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AI artwork
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C9I

Avatar image of C9I

C9I

ดูเพิ่มเติม

คอมเมนต์

1figure, lone figure, gaunt figure, heavy tattered black cloak, hood up, walking, mid-stride, from behind, cinematic tracking shot, wide shot, vertical composition, dead misty forest, November, bare claw-like trees, wet rotting leaves, mud, puddles, heavy bruised gray sky, low fog, three large ravens, ravens circling overhead, following, omen, rusted lantern, lantern in hand, sickly green glow, toxic green accents, desaturated blacks, deep grays, chiaroscuro, gothic surrealism, hyperdetailed, film grain, melancholic, isolation, despair, no eye contact with viewer, back to viewer, long shadow, The camera tracks behind and slightly to the left of the figure at a low, near-hip height, so the cloaked back fills the left third of a tall 2:3 frame and the forest recedes in long vertical claw-shapes to the right of it. The figure is a lone, gaunt silhouette: a heavy tattered black cloak hangs off narrow shoulders, its hood pulled forward so only a sliver of jaw and neck shows in profile as the head turns a fraction to the right; the hem trails in the muck, wet and blackened, one frayed edge dragging a shallow furrow of disturbed leaf-litter behind it. Mid-stride, the figure's left boot is planted in mud that holds a print and half-sucks free at the heel, the right leg lifted just clear of the ground; the cloak swings and catches behind the leading hip. From a slack arm the rusted lantern hangs on a bent wire handle, its corroded ribs eating the green light — the glow spills down onto the wet leaves and stands in small bright caustics only on the up-facing surfaces of puddles and polished leaf skin, while the mud around it stays a dead, matte brown-gray. The lantern is the only warm-cool source of colour in the frame; beyond its sickly green pool, the November forest is black, gray and damp, light coming from a bruised, heavy overcast sky that presses low between the bare claw-like trees. The ground fills the bottom third in hyperdetail: soaked, rotting leaves in overlapping layers of brown and black, half-sunk in gray-brown mud, the odd rib of a fallen branch, a scatter of black water where the sky reflects dull and broken. Mist bands the midground at ankle and knee height, thinning where the lantern light crosses it and thickening to hide the far tree line; the nearest trunks are clawed, split and bark-stripped, receding in crisp detail behind the figure and dissolving into flat gray silhouettes deep in the frame. Above and ahead, three large ravens circle: one high and near the top-right corner, wings spread with primaries splayed and catching a rim of pale gray sky; one banking steeply mid-frame above the figure's hood, head tilted down toward it; one lower on the left, its silhouette crossing the green lantern haze so its wing edges pick up the toxic glow. Their spiral reads as a slow, patient following, the lowest bird's shadow sliding over the mud a beat behind the figure's stride. Lighting is hard chiaroscuro: the sky's cold gray backlight rims the hood, shoulders and the leading edge of the cloak, dropping the figure's front and most of the forest into desaturated black; the green lantern adds a single low, poisoned accent that touches the wet leaves, the lowest raven's underside and the inner seam of the trailing cloak, leaving everything else in deep gray. The palette holds to black, gray, brown and that one sick green, not a colour more. Long, faint shadows stretch forward from the figure toward the viewer, the footprint and the dragged hem the only evidence of passage. Film grain sifts the whole frame; gothic surrealism in the clawed trees and the too-deliberate circling birds. Quiet dread, desolate.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
Melancholic dark art illustration of a lone, gaunt figure wrapped in a heavy, tattered black cloak walking through a dead, misty forest in November. The ground is covered in wet, rotting leaves and mud. Three large ravens are circling above the figure, following it like omens. The trees are bare and claw-like, the sky is a heavy, bruised gray. The figure carries a rusted lantern with a sickly green glow. Isolation, despair, gothic surrealism, hyperdetailed, chiaroscuro, desaturated blacks, deep grays, subtle toxic green accents, cinematic tracking shot, film grain, by Gustave Doré, masterpiece, 8K --ar 2:3 --v 6
โหมด
pro
ขนาด
992 x 992
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.70k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of C9I
