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大尉
ดูพารามิเตอร์
- พรอมต์ต้นฉบับ
- 傑作。極めて生々しく、超写実的に描かれた光景、この世のものとは思えない美しさを放つ日本女性が、顔を覆うほどの長く流れる黒髪と髪の間から僅かに覗く輝く赤い瞳を露わにしている。彼女は血で深紅に染まった本来は白い着物を纏い、右手には血塗られた刀を携え、暗い浅瀬を躍動感あふれる動きで見る者の方へと歩み寄ってくる。その眼には、悲しみと鋭い眼差し、そして微かに見える口元は邪悪な笑みが入り混じり、背筋が凍るような雰囲気を醸し出している。周囲には桜の花びらが舞い、霧が立ち込める中、背景には月明かりに照らされた薄暗い森が広がっている。劇的な影とリムライトが効果的に用いられ、背景は濃い紫色で彩られている。浮世絵の怪談画に影響を受けた緻密な画風で描かれており、精緻な顔の描写、水墨画を思わせる筆致、和紙の質感、半透明な色彩に溶け込む柔らかな線、淡い滲み、そして重なり合う染みといった要素が、ダークファンタジーかつジャパニーズ・ホラーの雰囲気を創り出している。
- โหมด
- ultra
- แท็กคุณภาพ
- ﹝พรอมต์﹞
- ขนาด
- 1632 x 1232
- วิธีการสุ่มตัวอย่าง
- UniPC
- ไม่ต้องการ
- lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติม
1girl, solo, japanese woman, otherworldly beautiful, long flowing black hair, hair covering face, hair over eyes, glowing red eyes, red eyes visible through hair strands, parted lips, faint wicked smile, conflicted expression, sorrowful eyes, piercing gaze, white kimono, blood-soaked kimono, deep crimson stained silk, kimono, wide sleeves, right hand holding katana, blood-stained katana, holding sword, walking toward viewer, dynamic pose, mid-stride, shallow water, dark water, splashing, cherry blossoms, floating petals, mist, fog, moonlit forest background, dark purple background, dramatic shadows, rim lighting, backlighting, from below, cowboy shot, dutch angle, ukiyo-e kaidan influence, ink wash brushwork, washi paper texture, translucent color washes, pale bleeding washes, overlapping water stains, dark fantasy, japanese horror
The camera sits low at the waterline, tilted a few degrees off level, looking up at her from slightly below as she strides straight out of the frame's depth toward the viewer, caught mid-step in a cowboy shot that crops her at the thighs and lets her fill the center of the composition. Her weight drives onto her forward left foot, which breaks the black shallows into a hissing white ring of splash and a fan of spray thrown ahead of the trailing right foot; the water opens around her shins and runs off the hem of her kimono in dark ribbons, and the trailing sleeve bellies backward away from her stride. Her right arm hangs low and out from her hip, the katana gripped at the hilt with the blade angled down and back behind her, blood beading along the edge and dripping off the lowest point of the curve into the water below. Her left hand is open at her side, fingers slightly spread, nothing held.
Her long black hair pours down over her whole face in heavy wet ropes, and it is only through two narrow gaps between the strands that the red eyes burn out at the viewer, glowing from within rather than reflecting, so faint red light spills onto the inside edges of the hair around them. Between the strands, at the level of her mouth, a sliver of lips is visible, one corner drawn up and back in a thin wicked smile. The visible upper face carries the opposite weight: the eyelid line above the glowing eyes is lowered and tense, the brow pressed, the ache of grief sitting in the set of the eye rather than in tears.
Light arrives from behind and above, the moon a cold pale disc burned through the branches so that a hard silver rim rings her hair, her shoulders, the top edge of her sword arm and the raised lip of the water; the front of her is left in deep shadow, its detail carried only by the red glow of the eyes. The dark purple of the background masses behind her in the silhouetted trunks of the dim forest, sinking to near-black at the waterline; petals wheel through the air between the trees and across her, a few caught flat on the water's skin where the splash has not yet reached them, and the mist rises in slow horizontal bands that lay across her waist and smear the trunks behind her into soft gray.
Palette is constrained to the blood crimson of the kimono and the beaded sword, the black of the hair and the shallows, cold silver moonlight, dark violet in the background, and the pale gray of the mist, nothing else admitted. The whole image is built as a ukiyo-e kaidan print rendered hyperreal: ink wash brushwork in the hair and the water, washi paper grain under every surface, soft lines dissolving into translucent color, pale bleeding washes feathering out at the mist and the blossoms, and overlapping water stains clouding the kimono crimson and the purple background, the paper's fiber and stain turning each spray of droplets into a visible, physical print. Frozen, breath-held horror.
大尉
大尉
1girl, solo, japanese woman, otherworldly beautiful, long flowing black hair, hair covering face, hair over eyes, glowing red eyes, red eyes visible through hair strands, parted lips, faint wicked smile, conflicted expression, sorrowful eyes, piercing gaze, white kimono, blood-soaked kimono, deep crimson stained silk, kimono, wide sleeves, right hand holding katana, blood-stained katana, holding sword, walking toward viewer, dynamic pose, mid-stride, shallow water, dark water, splashing, cherry blossoms, floating petals, mist, fog, moonlit forest background, dark purple background, dramatic shadows, rim lighting, backlighting, from below, cowboy shot, dutch angle, ukiyo-e kaidan influence, ink wash brushwork, washi paper texture, translucent color washes, pale bleeding washes, overlapping water stains, dark fantasy, japanese horror
The camera sits low at the waterline, tilted a few degrees off level, looking up at her from slightly below as she strides straight out of the frame's depth toward the viewer, caught mid-step in a cowboy shot that crops her at the thighs and lets her fill the center of the composition. Her weight drives onto her forward left foot, which breaks the black shallows into a hissing white ring of splash and a fan of spray thrown ahead of the trailing right foot; the water opens around her shins and runs off the hem of her kimono in dark ribbons, and the trailing sleeve bellies backward away from her stride. Her right arm hangs low and out from her hip, the katana gripped at the hilt with the blade angled down and back behind her, blood beading along the edge and dripping off the lowest point of the curve into the water below. Her left hand is open at her side, fingers slightly spread, nothing held.
