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AI art "Shrine Maiden of the Night"
สร้างฟรี

Shrine Maiden of the Night

The black rose represents the maiden's resolve to wield a blade

#ร่องอก#เครื่องประดับผม#กลางแจ้ง#ผมยาว#หน้าอกใหญ่#ผมดำ#ผมหลายสี#ฝักดาบ#ดอกไม้ติดผม#พระจันทร์เต็มดวง#ผู้หญิง 1 คน#ถือ#ท้องฟ้ายามค่ำคืน#ปิดปาก#นักดาบ#ดอกไม้สีดำ
Avatar image of jino

jino

ดูเพิ่มเติม

คอมเมนต์

1girl, solo, adult, 20 years old, tall female, 6.6 feet tall, miko, shrine maiden, white and red shōzoku, white haori, red hakama, yukata, visible cleavage, curvy, hourglass figure, large breasts, wide hips, thick thighs, pink lips, flat nose, diamond face shape, long black wavy hair, red streaks in hair, two-tone hair, black rose flower hairpin, hairpin on upper left side of hair, chartreuse eyes, heterochromia pupil, aqua blue left pupil, calm expression, silent stance, looking to the side, holding katana, katana in left hand, sharp katana, long scabbard, scabbard at right waist, scabbard tied to sash, from below, cowboy shot, tiptoes, weight on one leg, head tilt, hand on scabbard, standing, stone steps, shrine grounds, full moon, night, cold light, kagura-den, paper lanterns, :|, closed mouth Shot from below at a low angle on a tall shrine maiden standing in the stone-paved approach of a night shrine, so that she fills the frame from the hips upward and the 6.6-foot height reads as looming, calm presence. She is turned three-quarters away toward the right of frame, her weight carried on her straight right leg with the left knee bent slightly, left heel lifted off the stone in a light tiptoe so the long red hakama breaks over the raised foot and pools in a heavy dark fold on the flagstones. Her left arm hangs down and slightly out from her side, the long sharp katana gripped in that left fist with the blade tipped back and away toward the lower-right corner of the frame, catching one clean silver highlight along its edge; her right hand rests loosely on the scabbard where its long black length is tied by a knotted cord at her right waist over the red sash, the scabbard angling down behind her right hip and disappearing out of frame at the lower right. Her chin is lifted a fraction and turned toward the left of the frame, chartreuse eyes with the single aqua-blue left pupil looking out past the shrine's dark eaves toward the lantern line, unfocused and unhurried; shoulders level and still, no tension in the jaw, pink lips closed in a flat calm line, flat nose and diamond-shaped face turned to show the clean long cheek and pointed chin in profile-light. Long black wavy hair falls in loose waves past her shoulder blades, some strands at the front and along the crown dyed a deep blood red; the black rose hairpin is clipped on the upper left side, its petals closed and glossy against the dark hair, and a few strands lift and drift toward the left as if from a slow night breeze off the shrine steps. White haori falls open over a white top cut low enough to show the tops of her breasts and the shadow of her cleavage, the red hakama cinched high under the bust with a wide sash so the curvy hourglass silhouette is unmistakable from the low camera: full bust, narrow waist, wide hips, the red cloth swinging in weighty folds. The only light source is a cold full moon high and behind her left shoulder plus the small amber glow of paper lanterns strung along the shrine's kagura-den in the deep background; moonlight rims the left side of her hair, shoulder and the flat of the katana blade in cool white, throws the front of her body into blue-grey shadow, and the lantern heat warms only the far stone and her right cheek. Her shadow lies long and flat across the flagstones toward the viewer's right, and the raised left heel leaves a small dark gap of unlit stone beneath it. Palette restricted to white, deep crimson red, and cold blue-black night, with silver on the steel. Quiet, still, watchful.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
An 20 years old anime female,Miko shrine maiden, wearing a white and red shōzoku shrine cloth while wielding a long and sharp katana in her left hand,a long scabbard tied by the side of her right waist line,black long wavy hair while some parts of the hair is coloured red,left eye pupil is aqua blue in colour but the both eyes are chartreuse in colour, height 6.6 feet tall with a black rose flower hairpin clipped by the upper left side of her hair, wearing a Yuki gets,,let her show some clever age through the top,curvy shape and pink lips,silent stance, flat nose with a diamond face shape.
โหมด
pro
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1104 x 1824
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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ดูเพิ่มเติม
AI artwork
w
