Nov 2, 2026

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AI art "Momomi (Inazuma Eleven: Victory Road!)" featuring #ฤดูใบไม้ร่วง, #ใบไม้เปลี่ยนสี, #มันเผา, #ใบเมเปิล, #ใบไม้ร่วง and #PixAI Halloween 2026

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Momomi (Inazuma Eleven: Victory Road!)

Momoyama miko "Momomi"

Contest Entry

PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026

#ฤดูใบไม้ร่วง #ใบไม้เปลี่ยนสี #มันเผา #ใบเมเปิล #ใบไม้ร่วง

เผยแพร่เมื่อ Nov 2, 2026

Phiraphon

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copyright: inazuma_eleven, inazuma_eleven_victory_road, inazuma_eleven_(series) 1girl, solo, child, full body, gray hair, short hair, blue eyes, pink scarf, goggles, goggles on head, red jacket, cropped jacket, open jacket, yellow trim, white shirt, collared shirt, cropped shirt, blue necktie, long sleeves, white gloves, midriff, navel, blue pants, trousers, belt, white socks, brown boots, walking, walking happily, holding roasted sweet potato, steam, light smile, open mouth, looking ahead, looking to the side, autumn, autumn leaves, falling leaves, fluttering leaves, leaf, street, night, mountain, autumn mountain, from below, dutch angle, depth of field, warm lighting, cinematic, gentle atmosphere Seen from a low three-quarter angle that puts her slightly off-centre and lets the street run away uphill behind her, the small girl strides toward the lower left of the frame in full body, caught mid-step with her weight carried on her forward right boot and her left heel just lifting free of the paving, her left knee bent and the toe trailing. Both hands are cupped around a foil-wrapped roasted sweet potato held level at her chest: the fingers of both white gloves curl under and around it, thumbs meeting on the top, and thin threads of steam rise from the split skin and drift back across the pink scarf toward her shoulder. Her chin is tipped up, her mouth open in a delighted half-laugh, eyes wide and bright with the near one catching the light, her gaze thrown up and forward past the edge of the frame as if at something down the street rather than at the camera. The gray short hair is blown back and sideways off her temple by her own forward motion, strands lifting clear of the goggles resting up on her forehead with their strap running back through the hair. The red cropped jacket hangs open and unbuttoned over the white collared shirt, its yellow trim running down both front edges, and the jacket's hem and the cropped shirt's hem break together above her waist, leaving the bare midriff and the navel openly exposed between them and the waistband of the blue trousers, where the belt sits with its buckle slightly off-centre from the twist of her stride. The blue tie swings out a little from her chest with the pace. The long sleeves run to the wrists and tuck into the cuffs of the white gloves; below, the white socks rise to mid-calf and disappear into the brown boots, the forward boot planted flat and the rear boot angled on its toe. The street is a stone-paved lane lined on both sides with dense autumn maples and ginkgo, their canopies closing overhead and their colour running from deep crimson through orange to pale gold; the lane narrows and climbs as it recedes, and above and behind it a dark autumn mountain shoulder rises against the night sky. Fallen leaves cover the paving in a drifted carpet, and a scatter of them is caught in the air around her, tumbling at different heights and turned edge-on where the wind has flipped them. Underfoot the leaves she has just stepped through are kicked up and scattered outward behind her boot, and a few lie pressed flat where her sole has landed. The night light is not black: a warm amber glow comes from lanterns hung along the eaves of the low buildings flanking the lane, striking the near side of her face, the scarf, the yellow jacket trim and the steam, and laying a soft long shadow of her body back and to the right across the leaf-covered stones; the far side of her face and the folds of the jacket fall into a cool blue-violet dusk shadow, and the sky above the mountain keeps a deep indigo. The palette holds to the reds and yellows of the jacket and the foliage, warm amber lantern light, and the cool blue of tie, trousers and night shadow. The camera holds focus on her face and hands and lets the climbing street and the mountain soften behind. Gentle, warmly nostalgic.

Momomi (Inazuma Eleven: Victory Road!)

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