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AI artwork
สร้างฟรี

grim

g

grim

ดูเพิ่มเติม

คอมเมนต์

1entity, solo, (((Crimson Abomination:2.0))), extreme close-up, front view, clean consistent camera angle, no head, no arms, no legs, formless mass, bulbous column, 15 feet tall, towering, glossy exposed muscle, muscle texture, vein, artery, tendon, dark crimson veins, rippling, breathing, contracting flesh, dozens of crimson tendrils, tendril maw, vertical maw, teeth, hardened blood teeth, single massive eye, socketless eye, scarlet iris, vertical pupil, hungry stare, looking at viewer, liquid crimson pool, floating text, glowing text, blank glowing glyphs, crimson aura, scarlet aura, enemy character design, asymmetric, amorphous, organic, no halo, no geometric shapes, cinematic composition, high-contrast anime style, thick outlines, halftone dots, punchy neon crimson palette, (((Crimson Abomination:2.0))) Front view, dead-on and clean, the camera shoved in so close that the mass overruns the frame: from the bottom edge to past the top edge a single bulbous column of scarlet flesh rises, fifteen feet of it, with no head breaking the outline, no arms, no legs, no silhouette beyond its own irregular heave — only flesh, a compress of wet muscle, swollen and formless. The lens sits just above the pool, so the column's base crowds the lower third: the ground has gone to liquid crimson and the mass stands in it, its lowest tissues half sunk and glazed, a slow ring of ripples pushed out at the point where the body slides against the pool. Across the whole surface the tissue is glossy and slick, bundled in long striations, cross-hatched with dark crimson arteries that split and re-split into finer threads and pale tendon cords, the highlights skidding off the wet sheen in hard-edged streaks. Nothing on it is symmetrical: it leans, sagging heavier on the left, the right flank pulled taut, one bulge pushing out lower than its opposite. Hundreds of tendrils erupt from the upper section — too many to count — each one a slick cord of the same muscle, whipping outward and lashing across the frame, and at the tip of every one a maw stands open vertically, split top to bottom like a wound pulled apart, lined with blunt teeth of hardened blood, dark and glassy. At the center of the mass, the flesh bulges outward into a single enormous eye. It has no socket and no lid — the scarlet iris, threaded with fine radial veins, simply grows directly out of the surrounding tissue, the flesh drawing tight and folded around its rim, and a narrow vertical pupil cuts down the middle of it, fixed forward, staring into the lens with an immortal, unappeased hunger. The air around the body is not empty: a scarlet aura radiates from the flesh in a visible discharge, dense and hot at the edges of the mass and thinning outward, so the frame's margins are stained red. Hovering in the air above and beside the column, several clumps of glowing crimson glyphs float in midair, luminous and edged with light — script with no word in it, no readable character, strokes that begin and end nowhere, glowing blankly. The light is the aura's own: it comes from all around the mass and from the mass itself, hot red rimming every tendril and every ridge of muscle, with the deep arterial grooves and the space between the whipping tendrils falling to near-black. The palette admits nothing beyond red — scarlet, crimson, exposed-muscle red, dried-blood brown in the maws, black in the shadows — and the rendering answers it: thick, heavy ink outlines clamping every bulge and maw, flat high-contrast blocks of red, halftone dot fields in the mid-tones of the flesh, and scattered graffiti scuffs of crimson spray in the aura. In the pool, the reflection of the eye is darker and softer than the eye itself, smeared by the ripples. Nauseating, absolute.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
(masterpiece best quality 1.2), ultra-detailed, enemy character design, extreme close-up zoomed in up close, front view, clean consistent camera angle, solo, 1entity, ((Crimson Abomination:2.0)), immortal soulless crimson monstrosity, a towering formless horror — no head no limbs no silhouette just a mass of compressed crimson tissue, the body a bulbous column of scarlet flesh fifteen feet tall the surface like exposed muscle tissue glossy and veined with dark crimson arteries, the surface ripples and breathes and contracts, dozens of crimson tendrils whipping from its upper section each tendril ending in a mouth a vertical crimson maw with teeth of hardened blood, the center of the mass bulges outward forming a single massive eye — a scarlet iris with a vertical pupil staring outward with immortal hunger, the eye has no socket the eye grows directly from the flesh-mass, the ground beneath it liquefied into a pool of liquid crimson, scarlet abomination aura nauseating and absolute, floating glowing crimson text displaying nothing — the abomination cannot speak, scarlet and crimson and exposed-muscle-red color scheme, no halo, no geometry, no symmetry, highly detailed exposed flesh and vein and tendon texture, cinematic composition, 8K
โหมด
ultra
สไตล์
Neon Poster
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1104 x 1824
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
สไตล์: Neon Poster
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.10k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
g
