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forge empress
ดูพารามิเตอร์
- พรอมต์ต้นฉบับ
- 鏡音レンと弱音ハクが謝罪会場で謝罪をしている。それを、ツインテールしてる男子2人が席に座ってみている。ソニック(セガ)と四国めたんも席に座って見ている
- โหมด
- pro
- แท็กคุณภาพ
- ﹝พรอมต์﹞
- ขนาด
- 1104 x 1824
- ไม่ต้องการ
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
ตัวช่วยพรอมต์
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติม
fe
character: shikoku_metan, yowane_haku, kagamine_len, copyright: sonic_(series)
5girls? no -- apology press conference, 5 subjects, kagamine len, yowane haku, two twin-tailed boys, sonic the hedgehog, shikoku metan, bowing deeply, seated audience, watching, from below, wide shot, symmetrical staging, two boys sitting in chairs, twin tails, long hair, sonic sitting in a chair, arms crossed, metan sitting in a chair, leaning forward, press conference hall, microphones on a table, banner backdrop, flat cel shading, crisp linework
The camera sits low in the aisle of a press-conference hall, tilted up so the long table and its two standing figures loom over the front rows. At the centre of the frame, behind a bare white-clothed table, Kagamine Len and Yowane Haku bow from the waist: Len, short blonde hair falling forward over his closed blue eyes, jacket sleeves hanging straight down, both hands pressed flat against his thighs; Haku beside him bent at the same depth, her very long grey-blonde hair sliding forward off her shoulders and hanging in a heavy curtain that hides her face, the striped bow at the nape of her low ponytail catching the flash, her bare shoulders and purple necktie visible above the table edge, fingertips touching the tabletop. Between and before them, three microphones on short stands cluster on the table, their windscreens aimed at the two bowed heads. Behind them a wide backdrop banner stretches edge to edge, its large lettering soft-focus and unreadable.
In front of the table, the front row of seats runs across the lower third of the frame, seen from below so the chair backs rise toward the lens. On the left, two boys in matching dark seats lean slightly toward each other: both wear their long hair in twin tails, one tied high on either side, the other's falling lower past the shoulders; both have their heads turned toward the table, chins lifted, eyes fixed on the bowing pair, one with a hand resting on the chair arm, the other's fingers laced in his lap. At the right of the row, Sonic sits low in his seat with one arm draped over the chair back, red shoes planted, one eye squinted and the other fixed on the table, mouth a flat line. Next to him Shikoku Metan leans forward with her elbows on her knees, pink twin drills hanging down past the chair edge, black hairband a dark arc against her hair, white-gloved hands folded under her chin, eyes wide and locked on Haku.
Light comes from the press bank: a cold white key from the front-left of the table throwing hard shadows of the two bowing figures back onto the banner, and a dimmer warm fill from the hall ceiling falling across the seated row so their faces hold a little glow against the dark seating. The palette is institutional — white tablecloth, grey chairs, cold white light, the banner's muted field — with Haku's grey-blonde and Len's pale gold the only bright masses at centre, Metan's pink the one saturated note in the audience. A single detail to trust: the two microphones nearest the bowing pair have their windscreens turned slightly inward, nudged by the gust of their bow. Quiet contrition, hushed.
