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AI art "一期一振 - アメリカ大陸横断飛行の達成" featuring #โทเคนรันบุ, #อิจิโกะ ฮิโตฟุริ and #What You Love, Your Way 3
สร้างฟรี

一期一振 - アメリカ大陸横断飛行の達成

Contest Entry
3rd "Favorite Works" Contest#What You Love, Your Way 3
#โทเคนรันบุ#อิจิโกะ ฮิโตฟุริ
ดูเพิ่มเติม

คอมเมนต์

character: ichigo_hitofuri 1boy, solo, ichigo_hitofuri, short aquamarine hair, neat side-swept bangs, yellow eyes, porcelain-pale cool-toned skin, elegant slender adult male, eight heads tall, restrained shoulder breadth, slight shoulder slope, slender oval face, refined Japanese male features, delighted open smile, chin lifted, looking along the upper wing, right arm raised, palm resting on wooden wing strut, left arm at side, chest turned toward aircraft, smoky-olive wool work jacket, open front, notched collar, patch pockets, folded cuffs, ivory cotton shirt, soft band collar, narrow button placket, tan leather belt, rectangular buckle, high-waisted charcoal trousers, straight legs, dark brown lace-up leather boots, full body, square 1:1, low camera near front-left landing wheel, diagonal view, Wright EX Vin Fiz biplane, cream fabric wings, pale wooden spars, vertical struts, tension wires, exposed central engine, two rear-facing pusher propellers, spoked wheels, landing skids, dry golden grass field, distant trees, clear late-afternoon sunlight from upper left, matching wire and wheel shadows, open sky, sole human figure, no other people, intricate colors, vibrant colors, cinematic lighting, cinematic angle, soft light, color detail, backlighting, depth of field, long exposure, light steps, delicate macabre, fragile beauty, otherworldly, masterpiece, best quality. The camera is low beside the front-left landing wheel, looking diagonally up and across the field toward the aircraft and the lone man, in a square 1:1 full-body frame. The Wright EX Vin Fiz — a real-scale wood-and-fabric biplane — rests on dry golden grass, its lower wing and landing gear filling the near left, the broad cream cloth wings and pale wooden spars, vertical struts and fine tension wires stretching beyond the left border. Behind the main wing assembly sit the exposed central engine and two rear-facing pusher propellers; a pair of spoked wheels and narrow skids bear the machine's weight on the grass. A cropped fragment of faded green sponsor lettering reading "Vin Fiz" is visible along the cloth wing, partial and subdued, the flying machine's silhouette carrying more weight than the letters. Ichigo Hitofuri stands to the right at roughly two thirds of the image height, the only human figure anywhere in the scene. His whole head and both dark brown lace-up boots remain inside the frame; both boots plant firmly on the grass close to, but clear of, the wheel and wooden skid. He is an adult man of elegant slender build, about eight heads tall, about twenty-five years old, with porcelain-pale cool-toned skin, a slender oval face slightly longer than wide, narrow facial width, refined Japanese male features, balanced head-to-body ratio, non-westernized facial proportions, restrained shoulder breadth and a slight natural shoulder slope. Short aquamarine hair falls with neat side-swept bangs; his yellow eyes look along the upper wing as his chin lifts and an unmistakably delighted open smile opens his face. His chest turns toward the aircraft with loose shoulders and energetic curiosity. He wears a short smoky-olive wool work jacket over an ivory cotton shirt: the jacket's small notched collar, patch pockets below the chest, folded cuffs and two straight front edges hang open from neck to hip, while the shirt's soft band collar and narrow button placket close beneath the open neck. The folded jacket cuffs reveal lighter shirt cuffs. A tan leather trouser belt with a modest rectangular buckle fastens at his natural waist under the open jacket. High-waisted charcoal trousers fall in straight legs to the dark brown lace-up leather boots. The dry wool, woven cotton and worn leather read as distinct surfaces; the raised elbow pulls diagonal folds through the near sleeve, and the loose jacket hem settles against his hip. His right arm is raised so that his right palm rests lightly on a vertical wooden wing strut at shoulder height; the strut joins lower and upper wings, and his forearm runs clearly from shoulder to hand without vanishing behind the fabric wing. His left arm hangs comfortably at his side. The open Californian field recedes behind the plane as a gentle low line of dry golden grass, a few distant trees sitting below the wings. This is an imagined encounter beside the historic aircraft, not a depiction of Ichigo as its pilot. Clear late-afternoon sunlight falls from the upper left onto the fabric, timber and his upturned face; the cream canvas throws soft light into the near sleeve and under the lower wing, while thin wire shadows and wheel shadows run in the same direction. Ample open sky rises above the wings and beside his delighted profile. The mood is buoyant, sunlit and quietly wondrous.