Nov 9, 2026

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AI art "4周年〜𝄄▙▒▚▒▞▛▒〜" featuring #Goddess of Victory: Nikke, #ผู้บัญชาการ, #มาเรียน and #PixAI Halloween 2026

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4周年〜𝄄▙▒▚▒▞▛▒〜

ずっと貴方と一緒に居られるなら…私はどんなに辛い思いをしていても頑張れるんですだからどうか、生きて

Contest Entry

PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn

#Goddess of Victory: Nikke #มาเรียน

เผยแพร่เมื่อ Nov 7, 2026

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ดูเพิ่มเติม

character: marian_(nikke), commander_(nikke), copyright: goddess_of_victory:_nikke 2girls, 1boy, 2girls? no — 1girl, 1boy, marian_(nikke), commander_(nikke), long brown hair, purple eyes, floating hair, military uniform, military hat, black pantyhose, detached sleeves, necktie, sleeveless, black coat, black hair, short hair, single hair bun, hat, military jacket, back view, from behind, seen from behind, full body, wide shot, walking, walking side by side, walking away, from a distance, distant figures, ruins, rubble, broken concrete, overgrown grass, wildflowers, flowers, tall grass, foreground grass, depth of field, overgrown foreground, landscape, outdoors, daylight, back view, looking ahead, The camera sits low and close inside a dense tangle of overgrown wildflowers and tall grass that fills the bottom third and both lower corners of the frame, the nearest stems and petals thrown large and soft out of focus, each blade and flower head rimmed with a bright edge where light passes through it. Beyond that blurred foreground curtain the ground opens into a wide, level field of cracked asphalt and broken concrete slabs split by weeds; two small figures walk side by side, seen from behind, deep in the middle distance, their backs to the viewer, walking away along a rubble-strewn path toward the ruined skyline. Their scale is deliberately small — roughly a tenth of the frame height — the girl on the left, the man on the right, a steady arm's-length gap between them, her shoulder half a head lower than his. She walks mid-stride with her left leg forward, her long brown hair swinging loose and lifting slightly at the ends with the motion, her military hat tilted on her head, sleeveless uniform and detached sleeves catching the light along her shoulders, black pantyhose on her legs, her hands relaxed at her sides. He walks in step with her, right leg forward, his black coat hanging open and swaying behind his legs, his short dark hair and single hair bun silhouetted, one hand loose at his hip, his chin slightly turned toward her. Neither face is visible — only the two backs, the tilt of their hats, the line of their shoulders. The ruins rise around and behind them: a shattered tower block on the left with floor plates exposed like a comb, a collapsed overpass on the right, rebar and broken walls scattered across the field, all of it overgrown at the base with spreading green. Sunlight comes from high and behind the camera, a soft overcast-bright day, so the foreground grass glows translucent and throws soft shadows toward the viewer while the distant ruins sit in a paler, hazier grey — a wash of atmospheric perspective that pushes them far back. The palette is green and grey: saturated fresh greens in the near grass and flowers, muted olive and concrete grey in the middle distance, a pale pearl-white sky overhead with no hard clouds. A single bird crosses the sky as a distant speck, and a thin twist of grass lies bent where the two figures have just walked past, the only trace of their passage. softly melancholy, quiet hopefulness

4周年〜𝄄▙▒▚▒▞▛▒〜

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