1figure, lone figure, gaunt figure, heavy tattered black cloak, hood up, walking, mid-stride, from behind, cinematic tracking shot, wide shot, vertical composition, dead misty forest, November, bare claw-like trees, wet rotting leaves, mud, puddles, heavy bruised gray sky, low fog, three large ravens, ravens circling overhead, following, omen, rusted lantern, lantern in hand, sickly green glow, toxic green accents, desaturated blacks, deep grays, chiaroscuro, gothic surrealism, hyperdetailed, film grain, melancholic, isolation, despair, no eye contact with viewer, back to viewer, long shadow, The camera tracks behind and slightly to the left of the figure at a low, near-hip height, so the cloaked back fills the left third of a tall 2:3 frame and the forest recedes in long vertical claw-shapes to the right of it. The figure is a lone, gaunt silhouette: a heavy tattered black cloak hangs off narrow shoulders, its hood pulled forward so only a sliver of jaw and neck shows in profile as the head turns a fraction to the right; the hem trails in the muck, wet and blackened, one frayed edge dragging a shallow furrow of disturbed leaf-litter behind it. Mid-stride, the figure's left boot is planted in mud that holds a print and half-sucks free at the heel, the right leg lifted just clear of the ground; the cloak swings and catches behind the leading hip. From a slack arm the rusted lantern hangs on a bent wire handle, its corroded ribs eating the green light — the glow spills down onto the wet leaves and stands in small bright caustics only on the up-facing surfaces of puddles and polished leaf skin, while the mud around it stays a dead, matte brown-gray. The lantern is the only warm-cool source of colour in the frame; beyond its sickly green pool, the November forest is black, gray and damp, light coming from a bruised, heavy overcast sky that presses low between the bare claw-like trees. The ground fills the bottom third in hyperdetail: soaked, rotting leaves in overlapping layers of brown and black, half-sunk in gray-brown mud, the odd rib of a fallen branch, a scatter of black water where the sky reflects dull and broken. Mist bands the midground at ankle and knee height, thinning where the lantern light crosses it and thickening to hide the far tree line; the nearest trunks are clawed, split and bark-stripped, receding in crisp detail behind the figure and dissolving into flat gray silhouettes deep in the frame. Above and ahead, three large ravens circle: one high and near the top-right corner, wings spread with primaries splayed and catching a rim of pale gray sky; one banking steeply mid-frame above the figure's hood, head tilted down toward it; one lower on the left, its silhouette crossing the green lantern haze so its wing edges pick up the toxic glow. Their spiral reads as a slow, patient following, the lowest bird's shadow sliding over the mud a beat behind the figure's stride. Lighting is hard chiaroscuro: the sky's cold gray backlight rims the hood, shoulders and the leading edge of the cloak, dropping the figure's front and most of the forest into desaturated black; the green lantern adds a single low, poisoned accent that touches the wet leaves, the lowest raven's underside and the inner seam of the trailing cloak, leaving everything else in deep gray. The palette holds to black, gray, brown and that one sick green, not a colour more. Long, faint shadows stretch forward from the figure toward the viewer, the footprint and the dragged hem the only evidence of passage. Film grain sifts the whole frame; gothic surrealism in the clawed trees and the too-deliberate circling birds. Quiet dread, desolate.
C9I
AI artwork
Avatar image of C9I
1figure, lone figure, gaunt figure, heavy tattered black cloak, hood up, walking, mid-stride, from behind, cinematic tracking shot, wide shot, vertical composition, dead misty forest, November, bare claw-like trees, wet rotting leaves, mud, puddles, heavy bruised gray sky, low fog, three large ravens, ravens circling overhead, following, omen, rusted lantern, lantern in hand, sickly green glow, toxic green accents, desaturated blacks, deep grays, chiaroscuro, gothic surrealism, hyperdetailed, film grain, melancholic, isolation, despair, no eye contact with viewer, back to viewer, long shadow, The camera tracks behind and slightly to the left of the figure at a low, near-hip height, so the cloaked back fills the left third of a tall 2:3 frame and the forest recedes in long vertical claw-shapes to the right of it. The figure is a lone, gaunt silhouette: a heavy tattered black cloak hangs off narrow shoulders, its hood pulled forward so only a sliver of jaw and neck shows in profile as the head turns a fraction to the right; the hem trails in the muck, wet and blackened, one frayed edge dragging a shallow furrow of disturbed leaf-litter behind it. Mid-stride, the figure's left boot is planted in mud that holds a print and half-sucks free at the heel, the right leg lifted just clear of the ground; the cloak swings and catches behind the leading hip. From a slack arm the rusted lantern hangs on a bent wire handle, its corroded ribs eating the green light — the glow spills down onto the wet leaves and stands in small bright caustics only on the up-facing surfaces of puddles and polished leaf skin, while the mud around it stays a dead, matte brown-gray. The lantern is the only warm-cool source of colour in the frame; beyond its sickly green pool, the November forest is black, gray and damp, light coming from a bruised, heavy overcast sky that presses low between the bare claw-like trees. The ground fills the bottom third in hyperdetail: soaked, rotting leaves in overlapping layers of brown and black, half-sunk in gray-brown mud, the odd rib of a fallen branch, a scatter of black water where the sky reflects