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AI art "突入待ち" featuring #เน้นผู้ชาย, #ปืน, #หมวกกันน็อก, #อาวุธ, #เปล่งแสง, #ปืนไรเฟิล, #ดวงตาเรืองแสง, #ถือ, #ในร่ม and #ทางเดิน
สร้างฟรี

突入待ち

#เน้นผู้ชาย#ปืน#หมวกกันน็อก#อาวุธ#เปล่งแสง#ปืนไรเฟิล#ดวงตาเรืองแสง#ถือ#ในร่ม#ทางเดิน
Avatar image of yux
avatar-frame

yux

ดูเพิ่มเติม

คอมเมนต์

copyright: resident_evil special forces squad, multiple soldiers, column formation, black helmet, gas mask, glowing red goggles, black protective armor, military boots, holding machine gun, combat knife, grenade, handgun, M1A2 on back, exploring research facility, biohazard outbreak, cautious, tactical formation, corridor, dark interior, from side, dutch angle, wide shot, dramatic lighting, masterpiece, high quality, highly detailed, realistic, atmospheric perspective, rim light, volumetric light, tense mood, Viewed from a low side angle through a dutch-tilted wide shot, a column of four special forces soldiers in black helmets and black protective armor fills a long research-facility corridor, each figure staggered a pace behind the one ahead so the line recedes diagonally from the lower-left foreground to the center-right midground. The lead soldier is nearest the camera and dominates the frame: black helmet seated low over a full-face gas mask whose round goggle lenses burn a hot glowing red, the red light spilling a faint halo onto the helmet brim and cheek of the armor; black plated protect armor squares the shoulders, military boots planted wide on the wet floor. Both gloved hands clamp a machine gun at the ready, stock against the shoulder, muzzle angled down the corridor toward the viewer's left, the barrel cutting a hard diagonal across the composition. On the chest rig a combat knife rides in its sheath and a grenade hangs from a strap, a holstered handgun at the hip, and strapped across the back a big M1A2 unit rises above the shoulder line as a bulky dark silhouette. Behind the leader, three more soldiers repeat the same silhouette at descending scale, each separated by a clear gap so the column reads as a staggered line: the second soldier has one hand raised with two fingers curled in a silent hand signal, the third's head is turned scanning a closed door on the right wall, the fourth holds rear guard at the far end of the corridor, all their machine guns angled down and outward, all their red goggles glowing. Every soldier's gaze points where the danger might come from: the leader's masked face tilts toward a dark side corridor to the left, the scanning soldier's head turns to the sealed lab door on the right, the signaler looks at the leader's back. The corridor is a biohazard research facility mid-outbreak: wet concrete floor with a thin film of standing water that mirrors the red goggle glow as elongated streaks and holds the perfect cold reflection of the ceiling striplights, walls of pale sealed paneling interrupted by warning signs painted in red hazard chevrons and biohazard trefoils, a cracked observation window farther back leaking a sickly greenish interior light, tangled cable trays overhead, an abandoned gurney tipped against the left wall. A fine mist of aerosol hangs in the air, making the light visible as soft cones. The palette is cold blue-grey concrete and steel, near-black armor, and one hot red accent in the mask goggles plus a secondary sickly green glow from the observation window. The main light comes from the overhead striplights along the corridor's left, casting hard shadows of the soldiers onto the right wall; a faint fog haze diffuses the farthest lights into soft halos. Damage evidence: spent brass cartridges and a dragged smear of something dark along the wet floor, a single black boot print frozen in the water. High contrast, deep blacks, gritty realism, tense and menacing atmosphere.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
黒いヘルメットにガスマスク、黒いプロテクトアーマーとミリタリーブーツに見を包み、マシンガンを構えながら、バイオハザード発生中の研究施設内を慎重に探索する、特殊部隊の列、サイドアームとしてコンバットナイフ、手榴弾、ハンドガン、背中にM1A2装備、ガスマスクのゴーグル部分が赤く光る、マスターピース、ハイクオリティ
โหมด
flash
ขนาด
1104 x 1824
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.68k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of yux
