Nov 2, 2026

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AI art "零れ落ちる涙" featuring #น้ำตา, #ผมยาว, #ผมดำ, #ความสมมาตร, #กางแขน, #ขาวดำเปรียบเทียบ and #โครงกระดูก

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零れ落ちる涙

#น้ำตา #ผมยาว #ผมดำ #ความสมมาตร #กางแขน #ขาวดำเปรียบเทียบ #โครงกระดูก

เผยแพร่เมื่อ Nov 2, 2026

海月

ดูเพิ่มเติม

1girl, solo, split-screen, vertical split, symmetrical composition, perfectly mirrored pose, outstretched arms, both hands reaching toward viewer, palms open, foreshortening, from above, close-up, upper body, facing viewer, looking at viewer, left half translucent body, see-through skin, glass body, visible skeleton, delicate bones, glowing crystals, crystal shards, ethereal glow, pale blue-white palette, cold emotionless expression, blank stare, half-closed eyes, right half dark gothic, black and crimson palette, long black hair, flowing hair, intricate black lace gown, full lace garment, tears streaming, crying, sorrowful expression, furrowed brows, trembling lower lip, high-contrast dual style, intricate details, no earrings, bare earlobes, unadorned head The image is a single vertical canvas cut cleanly down the exact center line, and the woman is mirrored across that seam so that her silhouette reads identically on both halves: torso centered on the split, shoulders level, both arms extended straight toward the lens with palms open and fingers spread, the near hands enlarged by foreshortening and the forearms disappearing past the bottom edge of frame. Camera looks slightly down at her from above and just in front, close on the upper body. Her head is level, chin very slightly lowered, and both of her mirrored gazes land directly on the viewer. Both earlobes are bare, the head completely unadorned. Left of the seam everything is transparent specimen work: her skin rendered as clear glass with a faint blue-white refraction along the edges of her arms and throat, her skeleton legible inside the transparency — a delicate collarbone, ribs, radius and ulna, the small bones of each hand reading as thin white lines through the glass — while glowing clear crystals cluster at her sternum, shoulder blades and along the bones of her forearms, faceted and emitting a cool inward light. The refraction is strongest where the arms are thickest and almost nothing at the wrists. Her face on this side is a calm mask: eyelids low and level, lips closed in a flat line, no tension in the brow, gaze fixed and unreadable. Right of the seam the same pose turns heavy and gothic: deep black background, crimson light bleeding up from below the frame, her long black hair falling in heavy waving masses past both shoulders and swung slightly forward over the outstretched arms by the reach. She wears an intricate dark lace gown whose whole bodice is openwork black lace, the floral web of the pattern visible against red where the light passes behind it, high lace collar and long lace sleeves. Tears run in continuous wet tracks from both eyes down her cheeks and along her jaw, catching the crimson as bright highlights; her brows pull up at the inner corners, her mouth is open in a small trembling sorrow, and her eyes are wet and red-rimmed but still aimed at the viewer. The seam is a hard vertical cut with no blending: glass and lace meet at the center line, and the symmetric hands on either side are the same size and at the same height, one crystalline and refractive, one gloved in black lace with the skin showing through the pattern. Light divides accordingly — cold white glow from the crystals on the left, warm crimson from below on the right — and the shadow each half casts stops dead at the center line. Both halves are equally resolved, high contrast, richly detailed. Quiet, divided, exquisite.

零れ落ちる涙

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โมเดลและ LoRA ที่ใช้

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