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AI artwork featuring #กันดั้ม, #โมบิลสูท กันดั้ม ยูนิคอร์น and #มาริด้า ครูซ
สร้างฟรี

มาริด้า ครูซ, กันดั้ม

#กันดั้ม#โมบิลสูท กันดั้ม ยูนิคอร์น#มาริด้า ครูซ
Avatar image of DarkShadow_45
avatar-frame

DarkShadow_45

ดูเพิ่มเติม

คอมเมนต์

character: marida_cruz, kshatriya, doppel_(monster_musume), artist: sa-dui, doppel_(bonnypir) 1girl, solo, marida_cruz, orange hair, long hair, braid, ponytail, purple eyes, large breasts, thick thighs, wide hips, smile, facing viewer, standing, pilot suit, unzipping, unzipped bodysuit, hand on collar, looking at viewer, cowboy shot, from below, dutch angle, hangar, kshatriya in the background, mecha, pink armor, one-eyed mecha, dramatic backlight, warm rim light, cool fill, cinematic composition A low-angle cowboy shot, tilted slightly off-level, looks up at a single young woman standing full-height in the foreground of a vast, dimly lit hangar bay. She faces the viewer squarely, chin lifted, orange hair drawn back into a high ponytail with a thick braid trailing over one shoulder; several loose strands frame her face, stirred by air from the bay behind her. Her purple eyes look directly at the viewer under a relaxed brow, and her smile is soft and knowing, one corner a fraction higher than the other, lips parted just enough to show teeth — confident, unforced. She has a full, curvy figure: large breasts, thick thighs, wide hips, all stated in the close fit of her pilot suit. She wears a snug military mecha-pilot bodysuit, deep grey-green with reinforced panels at the shoulders, knees and hips, seam lines hugging her torso and legs; her right hand grips the suit's front zipper at the sternum and draws it downward, the suit's chest opening in a widening V that parts to expose the pale base layer beneath at her collarbones and upper chest, the zipper pull glinting between her fingers, the open edges of the suit peeling back from the track. Her left hand rests at her hip, fingers hooked into the suit's belt seam, elbow flared out — weight carried on her left leg, right knee slightly bent, hips canted. Her braid falls forward across her shoulder as she tilts her head. Behind her, filling the upper background at scale, crouches the massive Kshatriya mobile suit: blocky pink-and-maroon armor plates, huge shoulder binders spread like wings, its single glowing pink optic set in an angular head, one enormous gauntleted arm braced on the hangar floor, the other raised near the gantry. The hangar is cavernous: steel support trusses, work lights on gantries, cable spools and a service catwalk receding into haze. Light comes from the work lamps high behind and above her right shoulder, throwing a warm rim along her hair, her shoulder and the raised edge of the opening suit, while cool blue fill from the hangar floor washes her front; her cast shadow rakes long across the hangar deck toward the viewer and up the mobile suit's near foot. The palette holds to deep grey-green, cold steel blue, and the mobile suit's hot pink-maroon, with her orange hair as the warmest accent. The zipper's open teeth catch the rim light as tiny bright points, and the suit fabric bunches and creases where it folds back. Cinematic and quietly bold.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
masterpiece, best quality, (1girl), artist_sa-dui, artist_doppel (bonnypir), large breasts, thick thighs, wide hips, smile, facing viewer, marida cruz, smile, pilot, suit, unzipping, standing, kshatriya in the background
โหมด
pro
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1104 x 1824
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
Avatar image of DarkShadow_45
character: marida_cruz, kshatriya, artist: sa-dui, doppel_(bonnypir), copyright: gundam 1girl, solo, marida_cruz, orange hair, long hair, braid, ponytail, purple eyes, large breasts, thick thighs, wide hips, pilot suit, unzipping, standing, smile, facing viewer, looking at viewer, from below, cowboy shot, dutch angle, mecha, kshatriya, gundam, mobile suit, in background, hangar, bodysuit, open bodysuit, hands on own chest, head tilt From a low, tilted dutch angle that pushes the hips toward the lens and leans the whole frame into a sway, a single woman stands in the foreground of a vast mobile-suit hangar, her orange hair swept back into a long braid and a high ponytail that both trail down over her left shoulder as her head tilts. Her pilot suit is a snug charcoal-grey one-piece cut to the curves of a wide-hipped, thick-thighed, heavy-chested build, and she is caught mid-unzip: the front closure is hauled down to just below her sternum, the two parted edges of the fabric peeled open in a shallow V over the chest, the zipper pull still pinched between the thumb and forefinger of her right hand where it hangs at the low point of the open seam, while her left hand rests flat against the suit at her hip and pushes it taut. She stands with her weight loaded onto her back leg, the front knee bent and swung slightly across, hips cocked hard to one side; the fabric bunches in folds below her waist and stretches tight across the opened chest. She faces the viewer square-on with a broad, open, confident smile, teeth showing, eyes bright and fixed straight into the lens, one brow lifted just enough to make the smile read as a challenge. Behind her, filling the upper two thirds of the