forge empress
fe
character: shikoku_metan, yowane_haku, kagamine_len, copyright: sonic_(series)
2boys, 1girl, 1other, kagamine len, yowane haku, shikoku metan, sonic the hedgehog, apology venue, apologizing, bowing, deep bow, seiza, sitting, chair, audience seating, two boys with twintails, long twintails, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, grey hair, very long hair, low ponytail, striped bow, ahoge, headphones, necktie, purple necktie, grey shirt, crop top, bare shoulders, pink hair, twin drills, ringlets, black hairband, parted bangs, white gloves, black bow, furious, angry, rage, gritted teeth, clenched fists, glaring, v-shaped eyebrows, sweatdrop, watching, looking at another, from side, wide shot, dutch angle, depth of field, stage, press conference hall, fluorescent light, muted palette, tense atmosphere
A wide, slightly tilted shot from the side, down a row of folding chairs in a press-conference-style apology hall, the aisle running from the lower right to the upper left so the seated audience sits in a receding diagonal and the low stage sits at the far end. On that low stage, at the left of the frame, stand the two apologizers side by side behind a bare wooden table, both bent forward from the waist in a deep formal bow, heads lowered toward the audience, hands flat on their thighs, feet together. The one on the outer side has short blond hair, blue eyes cast down at the floor, a white long-sleeved shirt buttoned high, dark shorts and an ornate ouji-styled jacket and knee-length shorts with a ribbon at the throat; his bow is the deeper of the two, shoulders rounded, sleeve cuffs sliding back off his wrists. Beside him the slightly taller apologizer has very long ash-grey hair pulled into a low ponytail that spills forward over one shoulder as she bows, a single striped bow at the tie, a stray ahoge springing up from the crown, grey headphones pushed back off her ears, and she wears a grey necktie knotted tight over a grey crop-top shirt that leaves her shoulders bare, her long fingernails resting on her thighs; a thin tremble runs through her forearms, and neither of them lifts their eyes to the room. Behind them hangs a wide blank white backdrop board, and a pair of tall floor lamps wash the stage from the front so the two bowing figures cast short, soft shadows onto the boards behind them; the only other light is the row of cold fluorescent tubes overhead, which yellow slightly where they strike the stage and leave the back of the hall in a dim, even grey.
In the near foreground, filling the right side of the frame, four spectators occupy a row of chairs, all turned toward the stage. Nearest the camera, at the right edge, a girl with long pink hair in twin drill ringlets and a black hairband sits bolt upright on the very front edge of her seat, both white-gloved hands clamped on her knees, knuckles pale, her whole body pitched forward and twisted toward the stage: her brows are driven down in a hard v, her teeth are gritted, a vein-like tension pulls at her jaw, her eyes are wide and locked on the two bowing figures with a glare that could bore through the backdrop, and a single sweatdrop runs down her temple. To her left sits a small round blue hedgehog with upswept quills, gloved hands folded on his lap, one foot bouncing, his eyes fixed on the stage in flat, unimpressed attention, one ear-cocked brow slightly raised. Beyond him, further back along the row, sit the two boys with long twintails: the first has dark hair bound in two long tails that hang over the back of his chair, hands folded in his lap, chin lifted, watching the stage with a quiet, serious stillness; the second, half-hidden behind the first's shoulder, has his twintails tied high with small ribbons, leaning forward with one elbow on his knee, head tilted, eyes on the bowing pair, mouth slightly open in a small, absorbed gape. The perspective compresses them leftward, each one smaller and dimmer than the last, and their chair backs cut horizontally across the whole foreground like a low fence between audience and stage.
The palette stays deliberately institutional — varnished beige floor, grey chair metal, cold white tube light, the white of the backdrop — so that colour is carried only by the people: the apologizers' blond and ash-grey, the dropped pink of the ringleted girl, and the blue of the hedgehog, which reads as the brightest single note in the room. On the floor under the near spectator's chair, the polish has been scuffed into a faint dark smudge where a foot has been drumming. Tense, airless.
