然に感じられる。すべての木を真っ赤にするのではなく、常緑の濃い緑と秋色の葉が混じり合う現実的な林にする。秋晴れの穏やかな日差しが葉やフレームの上部を照らし、白い金属の曲線に柔らかなハイライトが入る。女性のコートや髪、鐘、花、白い椅子も十分に明るく見えるようにし、暗い影に隠れて細部が失われないようにする。 カメラは女性と鐘を正面やや斜めから捉える位置に置き、女性の全身とハート形のフレーム全体が同時に見える構図とする。女性は画面の中央付近に配置し、鐘を叩く動作が分かるように、ハンマー、鐘、女性の腕の位置関係を見やすくする。フレームの頂点から地面の基礎までが画面内に収まり、フレームの大きさが女性との比較で伝わるようにする。画面の右側には白いガーデンテーブルと椅子、背景には緑豊かな林を配置し、元の写真にある周囲の設備や空間も自然に残す。女性を必要以上に大きく写したポートレートにはせず、愛の鐘の設備全体と女性の動作、周囲の環境が一枚に収まる実写風の構図とする。 画像全体は明るく自然な昼間の光で仕上げる。白い金属フレームの形状や鐘の黒い表面、女性の衣服の質感、砂利の地面、植木鉢の花、背景の葉の細部が明確に見えるようにする。コントラストを強くしすぎず、フレームの白い部分が白飛びしたり、鐘の黒い部分が黒つぶれしたりしないようにする。自然な遠近感と現実的な寸法を保ち、人物の肌や髪、衣服の色が周囲の光に馴染んでいる。全体は地域の観光スポットで撮影した自然な記念写真のように、落ち着いた雰囲気とする。 画面内の人物は女性一人だけとし、ほかの観光客や人影は登場させない。女性の手、指、腕、脚の形状を自然に描き、ハンマーを持つ手の握り方を正確にする。ハンマーは一つだけとし、鐘を叩くための小型の道具として描く。鐘に手を直接触れさせるのではなく、必ず小型ハンマーで鐘を叩く動作にする。フレームの高さは2メートル弱、女性より少し高い程度とし、巨大な構造物にしない。白いハート形の輪、吊り下げられた黒い鐘、地面の基礎、周辺の椅子や植物を不自然に変形させず、余分な手足や物体の融合を避ける。意味不明な文字やロゴ、透かしは入れず、愛の鐘をハンマーで鳴らす女性の自然な一瞬を中心に描写する。
โหมด
ultra
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
2496 x 1872
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
前髪が額の中央に垂れる, text, 文章, 透かし, ロゴ, 署名, lowres, worst quality, low quality, bad anatomy, explicit

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