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AI artwork featuring #โทโฮโปรเจกต์ and #เรมิเลีย สการ์เล็ต

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เรมิเลีย สการ์เล็ต, โทโฮโปรเจกต์

#โทโฮโปรเจกต์#เรมิเลีย สการ์เล็ต

เผยแพร่เมื่อ Nov 6, 2026

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ดูเพิ่มเติม

character: remilia_scarlet 1girl, solo, remilia scarlet, short blue hair, hair between eyes, red eyes, bat wings, mob cap, pink mob cap, red ribbon at the cap front, frilled short-sleeved dress, huge hips, wide hips, large breasts, glossy skin, shiny skin, flushed cheeks, glassy eyes, soft shading, cinematic lighting, from below, cowboy shot, dutch angle, standing, weight on one leg, contrapposto, one hand at her hip, other hand lifting the hem of her dress, head tilted down toward viewer, lidded eyes, looking down at viewer, smug, light smile, open mouth, fang, leaning back slightly, hair swinging, ribbon tails lifted, dark background, rim light, floating dust motes, deep red and black palette, high detail skin speculars Shot from below at a slight dutch tilt in a cowboy crop that cuts her at mid-thigh, so the small figure of a short girl with a round blue head of hair dominates the frame from a low vantage and appears much taller than she is. Her short blue hair falls in soft strands between her eyes and around her cheeks, and a pink mob cap with a red ribbon sits tilted on her head, its ribbon tails lifted and trailing to one side as if caught by the same air that swings her hem. Her red eyes are wide, wet and glassy, catching two hard specular highlights each, and a flush sits high and hot across both cheeks and the bridge of her nose. She stands in contrapposto with her weight sunk into her left hip, which pushes her hip out into the silhouette so the wide flare of her hips reads as an exaggerated, full curve under the dress; the bodice above is drawn tight across a large chest, and the short frilled sleeves sit off her shoulders. Her right hand rests flat on her hip, fingers spread and pressing into the fabric so the seam dents under them; her left hand pinches the hem of her skirt and lifts it a few centimetres, the frills hanging off the lifted edge. Her chin is tipped down toward the lens, one lid lowered over a smug, lopsided smile with a small fang showing at the corner of the open mouth, and she looks straight down at the viewer with that half-lidded, superior expression. Behind her shoulders, the bat wings fold low and dark, their membrane edges catching the rim light so the wing bones make a faint scalloped line against the black. Cinematic lighting: a single hard, cool key from high behind her right shoulder rakes across the top of the mob cap, the crown of her blue hair, the upper curve of her chest and one cheekbone, while the low warm bounce from beneath lifts the underside of her jaw, the glossy shine down her forearms and the tops of her thighs where they emerge from the skirt. Her skin is rendered glossy and smooth, with tight, wet-looking speculars on the cheek, collarbone, the back of her hand and the shoulder, and the soft shading rolls off into deep, gentle gradients rather than hard cel steps. The background is an unlit dark field of deep red and near-black, empty and out of focus; the light catches slow dust motes drifting in the air between her and the lens, and the only specular on the floor she stands on is the thin smear of her reflection directly under her feet, darker and softer than she is. The palette stays locked to blue, red, black, pale skin and the pink of the cap, nothing else admitted. High detail budget on her face, the glassy wetness of her eyes, the contact of her fingers in the fabric and the shine across her skin; the dress frills simplify to clean curled edges. Effortlessly smug, glossy.

เรมิเลีย สการ์เล็ต, โทโฮโปรเจกต์

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