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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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Black diamond

Avatar image of Black diamond

Black diamond

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คอมเมนต์

1 robot, solo, mecha, combat robot, battle mech, light green armor plating, red eyes, glowing red eyes, single right arm heavy machine gun, long barrel, left hand normal robotic hand, five-fingered left hand, twin large cannon turrets on back, two large cannons mounted on back, standing, combat-ready stance, battle-ready pose, weapon raised, from side, profile, side view, dutch angle, full body, slight scratches on legs, scuffed leg armor, Soviet symbol on chest, hammer and sickle emblem on chest plate, urban warfare, ruined city street, rubble, smoke, overcast sky, no humans, dynamic angle, A full-body side view, camera dropped low and tilted a few degrees off level so the horizon of the ruined street runs diagonally behind the machine. The light green combat robot stands in profile facing frame-right, filling the right two-thirds of the frame: its weight is settled on the right leg, knee flexed and foot planted flat on a cracked slab of asphalt, while the left leg is braced back on the ball of the foot, heel lifted, calf tensed — a braced firing stance, torso twisted a few degrees toward the viewer so the chest plate and the stamped Soviet hammer-and-sickle emblem sit legible on the light green armor. The right arm, a long-barreled heavy machine gun, is swung forward and slightly up, muzzle pointing past the right edge of the frame, the ammunition belt hanging in a slack curve from the receiver; the left arm hangs bent, the ordinary five-fingered robotic hand closed loosely around a spent casing, knuckles forward. Behind the shoulders the twin large cannon turrets rise on their mounts, both barrels swung forward and elevated a hand's breadth above the machine-gun line, their muzzles overhanging the head; the head itself is a compact angular helmet, chin-down, the red eyes burning as the only saturated light in the frame, gaze fixed forward at whatever is off-screen right. Slight scratches cross the leg armor — fine pale gouges on the shins and knee plates, catching the flat overcast light, dust packed into the seams of the ankle joints. The environment is a medium-scale urban battlefield: foreground rubble and a fallen concrete pillar crossing the bottom left corner, midground the machine on the broken roadway with a burned-out bus and shrapnel-pitted facades receding in perspective, background a haze of smoke and the skeletal frame of a gutted apartment block, all lettering on the distant signage worn to illegible scuff. Light is flat, cold, overcast daylight from high frame-left, so the left faces of the armor take the light and the right sides fall into soft grey shadow, with a hard contact shadow pooled under the planted foot and the long barrel's shadow raking across the asphalt. Palette restricted to desaturated light green armor, gunmetal and rust brown, ash grey concrete, and red confined to the eyes and the chest emblem. Smoke drifts low, curling around the ankles and thinning where the machine's mass pushes through it. Grim, poised.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
แนวสไตล์สงครามใจกลางเมือง/หุ่นรบหุ่นยนต์/ลักษณะหุ่นสีเขียวอ่อน/ดวงตาสีแดง/มือขวาเป็นปืนกลหนักกระบอกยาวมือซ้ายเป็นมือปกติด้านหลังมีป้อมปืนใหญ่ 2 กระบอกกำลังยืนทำท่าพร้อมรบมุมกล้องด้านข้างหุ่นยนต์หน้าเกมขามมีรอยขีดข่วนเล็กน้อย/สัญลักษณ์โซเวียตที่การอก
โหมด
pro
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1104 x 1824
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์

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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.23k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of 白虹
1mecha, no humans, humanoid robot, military mecha, low angle, from below, full body, wide shot, dynamic angle, dorsal backpack, slide-rail cannons, shoulder-mounted cannons, firing, muzzle flash, ejecting shell casings, tumbling brass, holding submachine gun, right hand, holding shield, left hand, braced stance, recoil, destroyed city, collapsed buildings, rubble, concrete debris, smoke, dust cloud, military sci-fi, science fiction. Low-angle shot from below looking up at a towering eighteen-meter-tall humanoid military robot braced firmly among the ruins of a collapsed city. The massive combat automaton stands in a wide, shock-absorbing firing stance, its segmented mechanical feet crushing fractured asphalt, rebar, and pulverized concrete slabs to anchor its immense weight. Its left arm is held forward and bent at the elbow, firmly gripping the handle of a thick, angular composite shield scarred with shrapnel gouges and blast carbon. Its right hand grips a heavy military submachine gun angled slightly downward across the hip, mechanical digits locked securely around the trigger assembly and foregrip. Flanking the torso from a massive dorsal backpack, dual slide-rail cannon units