1entity, solo, (((Crimson Abomination:2.0))), extreme close-up, front view, clean consistent camera angle, no head, no arms, no legs, formless mass, bulbous column, 15 feet tall, towering, glossy exposed muscle, muscle texture, vein, artery, tendon, dark crimson veins, rippling, breathing, contracting flesh, dozens of crimson tendrils, tendril maw, vertical maw, teeth, hardened blood teeth, single massive eye, socketless eye, scarlet iris, vertical pupil, hungry stare, looking at viewer, liquid crimson pool, floating text, glowing text, blank glowing glyphs, crimson aura, scarlet aura, enemy character design, asymmetric, amorphous, organic, no halo, no geometric shapes, cinematic composition, high-contrast anime style, thick outlines, halftone dots, punchy neon crimson palette, (((Crimson Abomination:2.0))) Front view, dead-on and clean, the camera shoved in so close that the mass overruns the frame: from the bottom edge to past the top edge a single bulbous column of scarlet flesh rises, fifteen feet of it, with no head breaking the outline, no arms, no legs, no silhouette beyond its own irregular heave — only flesh, a compress of wet muscle, swollen and formless. The lens sits just above the pool, so the column's base crowds the lower third: the ground has gone to liquid crimson and the mass stands in it, its lowest tissues half sunk and glazed, a slow ring of ripples pushed out at the point where the body slides against the pool. Across the whole surface the tissue is glossy and slick, bundled in long striations, cross-hatched with dark crimson arteries that split and re-split into finer threads and pale tendon cords, the highlights skidding off the wet sheen in hard-edged streaks. Nothing on it is symmetrical: it leans, sagging heavier on the left, the right flank pulled taut, one bulge pushing out lower than its opposite. Hundreds of tendrils erupt from the upper section — too many to count — each one a slick cord of the same muscle, whipping outward and lashing across the frame, and at the tip of every one a maw stands open vertically, split top to bottom like a wound pulled apart, lined with blunt teeth of hardened blood, dark and glassy. At the center of the mass, the flesh bulges outward into a single enormous eye. It has no socket and no lid — the scarlet iris, threaded with fine radial veins, simply grows directly out of the surrounding tissue, the flesh drawing tight and folded around its rim, and a narrow vertical pupil cuts down the middle of it, fixed forward, staring into the lens with an immortal, unappeased hunger. The air around the body is not empty: a scarlet aura radiates from the flesh in a visible discharge, dense and hot at the edges of the mass and thinning outward, so the frame's margins are stained red. Hovering in the air above and beside the column, several clumps of glowing crimson glyphs float in midair, luminous and edged with light — script with no word in it, no readable character, strokes that begin and end nowhere, glowing blankly. The light is the aura's own: it comes from all around the mass and from the mass itself, hot red rimming every tendril and every ridge of muscle, with the deep arterial grooves and the space between the whipping tendrils falling to near-black. The palette admits nothing beyond red — scarlet, crimson, exposed-muscle red, dried-blood brown in the maws, black in the shadows — and the rendering answers it: thick, heavy ink outlines clamping every bulge and maw, flat high-contrast blocks of red, halftone dot fields in the mid-tones of the flesh, and scattered graffiti scuffs of crimson spray in the aura. In the pool, the reflection of the eye is darker and softer than the eye itself, smeared by the ripples. Nauseating, absolute.
grim
#Chaotic Helleaven
AI artwork
g
1entity, solo, (((Crimson Abomination:2.0))), extreme close-up, front view, clean consistent camera angle, no head, no arms, no legs, formless mass, bulbous column, 15 feet tall, towering, glossy exposed muscle, muscle texture, vein, artery, tendon, dark crimson veins, rippling, breathing, contracting flesh, dozens of crimson tendrils, tendril maw, vertical maw, teeth, hardened blood teeth, single massive eye, socketless eye, scarlet iris, vertical pupil, hungry stare, looking at viewer, liquid crimson pool, floating text, glowing text, blank glowing glyphs, crimson aura, scarlet aura, enemy character design, asymmetric, amorphous, organic, no halo, no geometric shapes, cinematic composition, high-contrast anime style, thick outlines, halftone dots, punchy neon crimson palette, (((Crimson Abomination:2.0))) Front view, dead-on and clean, the camera shoved in so close that the mass overruns the frame: from the bottom edge to past the top edge a single bulbous column of scarlet flesh rises, fifteen feet of it, with no head breaking the outline, no arms, no legs, no silhouette beyond its own irregular heave — only flesh, a compress of wet muscle, swollen and formless. The lens sits just above the pool, so the column's base crowds the lower third: the ground has gone to liquid crimson and the mass stands in it, its lowest tissues half sunk and glazed, a slow ring of ripples pushed out at the point where the body slides against the pool. Across the whole surface the tissue is glossy and slick, bundled in long striations, cross-hatched with dark crimson arteries that split and re-split into finer threads and pale tendon cords, the highlights skidding off the wet sheen in hard-edged streaks. Nothing on it is symmetrical: it leans, sagging heavier on the left, the right flank pulled taut, one bulge pushing out lower than its opposite. Hundreds of tendrils erupt from the upper section — too many to count — each one a slick cord of the same