frame and dwarfed only by distance, stands a Kshatriya mobile suit — a massive four-funnel silhouette on splayed heavy legs, armoured in deep green plated shell over dark olive understructure, its funnels flared out like enormous shoulder petals, one mono-eye glowing a hot amber-red in its blunt face, the whole machine lit from below by the hangar floor lamps so its underside and the mouths of its funnels catch a sallow glare. Cold pale hangar light rakes her from the lower left, rounding the fronts of her thighs and the parted V of the suit while throwing a long hard shadow up the wall behind her; the far end of the bay sinks into absolute black. Palette: charcoal and olive drab, the deep green armour, and the single amber-red of the mono-eye against her orange hair. Finely detailed linework, crisp edges on the pilot suit seams, tender and a little reckless.
DarkShadow_45
#กันดั้ม#มาริด้า ครูซ
AI artwork
Avatar image of DarkShadow_45
character: kshatriya, marida_cruz, artist: sa-dui, doppel_(bonnypir), copyright: gundam 1girl, solo, facing viewer, standing, smile, large breasts, thick thighs, wide hips, orange hair, long hair, braid, ponytail, purple eyes, pilot suit, bodysuit, unzipping, hands on own clothes, open clothes, from below, cowboy shot, looking at viewer, mecha, giant robot, two mecha, fusion, wings, funnel racks, hangar, from below, wide shot background, dutch angle A low-angle cowboy shot from slightly below and a touch to the right of the subject: a single young woman with long orange hair gathered into a high ponytail and a single thick braid falling forward over her right shoulder, violet eyes, standing centered in the frame with her weight settled on her right leg so her left hip and thigh carry the counter-sway. She faces the viewer squarely, chin lifted a little in defiance of the low camera, and she smiles — an easy, lopsided closed-mouth smile that pulls higher on her left cheek, her eyes narrowed and bright with mischief, a faint blush high on each cheek, her gaze set directly on the viewer and answering no one else in the frame. She wears a snug military-issue pilot suit: a dark teal-and-charcoal bodysuit with segmented hard panels at the shoulders and knees, a broad belt at the waist, and a narrow amber piping line running down each outer thigh. Both hands are at the chest of the suit, gripping the flat pull-tab of the front zipper: her right hand pulls the tab steadily down toward her sternum while her left hand spreads the parted collar fabric aside, the split seam opening from collarbone to the top of her ribs. Each gloved fingertip is enumerated against the tab and the fabric edges — thumb over the metal slider, index finger hooked on the pull ring, remaining fingers curled into the parted seam. The unzipped opening reveals only a narrow strip of inner undersuit and bare skin at the base of the throat; the suit remains closed below the sternum. Her hips shift wide; both boots are planted flat, the thighs thick and full, the suit straining in a taut crease across the front of each hip. She does not look down at her hands — her eyes stay on the viewer while she works the tab, and the low angle makes her reach up and toward the camera. The environment is a cavernous mobile-suit hangar: behind her, rising to fill the upper two-thirds of the frame, two colossal mecha fused into a single impossible silhouette. On the left a heavy rounded unit with a domed head and a wide skirt of skirt-like armor pods; on the right a leaner machine whose long fin-like funnel racks splay out like a pair of angled wings. Their hulls merge along the centerline: the domed left head, the leaner right torso, a shared reactor housing at the waist, four curved funnel plates arranged like a crown, and one enormous articulated arm reaching out on each side. The machines are matte grey-green and deep indigo with pale sand-colored accents, worn, scratched, and half-disassembled — a service gantry crosses in front of the left machine's knee, cabling hangs down in loops, and a small pool of hydraulic fluid glistens beneath the right foot, its surface the only true mirror in the frame. Ground-level light comes from a single bank of hanging work lamps above and behind the mecha; the lamps are the only light source, so their pools of warm light fall on the top-facing planes of the machines and on the woman's hair and the shoulders of the suit, while the undersides of the mecha, the seams of the hangar floor, and the far back wall fall into deep, near-black shadow. The lamp light casts her shadow down and slightly left across the hangar floor, long because of the low camera. Palette held to charcoal, deep indigo, muted grey-green, warm amber lamp light, with the orange of her hair as the one warm accent repeated in the amber piping and the glow of a distant status panel. Do not use: no other people, no helmet, no jacket, no additional accessories on her hair or hands beyond the gloves. The picture is caught mid-motion — the tab just past the second tooth of the zipper, the collar still settling apart — glossy plastic-and-cel rendering with hard shadow edges, clean linework and a cool-to-warm gradient, easily confident.
DarkShadow_45
#กันดั้ม#โมบิลสูท กันดั้ม ยูนิคอร์น#มาริด้า ครูซ

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Avatar image of anipix
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