extend over the shoulders, firing simultaneously in a violent eruption of orange-amber muzzle flashes and concussive blasts. The recoil carriages of the slide-rail mechanisms are driven hard backward along heavy linear guide rails, actively kicking open ejection ports on the outer sides of both breeches; glowing, superheated cylindrical brass shell casings eject outward in ballistic arcs to the left and right, tumbling through the air trailing wisps of white propellant smoke. Massive multi-story collapsed buildings, exposed skeletal steel frames, and heaps of architectural rubble surround the machine, providing unmistakable scale to its eighteen-meter height. The fiery flash of the dual cannon fire acts as the primary key light, casting harsh, warm specular highlights across the chipped olive-drab and dark gunmetal armor plating, while the cool, gray, ash-filtered daylight fills the deep cast shadows. A visible circular shockwave ripples through the air at the muzzle plane, blowing a radial ring of loose concrete dust and pulverized ash backward off the surrounding debris. Gritty and ferocious military sci-fi.
白虹
#หุ่นยนต์#ซากปรักหักพัง#ปลอกกระสุน
AI artwork
Avatar image of クロックロック
1 mecha, no humans, giant robot, super-heavy armor, humanoid tank, quadruple split continuous tracks, four-segment treads per leg, front and rear track banks, armored high-output leg boosters, head-mounted gatling cannon, scope on head, radar dome on head, armored shoulder pauldrons, right forearm bucket wheel excavator, rotating bucket wheel, left arm rail cannon, long railgun barrel, six large missiles on back, vertical missile launch racks, tower shield bulk, rampage, crushing city, stomping, rubble, daytime, blue sky, city street, from below, extreme low angle, wide shot, dutch angle, foreshortening, dust clouds, broken concrete, collapsing buildings, billowing smoke The camera sits at street level and tips steeply upward, a three-quarter front view from below and slightly to the mecha's right, so the machine's full height crosses the frame diagonally under a slight dutch cant while the midday sky occupies the upper third. Its left foot -- the near track bank of the left leg, the forward of its four segments -- has come down through the middle of a six-lane intersection: the two front track segments are planted flat, crushing a bus shelter under their cleats, while the two rear segments of the same leg hang a few meters behind and above, still shedding gravel from the last step. The right leg is caught mid-stride, its forward tracks lifted clear of the ground and angled toward a toppling office tower whose lower facade the right shoulder pauldron has already sheared open; its rear tracks trail dust. The torso fills the center of the frame, slab after slab of welded armor plating, edges chipped to raw steel, rivet seams running diagonally, and along the sides of both legs the armored high-output boosters are bolted in blocks -- the near one venting a thin heat shimmer that rises in a wavering column and bends the skyline behind it. On the head, above the jawless slab of the chin guard, the gatling cannon juts forward on its mount, barrel cluster six tubes wide, a belt of ammunition curving back into the shoulder; the scope is clamped alongside it in a hooded bracket, its front lens catching the sun as a small hard white point, and on the top of the skull a squat radar dome turns, tipped slightly to one side on its ring. Both arms hang heavy and wide. The right forearm ends in the bucket wheel excavator: the wrist has been cut away and the wheel now rides on the stump, a great toothed disc slowly turning, its buckets biting empty air at knee height and one bucket dragging a lip of broken asphalt and rebar up out of the crater it just carved. The left arm, armor-plated to the knuckle, has become the rail cannon -- twin rails running the length of the forearm and past the fist, their muzzle ends smeared with heat and a heat ripple above the bore. On the back, canted forward over the shoulders, six vertical launch racks hold the six assembled missiles nose-up, fins folded, their tips rangy against the sky, and the racks' support struts cut dark lines across the clouds. The light is hard, direct, high midday sun coming from behind the camera's left, so the near faces of the armor blaze pale and the far side of the machine falls into deep blocky shadow; every cast shadow is short and sharp, and the mecha's own shadow lies across the intersection like a second, darker street. The palette is armor grey and olive drab, the chalk white of shattered concrete, hot orange only where the bucket wheel bites and the missile tips catch the sun, and a clean washed blue sky above; the city is small, soft, bleached by haze -- glass towers, a row of low shops, cars ditched against the curb, all rendered gently out of focus so their scale reads only as small. Dust rises in a slow ring from the planted foot, and the particles above the boosters lean in one direction, dragged sideways by the exhaust. Catastrophic, unstoppable.