dull and broken. Mist bands the midground at ankle and knee height, thinning where the lantern light crosses it and thickening to hide the far tree line; the nearest trunks are clawed, split and bark-stripped, receding in crisp detail behind the figure and dissolving into flat gray silhouettes deep in the frame. Above and ahead, three large ravens circle: one high and near the top-right corner, wings spread with primaries splayed and catching a rim of pale gray sky; one banking steeply mid-frame above the figure's hood, head tilted down toward it; one lower on the left, its silhouette crossing the green lantern haze so its wing edges pick up the toxic glow. Their spiral reads as a slow, patient following, the lowest bird's shadow sliding over the mud a beat behind the figure's stride. Lighting is hard chiaroscuro: the sky's cold gray backlight rims the hood, shoulders and the leading edge of the cloak, dropping the figure's front and most of the forest into desaturated black; the green lantern adds a single low, poisoned accent that touches the wet leaves, the lowest raven's underside and the inner seam of the trailing cloak, leaving everything else in deep gray. The palette holds to black, gray, brown and that one sick green, not a colour more. Long, faint shadows stretch forward from the figure toward the viewer, the footprint and the dragged hem the only evidence of passage. Film grain sifts the whole frame; gothic surrealism in the clawed trees and the too-deliberate circling birds. Quiet dread, desolate.
C9I
AI artwork
Avatar image of C9I
1figure, lone figure, gaunt figure, heavy tattered black cloak, hood up, walking, mid-stride, from behind, cinematic tracking shot, wide shot, vertical composition, dead misty forest, November, bare claw-like trees, wet rotting leaves, mud, puddles, heavy bruised gray sky, low fog, three large ravens, ravens circling overhead, following, omen, rusted lantern, lantern in hand, sickly green glow, toxic green accents, desaturated blacks, deep grays, chiaroscuro, gothic surrealism, hyperdetailed, film grain, melancholic, isolation, despair, no eye contact with viewer, back to viewer, long shadow, The camera tracks behind and slightly to the left of the figure at a low, near-hip height, so the cloaked back fills the left third of a tall 2:3 frame and the forest recedes in long vertical claw-shapes to the right of it. The figure is a lone, gaunt silhouette: a heavy tattered black cloak hangs off narrow shoulders, its hood pulled forward so only a sliver of jaw and neck shows in profile as the head turns a fraction to the right; the hem trails in the muck, wet and blackened, one frayed edge dragging a shallow furrow of disturbed leaf-litter behind it. Mid-stride, the figure's left boot is planted in mud that holds a print and half-sucks free at the heel, the right leg lifted just clear of the ground; the cloak swings and catches behind the leading hip. From a slack arm the rusted lantern hangs on a bent wire handle, its corroded ribs eating the green light — the glow spills down onto the wet leaves and stands in small bright caustics only on the up-facing surfaces of puddles and polished leaf skin, while the mud around it stays a dead, matte brown-gray. The lantern is the only warm-cool source of colour in the frame; beyond its sickly green pool, the November forest is black, gray and damp, light coming from a bruised, heavy overcast sky that presses low between the bare claw-like trees. The ground fills the bottom third in hyperdetail: soaked, rotting leaves in overlapping layers of brown and black, half-sunk in gray-brown mud, the odd rib of a fallen branch, a scatter of black water where the sky reflects dull and broken. Mist bands the midground at ankle and knee height, thinning where the lantern light crosses it and thickening to hide the far tree line; the nearest trunks are clawed, split and bark-stripped, receding in crisp detail behind the figure and dissolving into flat gray silhouettes deep in the frame. Above and ahead, three large ravens circle: one high and near the top-right corner, wings spread with primaries splayed and catching a rim of pale gray sky; one banking steeply mid-frame above the figure's hood, head tilted down toward it; one lower on the left, its silhouette crossing the green lantern haze so its wing edges pick up the toxic glow. Their spiral reads as a slow, patient following, the lowest bird's shadow sliding over the mud a beat behind the figure's stride. Lighting is hard chiaroscuro: the sky's cold gray backlight rims the hood, shoulders and the leading edge of the cloak, dropping the figure's front and most of the forest into desaturated black; the green lantern adds a single low, poisoned accent that touches the wet leaves, the lowest raven's underside and the inner seam of the trailing cloak, leaving everything else in deep gray. The palette holds to black, gray, brown and that one sick green, not a colour more. Long, faint shadows stretch forward from the figure toward the viewer, the footprint and the dragged hem the only evidence of passage. Film grain sifts the whole frame; gothic surrealism in the clawed trees and the too-deliberate circling birds. Quiet dread, desolate.
C9I