muscle, whipping outward and lashing across the frame, and at the tip of every one a maw stands open vertically, split top to bottom like a wound pulled apart, lined with blunt teeth of hardened blood, dark and glassy. At the center of the mass, the flesh bulges outward into a single enormous eye. It has no socket and no lid — the scarlet iris, threaded with fine radial veins, simply grows directly out of the surrounding tissue, the flesh drawing tight and folded around its rim, and a narrow vertical pupil cuts down the middle of it, fixed forward, staring into the lens with an immortal, unappeased hunger. The air around the body is not empty: a scarlet aura radiates from the flesh in a visible discharge, dense and hot at the edges of the mass and thinning outward, so the frame's margins are stained red. Hovering in the air above and beside the column, several clumps of glowing crimson glyphs float in midair, luminous and edged with light — script with no word in it, no readable character, strokes that begin and end nowhere, glowing blankly. The light is the aura's own: it comes from all around the mass and from the mass itself, hot red rimming every tendril and every ridge of muscle, with the deep arterial grooves and the space between the whipping tendrils falling to near-black. The palette admits nothing beyond red — scarlet, crimson, exposed-muscle red, dried-blood brown in the maws, black in the shadows — and the rendering answers it: thick, heavy ink outlines clamping every bulge and maw, flat high-contrast blocks of red, halftone dot fields in the mid-tones of the flesh, and scattered graffiti scuffs of crimson spray in the aura. In the pool, the reflection of the eye is darker and softer than the eye itself, smeared by the ripples. Nauseating, absolute.
grim
#Chaotic Helleaven
AI artwork
g
1entity, solo, (((Crimson Abomination:2.0))), extreme close-up, front view, clean consistent camera angle, no head, no arms, no legs, formless mass, bulbous column, 15 feet tall, towering, glossy exposed muscle, muscle texture, vein, artery, tendon, dark crimson veins, rippling, breathing, contracting flesh, dozens of crimson tendrils, tendril maw, vertical maw, teeth, hardened blood teeth, single massive eye, socketless eye, scarlet iris, vertical pupil, hungry stare, looking at viewer, liquid crimson pool, floating text, glowing text, blank glowing glyphs, crimson aura, scarlet aura, enemy character design, asymmetric, amorphous, organic, no halo, no geometric shapes, cinematic composition, high-contrast anime style, thick outlines, halftone dots, punchy neon crimson palette, (((Crimson Abomination:2.0))) Front view, dead-on and clean, the camera shoved in so close that the mass overruns the frame: from the bottom edge to past the top edge a single bulbous column of scarlet flesh rises, fifteen feet of it, with no head breaking the outline, no arms, no legs, no silhouette beyond its own irregular heave — only flesh, a compress of wet muscle, swollen and formless. The lens sits just above the pool, so the column's base crowds the lower third: the ground has gone to liquid crimson and the mass stands in it, its lowest tissues half sunk and glazed, a slow ring of ripples pushed out at the point where the body slides against the pool. Across the whole surface the tissue is glossy and slick, bundled in long striations, cross-hatched with dark crimson arteries that split and re-split into finer threads and pale tendon cords, the highlights skidding off the wet sheen in hard-edged streaks. Nothing on it is symmetrical: it leans, sagging heavier on the left, the right flank pulled taut, one bulge pushing out lower than its opposite. Hundreds of tendrils erupt from the upper section — too many to count — each one a slick cord of the same muscle, whipping outward and lashing across the frame, and at the tip of every one a maw stands open vertically, split top to bottom like a wound pulled apart, lined with blunt teeth of hardened blood, dark and glassy. At the center of the mass, the flesh bulges outward into a single enormous eye. It has no socket and no lid — the scarlet iris, threaded with fine radial veins, simply grows directly out of the surrounding tissue, the flesh drawing tight and folded around its rim, and a narrow vertical pupil cuts down the middle of it, fixed forward, staring into the lens with an immortal, unappeased hunger. The air around the body is not empty: a scarlet aura radiates from the flesh in a visible discharge, dense and hot at the edges of the mass and thinning outward, so the frame's margins are stained red. Hovering in the air above and beside the column, several clumps of glowing crimson glyphs float in midair, luminous and edged with light — script with no word in it, no readable character, strokes that begin and end nowhere, glowing blankly. The light is the aura's own: it comes from all around the mass and from the mass itself, hot red rimming every tendril and every ridge of muscle, with the deep arterial grooves and the space between the whipping tendrils falling to near-black. The palette admits nothing beyond red — scarlet, crimson, exposed-muscle red, dried-blood brown in the maws, black in the shadows — and the rendering answers it: thick, heavy ink outlines clamping every bulge and maw, flat high-contrast blocks of red, halftone dot fields in the mid-tones of the flesh, and scattered graffiti scuffs of crimson spray in the aura. In the pool, the reflection of the eye is darker and softer than the eye itself, smeared by the ripples. Nauseating, absolute.
grim
#Chaotic Helleaven