クロックロック
AI artwork
Avatar image of クロックロック
1 mecha, no humans, giant robot, super-heavy armor, humanoid tank, quadruple split continuous tracks, four-segment treads per leg, front and rear track banks, armored high-output leg boosters, head-mounted gatling cannon, scope on head, radar dome on head, armored shoulder pauldrons, right forearm bucket wheel excavator, rotating bucket wheel, left arm rail cannon, long railgun barrel, six large missiles on back, vertical missile launch racks, tower shield bulk, rampage, crushing city, stomping, rubble, daytime, blue sky, city street, from below, extreme low angle, wide shot, dutch angle, foreshortening, dust clouds, broken concrete, collapsing buildings, billowing smoke The camera sits at street level and tips steeply upward, a three-quarter front view from below and slightly to the mecha's right, so the machine's full height crosses the frame diagonally under a slight dutch cant while the midday sky occupies the upper third. Its left foot -- the near track bank of the left leg, the forward of its four segments -- has come down through the middle of a six-lane intersection: the two front track segments are planted flat, crushing a bus shelter under their cleats, while the two rear segments of the same leg hang a few meters behind and above, still shedding gravel from the last step. The right leg is caught mid-stride, its forward tracks lifted clear of the ground and angled toward a toppling office tower whose lower facade the right shoulder pauldron has already sheared open; its rear tracks trail dust. The torso fills the center of the frame, slab after slab of welded armor plating, edges chipped to raw steel, rivet seams running diagonally, and along the sides of both legs the armored high-output boosters are bolted in blocks -- the near one venting a thin heat shimmer that rises in a wavering column and bends the skyline behind it. On the head, above the jawless slab of the chin guard, the gatling cannon juts forward on its mount, barrel cluster six tubes wide, a belt of ammunition curving back into the shoulder; the scope is clamped alongside it in a hooded bracket, its front lens catching the sun as a small hard white point, and on the top of the skull a squat radar dome turns, tipped slightly to one side on its ring. Both arms hang heavy and wide. The right forearm ends in the bucket wheel excavator: the wrist has been cut away and the wheel now rides on the stump, a great toothed disc slowly turning, its buckets biting empty air at knee height and one bucket dragging a lip of broken asphalt and rebar up out of the crater it just carved. The left arm, armor-plated to the knuckle, has become the rail cannon -- twin rails running the length of the forearm and past the fist, their muzzle ends smeared with heat and a heat ripple above the bore. On the back, canted forward over the shoulders, six vertical launch racks hold the six assembled missiles nose-up, fins folded, their tips rangy against the sky, and the racks' support struts cut dark lines across the clouds. The light is hard, direct, high midday sun coming from behind the camera's left, so the near faces of the armor blaze pale and the far side of the machine falls into deep blocky shadow; every cast shadow is short and sharp, and the mecha's own shadow lies across the intersection like a second, darker street. The palette is armor grey and olive drab, the chalk white of shattered concrete, hot orange only where the bucket wheel bites and the missile tips catch the sun, and a clean washed blue sky above; the city is small, soft, bleached by haze -- glass towers, a row of low shops, cars ditched against the curb, all rendered gently out of focus so their scale reads only as small. Dust rises in a slow ring from the planted foot, and the particles above the boosters lean in one direction, dragged sideways by the exhaust. Catastrophic, unstoppable.