1girl, solo, full body, standing, game character portrait, tachi-e, from below, full-length shot, toes to top of head, no crop, smiling, gentle reassuring smile, half-closed eyes, looking at viewer, motherly, beautiful mature woman, voluptuous, large breasts, large butt, wide hips, very long hair, jet-black hair, chonmage, topknot, hime cut, princess-cut bangs, center-parted intake bangs, blunt bangs, thick eyebrows, maro eyebrows, black eyes, miko, japanese clothes, white haori, red hakama, sarashi, fundoshi, cleavage, visible collarbone, bare shoulders, white tabi, zori, red sandal straps, japanese armor, point armor, forehead protector, kote, suneate, sode, shoulder guards, lamellar plates, tachi, sheathed sword, sword at waist, sash, hand on hilt, shrine, training ground, wooden dojo, bright daylight, shiny skin, glossy skin, specular highlights, sweat, vibrant colors, high contrast, sharp linework, clear outlines, cel shading, rich shading, sensual, seductive_smile, half-closed_eyes, sweat, breathing Shot from a low, upward-tilted angle in a bright full-length standing portrait: a mature swordswoman-exorcist stands on the packed earth of a shrine training ground, framed head to toe with the very tips of her white tabi and the red thong of her zori inside the frame at the bottom and the knotted peak of her topknot just clearing the top edge with a thin margin of sky. Her hair is lacquer-black and falls to below her knees, heavy and straight, gathered up at the crown into a small folded topknot; the front is cut in a blunt princess line just above the brows with a clean center part feeding into the forehead, and a few strands escape at her temples. Her brows are thick, dark and swept high in a bold arch; her eyes are solid black, half-lidded and warm, aimed straight at the viewer with the corners creasing into a calm, reassuring smile that only lifts one side of the mouth a fraction higher. She stands with her weight sunk into her right leg, left knee eased forward and left toes turned out, one hip pushed up so the red hakama breaks in a diagonal fold across her thigh. Her right hand rests on the wrapped hilt of the single tachi that hangs sheathed at her left hip, threaded through the waist sash; the sheath is glossy black lacquer with a dull brass fitting at the mouth and its tip angles back behind her calf, out of the way of her stance. Her left arm hangs easy, fingers loose. A sarashi wrap binds her chest under the white kosode and the deep V of the collar shows the tight wrapped band and the shadowed line of her cleavage; the white haori hangs open over the red hakama, tied at the waist. A fundoshi line sits low and hidden beneath the hakama's folds. Over the miko layers she wears armor as separate point pieces: a dark lacquered forehead protector banded with a small metal plate across her brow, sode shoulder sleeves of laced lamellar plates capping each shoulder and flaring out over her upper arms, kote guard sleeves of plates and chainmail over her forearms down to the backs of her hands, and suneate shin guards of vertical steel splints strapped over the hakama at each shin. The plates are dark iron and oxblood lacquer with brass rivets and silk lacing. The ground under her is raked sand and trodden earth bounded by a low wooden rail; behind her, the deep shade of a shrine veranda and a stone lantern, and beyond that the bright haze of a summer sky between cedar trunks. Sunlight comes from high left, striking the planes of her face, the tops of her shoulders and the armor plates; the specular highlights burn small and hard on her cheekbone, nose bridge, collarbone and the sheen of sweat at her throat, while the shadows under her jaw, under the sode and between her breasts fall in crisp cel shapes. Her cast shadow lies short and sharp on the sand at her feet, and the plates catch a second, tiny reflection of the sky. Palette restricted to deep black hair, white cloth, vermilion red hakama and sandal thongs, dark iron and oxblood armor, and warm sand — everything else reads as light and shade. Sharp black outlines, flat saturated cel fills, high-contrast lighting, glossy wet-looking skin. Serene, reassuring.
whitekopper
AI artwork
w
1girl, solo, full body, head to toe, standing, game character sprite, tachie, shrine training ground, female samurai, part-time shrine maiden, exorcist, japanese-style exorcist, very long hair, chonmage topknot, hime cut, center-parted intake bangs, jet-black hair, thick eyebrows, maro eyebrows, black eyes, large breasts, big ass, voluptuous, arranged miko outfit, female warrior, red pelvic-curtain hakama, fundoshi, sarashi, cleavage, white tabi, zori with red straps, japanese armor as point armor, forehead protector, kote, suneate, sode on shoulders, tachi, sheathed sword at left hip, straight-on ground-level view, neutral expression, true face, dignified beauty, looking at viewer, sharp linework, clear outlines, vivid colors, rich anime