copyright: resident_evil 4 soldiers, special forces squad, black helmet, gas mask, glowing red goggles, black protective armor, military boots, holding machine gun, combat knife, grenade, handgun, M1A2 rifle on back, research lab interior, biohazard outbreak, cautious exploration, one soldier operating communication equipment, one soldier maintaining heavy weapon, one soldier shooting doorknob with firearm, one soldier keeping watch at window, from side, wide shot, dutch angle, group shot, depth of field, dark palette with red accents, volumetric haze, muzzle flash light, high quality, masterpiece From a low, tilted side angle, a four-man special forces column threads through a ravaged research laboratory, staggered down the length of the corridor so each man reads at a different depth. All four wear identical black helmets with the visor raised over a full black rubber gas mask, its twin goggle lenses burning a flat, saturated red that throws a faint crimson sheen onto the cheek of the armor below; black segmented protective armor plates are strapped over matte black fatigues, pouches and magazine cells riding heavy at the belt, and thick military boots planted on cracked epoxy flooring. Each carries a combat knife sheathed inverted at the chest rig, a grenade clipped at the hip, a handgun holstered at the thigh, and an M1A2 rifle slung tight across the back, its barrel rising behind the shoulder. Nearest to the lens on the left, one soldier crouches half behind an overturned steel bench, machine gun braced across the bench edge, both gloved hands locked on the grip and handguard, his red lenses angled down the corridor; his weight sinks into the rear boot heel, the front knee driven forward, and the machine gun's sling hangs slack beneath the receiver. Beyond him at midground center, the second soldier kneels with a field radio open on the floor between his knees, one hand pressing a headset cup through the gas mask's strap, the other thumbing a dial, head tipped down toward the glowing frequency display so its green light rims the underside of his mask; a coiled cable runs from the radio to the pack at his shoulder. Slightly right and further back, the third soldier crouches over a heavy machine gun laid across his thighs, one gloved palm clamped on the feed tray cover while the other slides a belt of linked rounds into the feed, a spent casing between his fingertips; his helmet tips forward and one red goggle lens reflects the open receiver. At the far right of the frame, the fourth soldier stands squared to a laboratory door, pistol raised and angled down at the brass doorknob, the muzzle a hand's width from the metal, his off hand flat against the door frame above the lock, shoulder braced into the jamb, front boot wedged at the threshold. His head is turned so the profile of the mask and the red lens read against the door's pale panel. Through the wired safety glass of the window beside him the background holds a barred, blue-white inner lab: shattered fume hoods, spilled racks of vials, and a biohazard trefoil decal on the far wall, its red visible through the smeared pane. That fourth man's red lenses flick toward the glass, watching the corridor beyond the window while his pistol stays on the knob. The only primary light is a bank of failing ceiling fluorescents running down the corridor, cold and slightly green, which puts a hard highlight along each helmet crown and drops deep shadow beneath every chest plate; the radio display and the four red goggle lenses are the only warm-red points in the frame, and where the ceiling light dies at the far end the darkness is absolute. Emergency strobes bleed a slow red wash across the floor, glinting off the fallen glass and pooled liquid, and the haze in the air carries visible dust and a thin drifting vapor from a cracked pipe. Cold steel, black rubber, and blood-red accents only, nothing else admitted. Razor-sharp detail on the nearest mask, glove seams, and the linked belt of rounds; the far door and corridor resolving into soft haze. Tense, suffocating
yux
#ยืน#ความมืด#ปืน
AI artwork
YJ