Her long black hair pours down over her whole face in heavy wet ropes, and it is only through two narrow gaps between the strands that the red eyes burn out at the viewer, glowing from within rather than reflecting, so faint red light spills onto the inside edges of the hair around them. Between the strands, at the level of her mouth, a sliver of lips is visible, one corner drawn up and back in a thin wicked smile. The visible upper face carries the opposite weight: the eyelid line above the glowing eyes is lowered and tense, the brow pressed, the ache of grief sitting in the set of the eye rather than in tears.
Light arrives from behind and above, the moon a cold pale disc burned through the branches so that a hard silver rim rings her hair, her shoulders, the top edge of her sword arm and the raised lip of the water; the front of her is left in deep shadow, its detail carried only by the red glow of the eyes. The dark purple of the background masses behind her in the silhouetted trunks of the dim forest, sinking to near-black at the waterline; petals wheel through the air between the trees and across her, a few caught flat on the water's skin where the splash has not yet reached them, and the mist rises in slow horizontal bands that lay across her waist and smear the trunks behind her into soft gray.
Palette is constrained to the blood crimson of the kimono and the beaded sword, the black of the hair and the shallows, cold silver moonlight, dark violet in the background, and the pale gray of the mist, nothing else admitted. The whole image is built as a ukiyo-e kaidan print rendered hyperreal: ink wash brushwork in the hair and the water, washi paper grain under every surface, soft lines dissolving into translucent color, pale bleeding washes feathering out at the mist and the blossoms, and overlapping water stains clouding the kimono crimson and the purple background, the paper's fiber and stain turning each spray of droplets into a visible, physical print. Frozen, breath-held horror.
大尉
1girl, solo, japanese woman, otherworldly beautiful, long flowing black hair, hair covering face, hair over eyes, glowing red eyes, red eyes visible through hair strands, parted lips, faint wicked smile, conflicted expression, sorrowful eyes, piercing gaze, white kimono, blood-soaked kimono, deep crimson stained silk, kimono, wide sleeves, right hand holding katana, blood-stained katana, holding sword, walking toward viewer, dynamic pose, mid-stride, shallow water, dark water, splashing, cherry blossoms, floating petals, mist, fog, moonlit forest background, dark purple background, dramatic shadows, rim lighting, backlighting, from below, cowboy shot, dutch angle, ukiyo-e kaidan influence, ink wash brushwork, washi paper texture, translucent color washes, pale bleeding washes, overlapping water stains, dark fantasy, japanese horror
The camera sits low at the waterline, tilted a few degrees off level, looking up at her from slightly below as she strides straight out of the frame's depth toward the viewer, caught mid-step in a cowboy shot that crops her at the thighs and lets her fill the center of the composition. Her weight drives onto her forward left foot, which breaks the black shallows into a hissing white ring of splash and a fan of spray thrown ahead of the trailing right foot; the water opens around her shins and runs off the hem of her kimono in dark ribbons, and the trailing sleeve bellies backward away from her stride. Her right arm hangs low and out from her hip, the katana gripped at the hilt with the blade angled down and back behind her, blood beading along the edge and dripping off the lowest point of the curve into the water below. Her left hand is open at her side, fingers slightly spread, nothing held.
Her long black hair pours down over her whole face in heavy wet ropes, and it is only through two narrow gaps between the strands that the red eyes burn out at the viewer, glowing from within rather than reflecting, so faint red light spills onto the inside edges of the hair around them. Between the strands, at the level of her mouth, a sliver of lips is visible, one corner drawn up and back in a thin wicked smile. The visible upper face carries the opposite weight: the eyelid line above the glowing eyes is lowered and tense, the brow pressed, the ache of grief sitting in the set of the eye rather than in tears.
Light arrives from behind and above, the moon a cold pale disc burned through the branches so that a hard silver rim rings her hair, her shoulders, the top edge of her sword arm and the raised lip of the water; the front of her is left in deep shadow, its detail carried only by the red glow of the eyes. The dark purple of the background masses behind her in the silhouetted trunks of the dim forest, sinking to near-black at the waterline; petals wheel through the air between the trees and across her, a few caught flat on the water's skin where the splash has not yet reached them, and the mist rises in slow horizontal bands that lay across her waist and smear the trunks behind her into soft gray.
Palette is constrained to the blood crimson of the kimono and the beaded sword, the black of the hair and the shallows, cold silver moonlight, dark violet in the background, and the pale gray of the mist, nothing else admitted. The whole image is built as a ukiyo-e kaidan print rendered hyperreal: ink wash brushwork in the hair and the water, washi paper grain under every surface, soft lines dissolving into translucent color, pale bleeding washes feathering out at the mist and the blossoms, and overlapping water stains clouding the kimono crimson and the purple background, the paper's fiber and stain turning each spray of droplets into a visible, physical print. Frozen, breath-held horror.
大尉
สำรวจเพิ่มเติม
ผู้ใช้แนะนำ
ที่คุณอาจชอบ
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
2
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
คอมเมนต์