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AI artwork featuring #เฟท ซีรีส์ and #zetaCollab

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เฟท ซีรีส์

Contest Entry

PixAI × zeta Original Character Creation Contest 2026 #zetaCollab

#เฟท ซีรีส์

เผยแพร่เมื่อ Nov 3, 2026

エ

エンドルフィン

ดูเพิ่มเติม

1girl, solo, blonde hair, long hair, straight hair, waist-length hair, hair intakes, blue eyes, off-shoulder, red santa dress, fur trim, fur-trimmed dress, puffy skirt, flared skirt, bell-shaped skirt, knee-length skirt, long skirt, matching cape, fur-trimmed cape, fur cuffs, wrist cuffs, white fur thighhighs, fluffy thighhighs, over-kneehighs, red boots, rabbit pose, hands on head, fingers as bunny ears, elbows out, head tilt, looking at viewer, light smile, one eye closed, standing, dutch angle, cowboy shot, from below, soft studio light, The camera looks up from just below waist height at a slight dutch tilt with the girl standing alone on a seamless deep evergreen studio sweep, no horizon, no props. A single tall young woman holds the rabbit pose: both arms are raised and bent in a wide inverted V, each palm resting flat on the crown of her head, elbows fanned out to the sides, and the fingers of each hand are lifted and splayed upright so the two index-and-middle pairs stand as a pair of floppy-eared bunny ears above her hair. Her weight is shifted to her left leg with the right knee softly bent and the right toe resting inside its red boot, hips canted a few degrees, shoulders dropped and relaxed under the raised arms. Her head tips slightly to her right toward the higher elbow; one green eye is open and looking straight into the lens, the other is squeezed shut in a playful wink, one brow arched, the corner of her mouth hooked up in a lopsided smirk. Both ears bare, both earlobes unobstructed; no headwear of any kind, hair completely unadorned and wearing only the dress, the cape and the cuffs, with the cape's fur-edged collar open at the collarbones and nothing at her throat. Her straight blonde hair falls unbroken past both shoulders to her waist, parted with the two triangular hair intakes cut back sharply at the temples before the long weight drops behind the raised arms, a few strands sliding loose over the fur cuffs as the arms bend. The cape is the same red as the dress with the same chunky white fur banding its edges; it hangs from her shoulders behind the arms, its hem settling a little below her waist so a slice of pale skin shows in the gap between the cape and the off-shoulder fur neckline of the bodice. The bodice's fluffy fur edge runs off both shoulders horizontally across her upper arms, leaving the tops of the shoulders and the collarbones bare. The bell-shaped skirt is stiffer than the cape and flares out on its own, its hem breaking just under her knees, fur banding the hem and the vertical front seam. The thigh-high fur socks rise well past her knees and grip so that the bare skin of the thighs above them presses out in a soft overhang at the cuff; the red boots meet the sock fur at mid-calf. One light: a large soft key from high front-left, cool and diffuse, laying fur silvers into every white band -- brighter on the upward-facing rim of the bodice fur and on the outer curve of the wrist cuffs, dimmer in the deep socket of each sock cuff. A second, warmer kicker from behind-right rims the crown of her head, the raised forearms and the cape's fur edge with a gold line, so the pale blonde hair and the white fur read as different materials. Her shadow falls back and to the right of the boots on the sweep, soft-edged and compressed because the camera is low. The palette is exactly three colours: red across dress, cape and boots; white in the fur, hair and stockings; a deep matte evergreen ground behind, with the only other colour her skin and her green eyes; nothing else admitted. Creamy cel shading with clean black linework, flat saturated fills and a soft fur texture reserved for the trims and socks, beautifully soft studio light.

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