Nov 2, 2026

Server Maintenance Notice — We are currently performing partial maintenance on our server facility. During this time, SDXL and Tsubaki.1 generation…

สร้างฟรี

新山聡美(磊々峡もみじのこみちライトアップ)

Contest Entry

Anything Goes Casual Posting Festival!

#หญิงวัยผู้ใหญ่#ผ้าพันคอ #ต้นไม้#กลางคืน #กระโปรงยาว #กระเป๋า #หลอดไฟ #เสียงเพลง ผูกใจไว้ที่เธอ #ซาโตมิ นียามะ

เผยแพร่เมื่อ Nov 2, 2026

絵知能

ดูเพิ่มเติม

copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, very wide almond-shaped eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, anime-style, a natural and realistic nightscape photo resembling a real photograph depicting a woman visiting the "Rairaikyo Momiji no Komichi Light-up" in the Akiu Onsen area of Taihaku Ward, Sendai City, Miyagi Prefecture on a night in early November, looking up at spherical illuminations installed along a forest walking path. In a quiet forest wrapped in autumn foliage, spherical light objects of various sizes made of thin metallic curved lines are installed. Most importantly, multiple spheres suspended from tree branches and wires stretched between trees appear floating in the upper and middle heights of the forest. The composition clearly distinguishes between spheres placed on the ground and spheres suspended from trees. It expresses a fantastical and serene autumn night scene where autumn leaves illuminated by yellow and golden light, a dark forest path, and geometric light objects of various sizes harmonize. [Most Important: Suspended Spherical Illuminations] The characteristic feature of this light-up is hollow spherical illuminations constructed by combining multiple thin metallic rings. The spheres are not round lightbulbs or ordinary lanterns, but possess a three-dimensional geometric structure where thin metal rings or rod-like frames intersect to enclose the spherical space. Multiple rings in vertical, horizontal, and diagonal orientations intersect at different angles, forming a delicate sphere resembling celestial orbits or longitude and latitude lines of a globe. The interior of each sphere is hollow, with nothing filled in the center, allowing the opposite rings and the background trees to show through. Along each ring, warm white or pale golden lights are arranged, making each entire sphere look like a three-dimensional work of art drawn with lines of light. Among the spheres, the suspended ones are particularly important. From the midground to the background, about 5 to 7 spheres are arranged in the air above the ground. Each sphere is suspended directly by thin hanging wires from thick branches of overhead trees or from thin black wires stretched between neighboring trees. The top of each sphere is clearly connected to hanging hardware or a thin wire, which further connects upward to tree branches or horizontal support wires. Do not depict the spheres as unnaturally floating in mid-air; they must be drawn as an actual suspended exhibition with their weight supported by tree branches or support wires. The suspended spheres are placed at varying heights, above human head height from the ground or at intermediate heights among the tree branches. Spheres are dotted among the branches, entering the woman's field of view as she looks up. The spheres are not overly crowded, maintaining enough spacing to distinguish each round three-dimensional form and intersecting thin rings. The suspended sphere closest to the foreground is relatively large, while those in the background appear slightly smaller due to perspective. The bottoms of the spheres do not touch the ground, clearly showing their suspended state in the air. Only about 2 ground-placed spheres are located at the left and right edges of the walking path in the foreground. These ground spheres sit stably upon the soil and fallen leaves, secured with small pedestals or support legs as needed. The bottom of each ground sphere touches the ground, visibly distinct from the suspended spheres. Avoid lining up a large number of ground spheres; restrict them to a small number. Throughout the entire frame, ensure that more spheres are suspended from tree branches and wires than placed on the ground. Maintain the woman's character design as specified by the character LoRA. A married woman in her early 30s with a neat, refined, and elegant aura and long hair. She wears calm, elegant autumn/winter attire suitable for strolling through Akiu's forest at night. Over a soft ivory or pale beige knit, she wears a greige or camel-colored below-the-knee long coat. The coat has appropriate thickness for the night chill, with natural fabric texture at the collar and cuffs. Around her neck, a bordeaux or deep brown muffler is softly wrapped. Her bottoms are a deep brown or charcoal gray long skirt, and on her feet are comfortable and elegant black or dark brown short boots. A small, understated shoulder bag hangs from her shoulder, with modest accessories. Avoid flashy decorations, dressing her as a clean, sophisticated adult woman in her 30s. Her long hair flows naturally from shoulders to back with a soft gloss. The hair is neatly styled, its ends naturally resting on the shoulders and back of her coat. A few soft stray strands frame her face, maintaining her pure and refined demeanor. Her expression is calm, gentle, and