クロックロック
AI artwork
Avatar image of クロックロック
1 mecha, no humans, giant robot, super-heavy armor, humanoid tank, quadruple split continuous tracks, four-segment treads per leg, front and rear track banks, armored high-output leg boosters, head-mounted gatling cannon, scope on head, radar dome on head, armored shoulder pauldrons, right forearm bucket wheel excavator, rotating bucket wheel, left arm rail cannon, long railgun barrel, six large missiles on back, vertical missile launch racks, tower shield bulk, rampage, crushing city, stomping, rubble, daytime, blue sky, city street, from below, extreme low angle, wide shot, dutch angle, foreshortening, dust clouds, broken concrete, collapsing buildings, billowing smoke The camera sits at street level and tips steeply upward, a three-quarter front view from below and slightly to the mecha's right, so the machine's full height crosses the frame diagonally under a slight dutch cant while the midday sky occupies the upper third. Its left foot -- the near track bank of the left leg, the forward of its four segments -- has come down through the middle of a six-lane intersection: the two front track segments are planted flat, crushing a bus shelter under their cleats, while the two rear segments of the same leg hang a few meters behind and above, still shedding gravel from the last step. The right leg is caught mid-stride, its forward tracks lifted clear of the ground and angled toward a toppling office tower whose lower facade the right shoulder pauldron has already sheared open; its rear tracks trail dust. The torso fills the center of the frame, slab after slab of welded armor plating, edges chipped to raw steel, rivet seams running diagonally, and along the sides of both legs the armored high-output boosters are bolted in blocks -- the near one venting a thin heat shimmer that rises in a wavering column and bends the skyline behind it. On the head, above the jawless slab of the chin guard, the gatling cannon juts forward on its mount, barrel cluster six tubes wide, a belt of ammunition curving back into the shoulder; the scope is clamped alongside it in a hooded bracket, its front lens catching the sun as a small hard white point, and on the top of the skull a squat radar dome turns, tipped slightly to one side on its ring. Both arms hang heavy and wide. The right forearm ends in the bucket wheel excavator: the wrist has been cut away and the wheel now rides on the stump, a great toothed disc slowly turning, its buckets biting empty air at knee height and one bucket dragging a lip of broken asphalt and rebar up out of the crater it just carved. The left arm, armor-plated to the knuckle, has become the rail cannon -- twin rails running the length of the forearm and past the fist, their muzzle ends smeared with heat and a heat ripple above the bore. On the back, canted forward over the shoulders, six vertical launch racks hold the six assembled missiles nose-up, fins folded, their tips rangy against the sky, and the racks' support struts cut dark lines across the clouds. The light is hard, direct, high midday sun coming from behind the camera's left, so the near faces of the armor blaze pale and the far side of the machine falls into deep blocky shadow; every cast shadow is short and sharp, and the mecha's own shadow lies across the intersection like a second, darker street. The palette is armor grey and olive drab, the chalk white of shattered concrete, hot orange only where the bucket wheel bites and the missile tips catch the sun, and a clean washed blue sky above; the city is small, soft, bleached by haze -- glass towers, a row of low shops, cars ditched against the curb, all rendered gently out of focus so their scale reads only as small. Dust rises in a slow ring from the planted foot, and the particles above the boosters lean in one direction, dragged sideways by the exhaust. Catastrophic, unstoppable.
クロックロック

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#สาวน้อยเวทมนตร์ มาโดกะ#คานาเมะ มาโดกะ#สาวน้อยเวทมนตร์ มาโดกะ
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