forge empress
fe
character: shikoku_metan, yowane_haku, kagamine_len, copyright: sonic_(series)
2boys, 1girl, 1other, kagamine len, yowane haku, shikoku metan, sonic the hedgehog, apology venue, apologizing, bowing, deep bow, seiza, sitting, chair, audience seating, two boys with twintails, long twintails, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, grey hair, very long hair, low ponytail, striped bow, ahoge, headphones, necktie, purple necktie, grey shirt, crop top, bare shoulders, pink hair, twin drills, ringlets, black hairband, parted bangs, white gloves, black bow, furious, angry, rage, gritted teeth, clenched fists, glaring, v-shaped eyebrows, sweatdrop, watching, looking at another, from side, wide shot, dutch angle, depth of field, stage, press conference hall, fluorescent light, muted palette, tense atmosphere
A wide, slightly tilted shot from the side, down a row of folding chairs in a press-conference-style apology hall, the aisle running from the lower right to the upper left so the seated audience sits in a receding diagonal and the low stage sits at the far end. On that low stage, at the left of the frame, stand the two apologizers side by side behind a bare wooden table, both bent forward from the waist in a deep formal bow, heads lowered toward the audience, hands flat on their thighs, feet together. The one on the outer side has short blond hair, blue eyes cast down at the floor, a white long-sleeved shirt buttoned high, dark shorts and an ornate ouji-styled jacket and knee-length shorts with a ribbon at the throat; his bow is the deeper of the two, shoulders rounded, sleeve cuffs sliding back off his wrists. Beside him the slightly taller apologizer has very long ash-grey hair pulled into a low ponytail that spills forward over one shoulder as she bows, a single striped bow at the tie, a stray ahoge springing up from the crown, grey headphones pushed back off her ears, and she wears a grey necktie knotted tight over a grey crop-top shirt that leaves her shoulders bare, her long fingernails resting on her thighs; a thin tremble runs through her forearms, and neither of them lifts their eyes to the room. Behind them hangs a wide blank white backdrop board, and a pair of tall floor lamps wash the stage from the front so the two bowing figures cast short, soft shadows onto the boards behind them; the only other light is the row of cold fluorescent tubes overhead, which yellow slightly where they strike the stage and leave the back of the hall in a dim, even grey.
In the near foreground, filling the right side of the frame, four spectators occupy a row of chairs, all turned toward the stage. Nearest the camera, at the right edge, a girl with long pink hair in twin drill ringlets and a black hairband sits bolt upright on the very front edge of her seat, both white-gloved hands clamped on her knees, knuckles pale, her whole body pitched forward and twisted toward the stage: her brows are driven down in a hard v, her teeth are gritted, a vein-like tension pulls at her jaw, her eyes are wide and locked on the two bowing figures with a glare that could bore through the backdrop, and a single sweatdrop runs down her temple. To her left sits a small round blue hedgehog with upswept quills, gloved hands folded on his lap, one foot bouncing, his eyes fixed on the stage in flat, unimpressed attention, one ear-cocked brow slightly raised. Beyond him, further back along the row, sit the two boys with long twintails: the first has dark hair bound in two long tails that hang over the back of his chair, hands folded in his lap, chin lifted, watching the stage with a quiet, serious stillness; the second, half-hidden behind the first's shoulder, has his twintails tied high with small ribbons, leaning forward with one elbow on his knee, head tilted, eyes on the bowing pair, mouth slightly open in a small, absorbed gape. The perspective compresses them leftward, each one smaller and dimmer than the last, and their chair backs cut horizontally across the whole foreground like a low fence between audience and stage.
The palette stays deliberately institutional — varnished beige floor, grey chair metal, cold white tube light, the white of the backdrop — so that colour is carried only by the people: the apologizers' blond and ash-grey, the dropped pink of the ringleted girl, and the blue of the hedgehog, which reads as the brightest single note in the room. On the floor under the near spectator's chair, the polish has been scuffed into a faint dark smudge where a foot has been drumming. Tense, airless.