character: hunk_(resident_evil), copyright: resident_evil, resident_evil_1boy character: hunk_(resident_evil), copyright: resident_evil 1boy, solo, male focus, gas mask, red lenses, tinted lenses, glowing eyes, military helmet, balaclava, bulletproof vest, tactical vest, load-bearing vest, magazine pouches, tactical clothes, combat jacket, dark pants, black gloves, combat boots, holding weapon, submachine gun, low ready, cowboy shot, from below, dutch angle, industrial corridor, wet floor, puddles, steam, emergency light, volumetric lighting, rim light, (tactical survival horror remake style:4) From a low angle with a sharp dutch tilt, a single heavily equipped tactical operative advances through a derelict, water-slicked industrial corridor, framed in a dynamic cowboy shot. His torso angles slightly three-quarters while his stance remains forward-driving and poised. His face is completely enclosed within a matte-black tactical gas mask, where dual circular crimson-tinted lenses catch the cold ambient gleam with an ominous, faint red sheen directed straight down the corridor. A matching dark ballistic helmet is buckled snugly beneath the chin over a full balaclava, shrouding the neck. He wears a dark charcoal field jacket under a modular black plate carrier and load-bearing vest fitted with rows of rigid magazine pouches and utility straps. Both hands, clad in reinforced black combat gloves, hold a matte submachine gun securely at the low-ready position; his right trigger finger rests straight along the receiver while his left hand grips the forend firmly. His forward combat boot plants into a shallow puddle on the broken concrete ground, displacing water in sharp, concentric ripples across the oily surface. Overhead, a single amber emergency bulkhead lamp casts long, severe diagonal shadows through drifting exhaust steam, countered by a pale cool-toned rim light catching the wet contours of his helmet and nylon vest. The setting and figure are unified in a (gritty tactical survival horror remake aesthetic:4), where fine droplets of condensation bead selectively along the cold exterior steel of the mask's dual filtration ports. Lethal precision.
YJ
#เรซิเดนต์อีวิล#Tsubaki.3
AI artwork
YJ
character: hunk_(resident_evil) 1man, solo, hunk_(resident_evil), tactical_gear, gas_mask, red_goggles, helmet, balaclava, bulletproof_vest, load_bearing_vest, black_jacket, cargo_pants, black_gloves, combat_boots, holding_weapon, submachine_gun, low-angle shot, cowboy shot, three-quarter view, advancing, low ready, dripping water, sewer, industrial corridor, steam, wet floor, puddle, emergency light, rim lighting, high contrast, survival horror A low-angle cowboy shot looks upward at the heavily equipped operative advancing through a subterranean maintenance corridor. His body leans forward in a measured tactical crouch, shifting his weight onto his forward left boot while his trailing foot kicks up faint mist from the damp ground. Both hands, encased in textured black combat gloves, maintain a firm two-handed grip on a matte-black submachine gun held at the low-ready position, its muzzle angled toward the floor. His head is turned slightly to the right, fully concealed beneath a ballistic helmet and a rubberized black gas mask fitted with twin circular lenses that radiate an intense ruby-red glow. The crimson light from the lenses casts sharp scarlet highlights onto the mask's filter canisters and the collar of his tactical jacket. Over a dark combat uniform, he wears a modular plate carrier laden with magazine pouches, utility webbing, and a coiled communication wire running to his left shoulder. An overhead amber industrial cage light cuts through the gloom from behind and above, casting stark downward shadows and catching the wet sheen on his helmet brim and shoulders. To his side, condensation falls rhythmically from a corroded iron pipe, generating neat concentric ripples across a shallow puddle on the cracked concrete floor, while faint plumes of steam curl around his silhouette. The palette is dominated by damp slate grays, oiled metal, and tactical matte blacks, punctured solely by the harsh amber overhead glare and the piercing ruby shine of the mask lenses. Grim detachment.
YJ
#เรซิเดนต์อีวิล#Tsubaki.3

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
4#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
21#คางามิเนะ ริน#โวคาลอยด์#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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9#ผ่าพิภพไททัน#มิคาสะ อัคเคอร์แมน
หน้าหลักโมเดลสร้างRecipeโปรไฟล์