สำรวจเพิ่มเติม

ผู้ใช้แนะนำ

ที่คุณอาจชอบ

AI artwork
Avatar image of anipix
A dreamy, ethereal anime illustration of a mysterious black-haired young man kneeling gracefully in shallow water, wearing an elegant dark gothic outfit with sheer flowing fabrics, delicate jewelry, and iridescent blue accents. A white dove flies beside him as he gently holds a glowing translucent orb. Flowing veils, delicate white flowers, floating feathers, and crystalline reflections surround him. Soft moonlike backlighting filters through translucent curtains, creating a melancholic, romantic atmosphere. Muted lavender, icy blue, silver, and pearl-white palette, delicate painterly anime style, intricate details, soft glowing highlights, dramatic shadows, beautiful fabric textures, cinematic composition, atmospheric lighting, elegant fantasy aesthetic, vertical portrait poster. ,beautiful light,best shadow,color blink,s[im,long bangs,long eyelashes,ethereal light,painterly,high quality,masterpiece,
anipix
1
AI artwork
Avatar image of anipix
High-angle full shot, camera positioned slightly above from side of the subject and looking down at — the frame is filled with the dark water, flowers, and ripples below, giving a top-down, floating perspective. wariza, A girl with very long straight black hair and closed eyes stands in dark, rippling water, wearing a flowing white and green kimono with a floral pattern and a dark obi. Her long sleeves and skirt spread out across the surface of the water like fabric floating. Green butterflies and small white birds flutter around her, surrounded by dense blue and green flowers and lily pads, with soft light sparkling on the water. Rich deep green, teal, and blue palette, intricate painterly detail, dreamy and ethereal mood, vertical composition. ,best quality,vivid colors,cel shading,lineart,anime style,best quality,crisp lineart,dreamy anime aesthetic,glow particles,pastel colors,artist: baozaohuang on x,digital art,medium lineart,
anipix
AI artwork
Avatar image of anipix
ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic. , painterly anime illustration, thin lineart, airy dreamy atmosphere, best quality, s[im, long bangs, long eyelashes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
anipix
1#Honkai: Star Rail#Robin
AI artwork
Avatar image of anipix
character: qiao_ling, copyright: shiguang_dailiren anime illustration, *medium shot, front angle at eye-level, centered chest to knees, framed inside a dutch angle tilted polaroid / social media post UI*, anime girl Jo from Link Click / Shiguang Dailiren with short black hair in high side ponytail with white maid headband lace, bangs, brown eyes, smiling with blush, wearing white high-neck ruffled short sleeve sweater with detached long knit arm warmers, light blue denim apron overalls with "Jo" embroidered, beaded colorful necklace with pink bunny pendant, colorful star hair clips, holding white piping bag decorating a white cream cake with dollops, on kitchen counter foreground on counter: left small brown fluffy dog with blue bandana sticking tongue, right small white fluffy cat with blue eyes holding strawberry putting on cake art style soft painterly modern anime, warm pastel color palette cream, light blue, pink, yellow, cozy kitchen background with teal cabinets, wooden shelves, sunlight graphic overlay design as Instagram-style post: white Polaroid border with hand-written brown text "Yummy" left, "Welcome" bottom right with star doodles, circular avatar with "@Jo" and "+ FOLLOW" button, top right black Chinese text 「时光代理人 LINK CLICK」, small inset Polaroid photo bottom right of same girl winking eating with text "Day and Night", bottom like icons heart comment share bookmark, "20,451 views" and hashtag text 「# 乔苓的烘焙日记 # 叮咚！时光甜品铺持续接单中...」, decorative pink and blue and yellow blobs and stars around border, Luminous, pastel, high-key, vibrant, iridescent, gradient, glowing, soft-shaded, sun-drenched, saturated, crisp color blocking, defined shading, cool reflected light, luminous highlights, chunky stylized hair shapes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
anipix
1
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