Nov 3, 2026

Server Maintenance Complete — Server maintenance is now complete, and generation speeds for SDXL and Tsubaki.1 tasks are back to normal. Tasks that we…

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เผยแพร่เมื่อ Nov 5, 2026

레마

레몬 마이따

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1girl, solo, sharp teeth, jagged teeth, fang, wolf cut, black hair, teal inner hair, two-tone hair, short hair, layered hair, boyish, small breasts, flat chest, white background, simple background, from below, from side, looking down, dutch angle, close-up, cowboy shot, parted lips, smirk, half-closed eyes, hands in pockets, oversized jacket, collared shirt, loose tie, leaning back, head tilt, subculture, noir The camera sits low and close, tilted a few degrees off level, looking up at her from below the jawline as she leans her shoulder back against nothing at all inside a completely empty white field; the white is not a cyclorama and not a page, it is the whole world, a seamless off-white plane with no horizon, no floor seam, no props, no text. She is the only figure in the frame, cropped at mid-thigh in a tight cowboy shot so her head and shoulders dominate the upper third. Her wolf cut is cut close and ragged: the outer layer is dense jet black, blunt and choppy at the nape and around the ears, while beneath it a second layer of deep teal shows in sharp wedges at the temples, behind the ear, and across the forehead where the fringe splits; the black layer falls over the teal like a curtain drawn halfway, and one teal lock escapes and hangs past her cheekbone. The hair does not move — the air is dead still, so the only asymmetry is the cut itself. Her face is turned three-quarters away and tilted down toward the viewer, chin lowered, so the low camera catches the underside of her jaw and the plane of her cheek; her eyes are half-lidded and fixed straight down the lens with flat, unimpressed appraisal, one brow marginally higher than the other, and her lips are parted just enough to show a row of thin, needle-sharp pointed teeth catching a hard specular highlight along their edges. Her torso is compact and slight, chest deliberately small and flattened under a loose, oversized dark jacket worn open, shoulders squared inside it in a boyish line that hides her waist; beneath the jacket a plain collared shirt is buttoned low with a narrow black tie hanging loose and unknotted, and her hands are shoved deep into the jacket pockets, wrists disappearing, elbows angled back so the jacket panels pull open across the shirt. Her weight rests on her back leg with the front hip pushed slightly forward, spine curving in a lazy contrapposto. Light comes from a single hard source high and to the left of the frame, film-noir hard — it rakes across her forehead and cheekbone, leaves a bright edge along the black hair, ignites the teal inner layer where the fringe lifts, and drops her right side and throat into a deep, clean shadow with no fill; on the empty white ground this produces one long, soft grey shadow spilling to the lower right, the sole evidence of a body in an otherwise blank field. The palette is disciplined to three values: pure black in the outer hair and jacket, a cool desaturated teal confined to the inner hair and a thin glint in her eye, and the enormous white ground, with skin kept pale and cool so no warm accent enters. Ink-clean linework, flat cel shading with hard-edged shadows, high contrast, no grain, no halftone. Effortlessly sharp, quietly dangerous.

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