forge empress
fe
character: shikoku_metan, yowane_haku, kagamine_len, copyright: sonic_(series)
2boys, 1girl, 1other, kagamine len, yowane haku, shikoku metan, sonic the hedgehog, apology venue, apologizing, bowing, deep bow, seiza, sitting, chair, audience seating, two boys with twintails, long twintails, blonde hair, short hair, blue eyes, white shirt, long sleeves, shorts, ouji fashion, grey hair, very long hair, low ponytail, striped bow, ahoge, headphones, necktie, purple necktie, grey shirt, crop top, bare shoulders, pink hair, twin drills, ringlets, black hairband, parted bangs, white gloves, black bow, furious, angry, rage, gritted teeth, clenched fists, glaring, v-shaped eyebrows, sweatdrop, watching, looking at another, from side, wide shot, dutch angle, depth of field, stage, press conference hall, fluorescent light, muted palette, tense atmosphere
A wide, slightly tilted shot from the side, down a row of folding chairs in a press-conference-style apology hall, the aisle running from the lower right to the upper left so the seated audience sits in a receding diagonal and the low stage sits at the far end. On that low stage, at the left of the frame, stand the two apologizers side by side behind a bare wooden table, both bent forward from the waist in a deep formal bow, heads lowered toward the audience, hands flat on their thighs, feet together. The one on the outer side has short blond hair, blue eyes cast down at the floor, a white long-sleeved shirt buttoned high, dark shorts and an ornate ouji-styled jacket and knee-length shorts with a ribbon at the throat; his bow is the deeper of the two, shoulders rounded, sleeve cuffs sliding back off his wrists. Beside him the slightly taller apologizer has very long ash-grey hair pulled into a low ponytail that spills forward over one shoulder as she bows, a single striped bow at the tie, a stray ahoge springing up from the crown, grey headphones pushed back off her ears, and she wears a grey necktie knotted tight over a grey crop-top shirt that leaves her shoulders bare, her long fingernails resting on her thighs; a thin tremble runs through her forearms, and neither of them lifts their eyes to the room. Behind them hangs a wide blank white backdrop board, and a pair of tall floor lamps wash the stage from the front so the two bowing figures cast short, soft shadows onto the boards behind them; the only other light is the row of cold fluorescent tubes overhead, which yellow slightly where they strike the stage and leave the back of the hall in a dim, even grey.
In the near foreground, filling the right side of the frame, four spectators occupy a row of chairs, all turned toward the stage. Nearest the camera, at the right edge, a girl with long pink hair in twin drill ringlets and a black hairband sits bolt upright on the very front edge of her seat, both white-gloved hands clamped on her knees, knuckles pale, her whole body pitched forward and twisted toward the stage: her brows are driven down in a hard v, her teeth are gritted, a vein-like tension pulls at her jaw, her eyes are wide and locked on the two bowing figures with a glare that could bore through the backdrop, and a single sweatdrop runs down her temple. To her left sits a small round blue hedgehog with upswept quills, gloved hands folded on his lap, one foot bouncing, his eyes fixed on the stage in flat, unimpressed attention, one ear-cocked brow slightly raised. Beyond him, further back along the row, sit the two boys with long twintails: the first has dark hair bound in two long tails that hang over the back of his chair, hands folded in his lap, chin lifted, watching the stage with a quiet, serious stillness; the second, half-hidden behind the first's shoulder, has his twintails tied high with small ribbons, leaning forward with one elbow on his knee, head tilted, eyes on the bowing pair, mouth slightly open in a small, absorbed gape. The perspective compresses them leftward, each one smaller and dimmer than the last, and their chair backs cut horizontally across the whole foreground like a low fence between audience and stage.
The palette stays deliberately institutional — varnished beige floor, grey chair metal, cold white tube light, the white of the backdrop — so that colour is carried only by the people: the apologizers' blond and ash-grey, the dropped pink of the ringleted girl, and the blue of the hedgehog, which reads as the brightest single note in the room. On the floor under the near spectator's chair, the polish has been scuffed into a faint dark smudge where a foot has been drumming. Tense, airless.
