Nov 2, 2026

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AI art "Mahiro" featuring #อวสานพี่ชายกลายเป็นพี่สาว and #มาฮิโระ โอยามะ

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Mahiro

#อวสานพี่ชายกลายเป็นพี่สาว #มาฮิโระ โอยามะ

เผยแพร่เมื่อ Nov 1, 2026

Victor Gabriel

ดูเพิ่มเติม

character: oyama_mahiro, copyright: onii-chan_wa_oshimai! 1girl, solo, oyama_mahiro, long hair, pink hair, straight long hair falling past the shoulder blades, hair between eyes, ahoge, single loose curl springing from the crown, brown eyes, bright chestnut-brown irises, small red bow, red hair ribbon tied at the side of the head, frills, long sleeves, short sleeves layered over long sleeves, white blouse, gathered puff short sleeves, cuffs at the wrists, red bowtie at the collar, pleated skirt, dress, pink and white palette, standing, standing on one leg, tiptoes, leaning forward, head tilt, arms up, outstretched arm, waving, open mouth, :d, one eye closed, wink, looking at viewer, from below, cowboy shot, foreshortening, bright warm lighting, soft indoor daylight, cheerful, playful From a low camera placed near knee height looking up, one girl stands balanced on the toes of her left foot in a bright room, her right leg bent and lifted slightly behind her so the pleated skirt swings out to one side and the hem lifts a hand's width, its folds fanning with the momentum of a half-turn she has just made. Her long pink hair, straight and heavy, sweeps across her back and one lock swings forward past her cheek; the single ahoge at her crown curls upward and leans with the same turn. She leans her upper body toward the lens with both arms flung up — her right arm fully extended overhead with the hand open and fingers spread, her left arm bent so the palm hovers near her temple — and her chin tips down while her eyes lift to meet the viewer: her left eye closed in a wink with the lid creasing at the corner, her right eye wide and bright brown, mouth open in a laughing grin that shows the upper teeth, one brow riding higher than the other. The white blouse's puff short sleeves sit over the long sleeves that end in buttoned cuffs at both wrists, the red bowtie sits square at her throat, and the small red ribbon bow holds a gathered section of hair at the side of her head, its loops tilted by the motion. Contact is exact: the ball of her left foot and the toes press the floorboards, the heel raised clear, and the lifted right foot's toes point down without touching anything. The floor is pale wood with a visible grain, and daylight comes in low and warm from a window off-frame to the left, striking the underside of her chin, the front of her throat and the tops of her raised forearms, throwing her shadow backward and to the right across the boards where it stretches long and thin under the low camera, and the far side of the room behind her falls into soft warm dimness. Palette holds to pink, white, warm blond wood and the two red accents of ribbon and bowtie, with brown reserved for her eyes and the shadowed grain of the floor. The low angle compresses her legs and enlarges her hands and face, so detail gathers in the spread fingers, the winking eye and the flaring pleats of the skirt. Sunlit, buoyant.

Mahiro

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