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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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ดูเพิ่มเติม

คอมเมนต์

solo, 1:1 aspect ratio, ferocious biomechanical crab monster, armored crustacean, heavy corroded metal plates fused with organic mutated shell, snapping cybernetic claws, glowing warning lights, shark, sharp black outlines, flat vector art style, vector illustration, grand dramatic effects, frightening intimidating shape, no text, from below, dutch angle, wide shot, foreshortening, oversized claws raised, open carapace, glowing seams, electric discharge, motion lines, dark teal and rust palette A wide low-angle dutch shot tilts up at a single colossal biomechanical crab monster rearing over the frame, its mass filling the square from the lower-left corner to the upper-right, so that it looms and the empty air above it reads as sky it has just risen into. The camera sits near the ground and close in, so the near snapping claw is thrown huge by foreshortening in the lower-left foreground while the rest of the body recedes up and back along the tilt. The body is an armored crustacean: a wide mutated shell fused with heavy corroded metal plates, the organic carapace bulging between riveted iron bands, the metal eaten into orange-brown pits and flaking rust scales where the two materials meet, seams of molten orange light bleeding out of the cracks between plate and shell. Its silhouette is deliberately wrong and frightening — carapace hunched high and forward, spined legs splayed wide and braced, eyestalks cocked at uneven angles, mouthparts open. Both front limbs end in snapping cybernetic claws: the near claw is a machined pincer of rusted steel with hydraulic pistons and exposed cables, its jaws wide open mid-snap with a bright white spark jumping between the tips; the far claw mirrors it smaller up and to the right, also open. Glowing warning lights stud the chassis — round amber and red lamps set into the plate work along the brow ridge, the shoulder joints and down the center seam of the back, all lit, each ringed with a hard dark socket. The legs plant on a cracked dark ground plane, tips digging in, small chips and dust kicked up where the claws' weight lands. Grand dramatic effects fill the upper field: a burst of radiating flat vector speed lines and a jagged electric discharge arcing off the raised claw, plus a scattering of drifting debris shards, all rendered as crisp flat shapes with no blur. In the mid-distance behind and below the crab, in the open water space revealed under its raised body, a single shark swims in profile left to right, small against the monster's scale but clearly drawn — streamlined grey body, pale underbelly, triangular dorsal fin, pectoral fins spread, gill slits, blunt snout, tail mid-sweep — rendered in the same flat shapes and black contour as everything else, riding a few flat stylized water lines that curl around it. It does not look at the viewer; it holds its line past the monster's shadow. The whole piece is flat vector illustration: solid fills, no gradients, no rendering, every form closed by a sharp black outline of even weight that gets slightly heavier on the outer silhouette and on the claw tips to keep the shape legible against the effects behind it. Palette locked to rust orange, corroded brown, deep teal and near-black, with the only saturated accents being the orange glow seams and the amber-red warning lamps, plus flat white for the spark and the speed lines. Light is flat and graphic rather than directional — the lamps and seams are the brightest things in the frame and read as emissive because they sit on pure dark sockets. Background is a single flat dark teal field with a faint lighter teal band behind the upper body, no scenery detail. Absolutely no lettering anywhere: every surface of shell, plate, claw, lamp housing, shark and ground is clean and free of any letters, numbers or written characters. Menacing, graphic.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
A ferocious biomechanical rust crab monster, armored crustacean with heavy corroded metal plates fused with organic mutated shell, snapping cybernetic claws, glowing warning lights, 1:1 aspect ratio, sharp black outlines, flat vector art style, vector illustration, no text,monster, masterpiece,4k,high quality,monster, ปลาฉลาม,solo, เอฟเฟคยิ่งใหญ่ รูปร่างน่ากลัว วาดให้เหมือนมนุษย์วาดตัดเส้นดำชัดเจนขึ้นโครงร่างชัดเจน
โหมด
flash
ขนาด
992 x 992
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.00k

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ดูเพิ่มเติม
AI artwork
ดด
1:1, solo, no humans, creature, giant scorpion, biomechanical, biomechanical solar scorpion monster, desert arachnid, heavy metallic carapace, heat-resistant armor plating, glowing thermal energy tail stinger, organic tissue fused with cybernetic joints, exposed hydraulic pistons, segmented tail arcing forward over the back, two large grasping pincers, eight legs, ferocious, aggressive, open pincers raised, from below, low angle, foreshortening, dramatic perspective, sharp black outlines, flat vector art, vector illustration, bold clean linework, hand-drawn look, limited flat colors, no text, no letters, no writing A low, from-below three-quarter view looking up at a single giant biomechanical scorpion rearing in a closed fighting stance against a completely empty flat ochre-amber field, no horizon line, no scenery, nothing but the creature and the ground color. The scorpion fills the square frame diagonally: its cephalothorax and plated back sit at the left, the body hunched and turned slightly toward the viewer so the near flank of the carapace reads as a broad wedge, while the eight legs splay low across the bottom of the frame, the front-right leg planted and bearing weight, the front-left leg lifted and hooked in mid-step, the remaining legs braced behind it in staggered contact with an implied flat desert plane marked only by a crisp flat shadow directly beneath the body. The heavy heat-resistant metallic carapace is drawn as interlocking flat plates of brushed gunmetal and sun-baked bronze, each plate outlined in a thick unbroken black line, the top surfaces facing the light in pale hot cream and the undersides sealed into deep umber, with visible cybernetic joints between the plates — round servo housings and exposed hydraulic pistons in cold steel — where the armor lifts away from the body. Beneath and between the metal plates, wet-looking organic tissue shows in deep oxblood red and charred maroon, the seams where flesh meets machinery marked by a lattice of thin black striations; the organic muscle bundles bulge at the leg sockets and under the jaw plates. The two large grasping pincers are raised and open, the left pincer thrust forward toward the upper right of the frame larger than the right by foreshortening, both pincers' inner serrated edges angled inward and their dark inner surfaces facing the viewer, fingers of the pincers slightly apart as if about to close. The segmented tail arches forward over the back in a characteristic scorpion curve, each segment a flat metallic ring with hard black separation lines, running from the lower back up and over so the stinger hangs at the upper left of the frame pointed down and inward toward the viewer's space; the stinger itself is the image's light source, a hooked spike of translucent thermal energy in white-hot core, yellow rim and molten orange bleed, with a thin halo of flat radiating heat lines drawn as clean vector strokes rather than blur, casting a faint warm orange rim along the top edges of the tail segments and the upper carapace plates. The only light comes from above and slightly left, hot and white, laying flat pale highlights on upward-facing armor and dropping hard black flat shadows on every undersurface and into every joint gap; the glow of the stinger adds a second, smaller warm bounce on the inner faces of the raised pincers. The head is low and forward between the front legs, two small cluster eyes rendered as hard black dots with a single white catchlight each, mandibles spread wide in a ferocious open threat display. Palette is strictly limited and flat: gunmetal, hot cream, bronze-ochre, oxblood red, charred maroon, and the molten white-yellow-orange of the stinger, over the bare amber field, with pure black reserved for the outline work. Every silhouette edge is a confident hand-inked black contour of varying weight, thicker on the underside and thinner on the lit top planes, with flat cel fills and no gradients except the deliberate glow of the stinger; no halftone, no texture noise, no lettering anywhere in the frame. Menacing, sun-scorched.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#สาวน้อยเวทมนตร์ มาโดกะ#คานาเมะ มาโดกะ#สาวน้อยเวทมนตร์ มาโดกะ
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