Nov 9, 2026

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AI art "女神フィーナ　深紅のドレス" featuring #ผมยาว, #ผมสีฟ้า, #อีส, #นิฮอนฟัลคอม, #ยื่นแขน, #ชุดเดรสยาว and #ทางเดิน

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女神フィーナ　深紅のドレス

Falcomさんのゲーム「Ys」より、ヒロインの女神フィーナです。ゲーム中の画像は女神様らしく白い衣装が中心だったため、ちょっと別カラーの服を着せてみました。美人は何色を着ても似合うなぁ。

#ผมยาว #ผมสีฟ้า #อีส #นิฮอนฟัลคอม #ยื่นแขน #ชุดเดรสยาว #ทางเดิน

เผยแพร่เมื่อ Nov 4, 2026

小

小さなおっさん

ดูเพิ่มเติม

character: feena_(ys), copyright: ys 1girl, solo, feena_(ys), blue hair, long hair, blue eyes, long eyelashes, crimson one-shoulder dress, mermaid-line dress, single bare shoulder, sleeveless, floor-length skirt, hand extended toward viewer, back of hand facing up, upturned palm, outstretched arm, foreshortening, from below, dutch angle, looking at viewer, head tilt, light smile, closed mouth, half-closed eyes, standing, weight on one leg, contrapposto, bare arms, bare shoulders, empty dark hall, single light source, dramatic shadow, deep crimson and midnight blue palette, high contrast, cinematic Seen from a low angle tilted a few degrees off level, a single young woman stands alone in a vast empty hall, the camera close enough that her outstretched hand dominates the near foreground while her face sits higher and further back, foreshortened by the tilt. She is turned a quarter away from square, weight settled on her left leg with her right hip dropped and the mermaid skirt pooling in a narrow flare at the floor, its crimson fabric catching a hard rim of light along the seam of her hip and the sweep of the train. Her right arm comes straight at the lens, elbow slightly bent, wrist rolled so the back of her hand faces up and her fingers relax open, the hand rendered largest and sharpest in the frame, the forearm receding to a bare shoulder left uncovered by the one-shoulder cut; the opposite shoulder and arm are hidden behind the turn of her torso. Her long blue hair falls forward over the exposed shoulder and swings slightly to one side from the twist of her body, a few strands crossing her collarbone. Her chin lifts a fraction, head tilted, eyes half-lidded and fixed directly on the viewer with a faint closed-lip smile that pulls more at one corner; her gaze reads as an invitation rather than a greeting. Behind her the hall recedes into black, broken only by a row of tall narrow windows on the left that throw cold blue light across the floor and cut a long distorted shadow of her extended arm onto the polished stone; the crimson of the dress is the only warm note, all else blue-grey and near-black. The single light source is off-frame to the upper left, its pool falling short of the far wall, and the shadow of her upheld hand lies doubled and stretched across the floor stones. Her hair stirs faintly in a draught that also lifts the edge of the skirt train. Quietly magnetic, theatrical.

女神フィーナ 深紅のドレス

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女神フィーナ　深紅のドレス