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
A square 1:1 full-body scene inspired by the arrival of the Wright EX Vin Fiz at Pasadena, California, on 5 November 1911. The visual entrance is a real-scale, wood-and-fabric biplane resting on a grassy field. Its lower wing and landing gear occupy the near left, while Ichigo Hitofuri stands to the right at roughly two thirds of the image height. The camera is low near the front-left landing wheel, looking diagonally toward the man and the body of the aircraft. His whole head and both boots remain inside the frame, while the enormous wings may extend beyond the left border. He is the only human figure. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, porcelain-pale cool-toned skin, realistic adult male proportions, about 8 heads tall, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, refined Japanese male features, elegant delicate face, non-westernized facial proportions. He looks along the upper wing with his chin lifted and an unmistakably delighted, open smile. His shoulders are loose, and his chest turns toward the aircraft with the energetic curiosity of someone seeing a remarkable journey made tangible. His raised right arm follows the near wooden strut; his left arm hangs comfortably at his side. He wears a short smoky-olive wool work jacket over an ivory cotton shirt suitable for an early twentieth-century airfield. The jacket has a small notched collar, patch pockets below the chest and two straight front edges hanging open from neck to hip. The shirt has a soft band collar and a narrow button placket closed beneath the open neck. Narrow folded jacket cuffs reveal the lighter shirt cuffs. A tan leather trouser belt is fastened at his natural waist, underneath the open jacket, with a modest rectangular buckle. High-waisted charcoal trousers fall in straight legs to dark brown lace-up leather boots. The raised elbow draws diagonal folds through the near sleeve; the loose jacket hem settles against his hip. The dry wool, woven cotton and worn leather have distinct surfaces. His right palm rests lightly on a vertical wooden wing strut at shoulder height. The strut joins the lower and upper wings, and his forearm runs clearly from shoulder to hand without disappearing behind the fabric wing. Both boots stand firmly on grass close to, but clear of, the wheel and wooden skid. The aircraft's broad cream fabric wings are held by pale wooden spars, vertical struts and fine tension wires. An exposed central engine and two rear-facing pusher propellers sit behind the main wing assembly. A pair of spoked wheels and the narrow landing skids bear its weight on the grass. Only a limited section of faded green sponsor lettering is visible on the cloth wing; the shape of the flying machine is more important than the letters. The open Californian field extends behind the plane as a gentle low line of dry golden grass. A few distant trees sit below the wings. This is an imagined encounter beside the historic aircraft, not a depiction of Ichigo as the actual pilot. Clear late-afternoon sunlight falls from the upper left onto the fabric, timber and his upturned face. The cream canvas reflects soft light into the sleeve and under the lower wing, while thin wire shadows and wheel shadows share the same direction. There is ample open sky above the wings and beside his delighted profile. masterpiece, best quality, cinematic lighting, cinematic angle, soft light, color detail, backlighting, depth of field, long exposure, light steps, intricate colors, vibrant colors, delicate macabre, fragile beauty, otherworldly
โหมด
pro
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
992 x 992
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