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ที่คุณอาจชอบ

AI artwork
Avatar image of anipix
A dreamy, ethereal anime illustration of a mysterious black-haired young man kneeling gracefully in shallow water, wearing an elegant dark gothic outfit with sheer flowing fabrics, delicate jewelry, and iridescent blue accents. A white dove flies beside him as he gently holds a glowing translucent orb. Flowing veils, delicate white flowers, floating feathers, and crystalline reflections surround him. Soft moonlike backlighting filters through translucent curtains, creating a melancholic, romantic atmosphere. Muted lavender, icy blue, silver, and pearl-white palette, delicate painterly anime style, intricate details, soft glowing highlights, dramatic shadows, beautiful fabric textures, cinematic composition, atmospheric lighting, elegant fantasy aesthetic, vertical portrait poster. ,beautiful light,best shadow,color blink,s[im,long bangs,long eyelashes,ethereal light,painterly,high quality,masterpiece,
anipix
3
AI artwork
Avatar image of anipix
High-angle full shot, camera positioned slightly above from side of the subject and looking down at — the frame is filled with the dark water, flowers, and ripples below, giving a top-down, floating perspective. wariza, A girl with very long straight black hair and closed eyes stands in dark, rippling water, wearing a flowing white and green kimono with a floral pattern and a dark obi. Her long sleeves and skirt spread out across the surface of the water like fabric floating. Green butterflies and small white birds flutter around her, surrounded by dense blue and green flowers and lily pads, with soft light sparkling on the water. Rich deep green, teal, and blue palette, intricate painterly detail, dreamy and ethereal mood, vertical composition. ,best quality,vivid colors,cel shading,lineart,anime style,best quality,crisp lineart,dreamy anime aesthetic,glow particles,pastel colors,artist: baozaohuang on x,digital art,medium lineart,
anipix
1
AI artwork
Avatar image of anipix
ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic. , painterly anime illustration, thin lineart, airy dreamy atmosphere, best quality, s[im, long bangs, long eyelashes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
anipix
2#Honkai: Star Rail#Robin
AI artwork
Avatar image of anipix
character: qiao_ling, copyright: shiguang_dailiren anime illustration, *medium shot, front angle at eye-level, centered chest to knees, framed inside a dutch angle tilted polaroid / social media post UI*, anime girl Jo from Link Click / Shiguang Dailiren with short black hair in high side ponytail with white maid headband lace, bangs, brown eyes, smiling with blush, wearing white high-neck ruffled short sleeve sweater with detached long knit arm warmers, light blue denim apron overalls with "Jo" embroidered, beaded colorful necklace with pink bunny pendant, colorful star hair clips, holding white piping bag decorating a white cream cake with dollops, on kitchen counter foreground on counter: left small brown fluffy dog with blue bandana sticking tongue, right small white fluffy cat with blue eyes holding strawberry putting on cake art style soft painterly modern anime, warm pastel color palette cream, light blue, pink, yellow, cozy kitchen background with teal cabinets, wooden shelves, sunlight graphic overlay design as Instagram-style post: white Polaroid border with hand-written brown text "Yummy" left, "Welcome" bottom right with star doodles, circular avatar with "@Jo" and "+ FOLLOW" button, top right black Chinese text 「时光代理人 LINK CLICK」, small inset Polaroid photo bottom right of same girl winking eating with text "Day and Night", bottom like icons heart comment share bookmark, "20,451 views" and hashtag text 「# 乔苓的烘焙日记 # 叮咚！时光甜品铺持续接单中...」, decorative pink and blue and yellow blobs and stars around border, Luminous, pastel, high-key, vibrant, iridescent, gradient, glowing, soft-shaded, sun-drenched, saturated, crisp color blocking, defined shading, cool reflected light, luminous highlights, chunky stylized hair shapes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
anipix
4
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