shading, high-contrast lighting, glossy skin, shiny skin, sharp cell shading, high-contrast cel-shading, crisp defined linework, saturated palette, moist lustrous skin highlights, A single woman stands alone at the shrine training ground, seen straight on from ground level in an unbroken full-body frame that runs from the top of her head to the soles of her zori — a game standing sprite with nothing cropped and a lot of clear air left above the crown of her head and below her feet. She stands at a slight three-quarter turn to her left, weight resting on her back right leg, right hip pushed out so the red pelvic-curtain hakama panels hang in separate pleats down that side and swing free on the other; her left knee is soft, her left toes angled outward. Her left hand hangs loosely beside the hip with the fingers curled, and her right hand grips the saya of a single tachi at her left hip, thumb pressed flat against the top of the mouth of the scabbard in the beginning of a draw that never quite starts. Her shoulders are square and low, chin level, gaze fixed straight out at the viewer with black eyes and no tilt of the head — brows thick and high and dark, the central strokes of the ink-like maro-eyebrows lifted and tapering at the outer ends, mouth closed in a flat, unsmiling line, no blush and no curve at the corners. Her jet-black hair is very long, falling straight past her waist and past her hips to the backs of her thighs, with a heavy hime-cut curtain of side locks cut blunt at the level of her jawline in front of her ears, oily-black and shining where the light catches each strand. The front bangs are parted cleanly at the center with a sharp intake of skin visible between the two curtains, and the crown above is gathered tight and swept back into a tall chonmage topknot that rises above the skull and flips back at its tip. A forehead protector is bound across her brow just under the hairline, its flat metal plate resting over her temples, the black cloth ties running back into the hair and fluttering a little at each side of her head. The top garment is the plain white miko haori and kosode kept exactly as it is, sleeves long and square, collar crossing over the throat; inside it a white sarashi wraps her chest and leaves a deep, clean-edged V of cleavage open in the center, and the miko collar falls on either side of it. The lower body is a red pelvic-curtain hakama — no front panel, just separate long panels of stiff red cloth hanging from the hips like a curtain split down each side — worn over a white fundoshi knotted at the hip below it, the top edge cinched at her waist. White tabi sheathes her feet and her big toes are separated from the rest by the tabi split, and on her feet sit zori with braided bright-red thong straps that run back between the toes. Japanese armor rides on her as small point armor rather than a shell: a pair of sode plates hang at each shoulder over the haori, laced lamellar with red silk braid; kote arm guards sheathe her forearms from wrist to elbow in dark leather and small iron plates; a short solid cuirass piece sits at the small of her back and a matching guard hangs on her left hip; suneate shin guards are strapped over the hakama on both shins, black-laced plates over the red cloth. The single tachi hangs at her left side in a black lacquered saya with a dark braided hilt, no second sword anywhere on her. Behind her the shrine training ground opens out: hard-packed sand, a low wooden fence, a straw practice target, a rack of wooden swords, and a weathered stone lantern at mid-distance on the right; the shrine's dark cypress veranda and a pennant with illegible faded brush lettering sit blurred behind it. Strong high-contrast key light comes in from the upper left as low, warm late-afternoon sun, striking the left side of her face and the tops of her breasts and shoulders in a hard key while deep, clean shadow swallows her right side and the backs of her hakama panels, and a single crisp cast shadow of her body and the tachi stretches back and to the lower right across the packed sand. The sun makes a thin specular line along the metal of the forehead protector, the rims of the sode and the lacquer of the saya, and the glossy skin highlights rise as small moist glints at the collarbone and the upper breast, catching only on the surfaces turned up to the light while everything turned away stays matte in shadow. The red of the hakama and the thongs, the white of haori, sarashi and tabi, the black of hair, lacquer, lacing and brows are the whole palette, saturated hard against the warm sand ground. She holds the look a beat past comfortable, unimpressed and absolutely composed. Quiet, imposing resolve.
whitekopper
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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
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