Nov 2, 2026

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PixAI × zeta Original Character Creation Contest 2026

#มองจากด้านหลัง #กลางแจ้ง #ผมยาว #ผมสีน้ำตาล #เมฆ #ซากปรักหักพัง #ผู้หญิง 1 คน #เมือง #อาคาร #ผู้ชาย 2 คน

เผยแพร่เมื่อ Nov 2, 2026

Marco Iori

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copyright: hokuto_no_ken 3girls? no -- 3 people, 2boys, 1girl, standing on cliff, looking down, from above, high angle, cliff edge, rocky outcrop, ruined city below, overgrown ruins, vegetation covering ruins, post-apocalyptic, wasteland, barren earth, dust haze, Hokuto no Ken warriors, leather shoulder mantle, sleeveless grey tunic, torn clothing, wide metal-buckled belt, studded leather boots, crimson quilted vest, tattered beige undershirt, brown canvas trousers, combat boots, metallic wrist guards, distressed brown leather bodice, cream ragged linen shirt, patched leggings, strappy leather sandals, windswept hair, dust on skin, scarred hands, back view, three-quarter back view, over-shoulder composition, wide shot, scenery, depth of field, distant ruins, crumbling skyscraper skeletons, collapsed highway, rusted rebar, cracks, vines spilling over broken walls, moss, wind-blown grit, overcast sky, sun low on the horizon, warm dusty ochre light, long shadows cast forward off the cliff, silhouette rim light on shoulders, muted earth palette, ochre and ash grey and dull crimson, hopeless grandeur, quiet awe Seen from above and behind, a high wide shot from a ridge that looks down the face of the cliff: on the near rocky shelf, three post-apocalyptic warriors stand at the very lip of the drop in a loose staggered line, their backs and three-quarter backs to the camera, so the ruined, vegetation-choked city spreads out far below and beyond them. The tallest boy on the right wears a weathered leather shoulder mantle over a torn sleeveless grey tunic, a wide metal-buckled belt cinching his waist, heavy studded leather boots planted wide on a cracked slab; his right foot rests on a jutting stone at the edge, weight shifted, one scarred hand shading his brow against the low sun and the other hanging loose, fingers half-curled. In the middle, slightly lower on a stepped rock, the second boy wears a sleeveless crimson quilted vest over a tattered beige undershirt, brown canvas trousers tucked into worn combat boots, metal wrist guards catching the light as he leans forward from the hips, both forearms braced on his knees and head tipped down into the valley. To the left, the girl stands on tiptoe on a flat boulder for the better view, one sandal-strapped foot steady, the other heel lifted, her distressed brown leather bodice and cream ragged linen shirt stirred by the updraft, patched leggings and calf-wrapped straps dusty; her left hand rests flat on the boy's near shoulder for balance while her right points down at a particular broken tower, chin turned, profile showing her mouth slightly open. All three heads are angled down into the ruin field, their gazes landing on the same cluster of vine-drowned towers -- the middle boy's eyes fixed on the collapsed highway, the tall boy's following the line of it, the girl's tracking her own outstretched finger; the boy under her hand tilts his ear toward her as if she has just spoken. Below them the cliff face drops in banded strata to a wasteland floor where a dead city lies: hollowed skyscraper skeletons, a buckled highway ramp, rusted rebar like broken ribs, slab walls split open with vines spilling down their faces, moss carpeting rooftops, saplings rooted in window frames, one leaning tower half-swallowed by green so only its top floors break the canopy. Dust and grit blow up the cliff, lifting the girl's hair sideways and snapping the loose hem of the tunic; a fine tan film of it is settled on upward-facing surfaces only -- the tops of the boys' shoulders, the flat crown of the boulder, the ledge stones -- while the vertical faces stay dark and clean beneath. The sun sits low behind the ridge to the upper left, so the three figures are mostly in warm shadow with a hard ochre rim burning along their shoulders, hair and the metal of the belt buckle, and their long shadows stretch forward over the cliff edge and out into open air. The sky above the ruins is a dusty overcast pale ochre grading to ash grey, no clouds resolved, and the far towers lose contrast into the haze with each receding layer. Palette held to dull crimson, tarnished metal grey, dust ochre and the green of the overgrowth, nothing brighter. Quiet awe at the world of tomorrow.

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