contented, as if moved by the glowing spheres before and above her. The character LoRA is used for the facial features and basic character form, while clothing, hairstyle, accessories, posture, and expression follow this written description. [Woman's Placement and Full-Body Composition: Most Important] The woman stands alone in the foreground. She pauses on a flat, walkable spot slightly to the left or right of the path's center, looking up at the spherical illuminations suspended from the tree branches. Her entire body from head, hair, shoulders, torso, arms, waist, legs, to shoes is completely contained within the frame. Neither the top of her head nor the tips of her feet are cropped out; the complete full-body figure is clear at a glance. She occupies about 35-45% of the frame's height, drawn with substantial presence. Not a tiny distant figure, nor a close-up of only face and shoulders. She stands at an appropriate distance from the camera, positioned to be seen together with the overhead suspended spheres. Ample space is provided above her head, preventing her hair and head from overlapping the spheres. Her body is not placed inside the spheres or within the rings; she stands independently on the walking path, clearly separated from the illuminations. The spheres do not overlap her head, face, shoulders, arms, torso, or legs, nor do they encircle her body. The outlines of the woman and the light spheres are distinctly separated, clearly showing the spatial relationship between person and background. Her body is angled slightly toward the depths of the forest, her face turned upward looking at the spheres hanging from branches. Viewed from a three-quarters front or three-quarters side angle, her profile and gentle expression are naturally visible. Her neck is tilted slightly as her eyes follow the complex intersecting light rings. One hand rests lightly on the strap of her shoulder bag or front of her coat, while the other hangs naturally at her side. She does not touch the spheres or reach into the rings, viewing them from a modest distance. A relaxed, natural standing posture. Her expression is a gentle smile, absorbed in the fantastical illuminations. Her gaze is directed not at the camera, but up at the suspended spheres overhead. Only one woman, with no other tourists or human figures appearing. Her body silhouette, arms, legs, and shoes are clearly visible, softly illuminated so she does not get lost in the dark background. [Structure of Forest and Walking Path] A narrow walking path runs through the forest from foreground to background. The path is dark brown or gray soil or paved ground, showing natural surface unevenness and fine fallen leaves. Irregular rocks and natural stones line both sides of the path, their moss- and leaf-covered surfaces partially reflecting the illumination colors. Tall trees are dense on both sides, their thick trunks and intricate branches spreading overhead. Tree branches extend in multiple directions, supporting the suspended spheres above. The deep forest fades into darkness while retaining enough detail to show overlapping trunks, branches, and leaves. Tree foliage consists mainly of autumn leaves colored yellow, golden, orange, and reddish-brown, naturally mixed with some green leaves. Trunks are dark brown or grayish-brown, showing fine bark textures. The canopy above is brightly lit by yellow and golden light-up, bringing out the overlapping leaves three-dimensionally. Blue-tinted dark shadows linger in parts of the forest, creating magical depth through contrast with the yellow light. Dry fallen leaves scatter slightly on the ground, gathering naturally around rocks and tree roots. [Lighting and Illumination Depiction] The spherical objects glow in warm white to pale golden light, allowing each curved line of the thin rings to be distinguished. The light sources do not bleed excessively, keeping the sphere cavities and ring intersections distinct. About 2 large spheres sit near the ground in the foreground, while 5 to 7 small-to-medium spheres hang from tree branches and wires. The suspended spheres are elevated above the ground, showing the support parts connected to branches or wires. Avoid unnatural depictions where spheres simply float in mid-air. Tree trunks and leaves are illuminated by warm yellow and golden light, creating bright highlights and soft shadows on leaf surfaces. Light from the spheres reflects faintly on surrounding fallen leaves, rocks, and trunks. Soft light from the spheres and tree illuminations touches the woman's face, hair, and coat, clearly revealing her facial features and full-body silhouette. She is not unnaturally bright as if in daylight, but blends naturally into the night forest's ambient light. Dark areas are not pure black, preserving details of trees and rocks in the background. While fantastical, it retains the realism of an actual outdoor night light-up photograph. [Camera and Composition] Vertical orientation. The camera captures the walking path and deep forest from slightly in front of the woman. Like a wide-angle landscape photograph, the foreground woman, overhead suspended

新山聡美(磊々峡もみじのこみちライトアップ)

คอมเมนต์

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

สำรวจเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