forge empress
สำรวจเพิ่มเติม
ผู้ใช้แนะนำ
ที่คุณอาจชอบ
memento mori 💀
(^ aricat ^)
13
the angel of divination
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Sleeping with a dragon 🐉
ichikiki
𝄞 ⧽ lingyang ◞ 🌾゛
ichikiki
🍷⸝꙳.˖
st4rlight
怖い場所×私のキャラクター
猫 (Cat) . neko_dekoven
Halloween Miku
𝕿𝖃𝕷
🍦🚬
(^ aricat ^)
ִֶָ𓂃 ࣪ ִִ🍂་༘
(^ aricat ^)
7
🦋𑣲𝄞⋆
(^ aricat ^)
cooking competition 🧑🍳
(^ aricat ^)
osmanthus wine ❤︎
(^ aricat ^)
kusuriuri
(^ aricat ^)
જ⁀➣
(^ aricat ^)
3
A dreamy, ethereal anime illustration of a mysterious black-haired young man kneeling gracefully in shallow water, wearing an elegant dark gothic outfit with sheer flowing fabrics, delicate jewelry, and iridescent blue accents. A white dove flies beside him as he gently holds a glowing translucent orb. Flowing veils, delicate white flowers, floating feathers, and crystalline reflections surround him. Soft moonlike backlighting filters through translucent curtains, creating a melancholic, romantic atmosphere. Muted lavender, icy blue, silver, and pearl-white palette, delicate painterly anime style, intricate details, soft glowing highlights, dramatic shadows, beautiful fabric textures, cinematic composition, atmospheric lighting, elegant fantasy aesthetic, vertical portrait poster.
,beautiful light,best shadow,color blink,s[im,long bangs,long eyelashes,ethereal light,painterly,high quality,masterpiece,
anipix
2
frieren 💐
(^ aricat ^)
High-angle full shot, camera positioned slightly above from side of the subject and looking down at — the frame is filled with the dark water, flowers, and ripples below, giving a top-down, floating perspective. wariza,
A girl with very long straight black hair and closed eyes stands in dark, rippling water, wearing a flowing white and green kimono with a floral pattern and a dark obi. Her long sleeves and skirt spread out across the surface of the water like fabric floating. Green butterflies and small white birds flutter around her, surrounded by dense blue and green flowers and lily pads, with soft light sparkling on the water.
Rich deep green, teal, and blue palette, intricate painterly detail, dreamy and ethereal mood, vertical composition.
,best quality,vivid colors,cel shading,lineart,anime style,best quality,crisp lineart,dreamy anime aesthetic,glow particles,pastel colors,artist: baozaohuang on x,digital art,medium lineart,
anipix
1
桂
夜間飛行２
桂
ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic.
, painterly anime illustration, thin lineart, airy dreamy atmosphere, best quality, s[im, long bangs, long eyelashes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
anipix
PLAY WITH ME?
リオ
character: qiao_ling, copyright: shiguang_dailiren
anime illustration, *medium shot, front angle at eye-level, centered chest to knees, framed inside a dutch angle tilted polaroid / social media post UI*, anime girl Jo from Link Click / Shiguang Dailiren with short black hair in high side ponytail with white maid headband lace, bangs, brown eyes, smiling with blush, wearing white high-neck ruffled short sleeve sweater with detached long knit arm warmers, light blue denim apron overalls with "Jo" embroidered, beaded colorful necklace with pink bunny pendant, colorful star hair clips, holding white piping bag decorating a white cream cake with dollops, on kitchen counter
foreground on counter: left small brown fluffy dog with blue bandana sticking tongue, right small white fluffy cat with blue eyes holding strawberry putting on cake
art style soft painterly modern anime, warm pastel color palette cream, light blue, pink, yellow, cozy kitchen background with teal cabinets, wooden shelves, sunlight
graphic overlay design as Instagram-style post: white Polaroid border with hand-written brown text "Yummy" left, "Welcome" bottom right with star doodles, circular avatar with "@Jo" and "+ FOLLOW" button, top right black Chinese text 「时光代理人 LINK CLICK」, small inset Polaroid photo bottom right of same girl winking eating with text "Day and Night", bottom like icons heart comment share bookmark, "20,451 views" and hashtag text 「# 乔苓的烘焙日记 # 叮咚！时光甜品铺持续接单中...」, decorative pink and blue and yellow blobs and stars around border, Luminous, pastel, high-key, vibrant, iridescent, gradient, glowing, soft-shaded, sun-drenched, saturated, crisp color blocking, defined shading, cool reflected light, luminous highlights, chunky stylized hair shapes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
anipix
2
Abby, Rover & Verina • Flower Girl
Lord Potato
·.🖤🪞🐑
(mai)
✦ · 🌹 ☕ 𓆩 ✧
(mai)
คอมเมนต์