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AI artwork
สร้างฟรี

Alulu

ดูเพิ่มเติม

คอมเมนต์

two skies, split composition, morning sky, night sky, diptych, no humans, scenery, sky focus, from below, wide shot, looking up, dawn, sunrise, early morning, pale blue sky, warm horizon, low sun, sunbeams, god rays, thin clouds, birds in flight, night, starry sky, starry night, full moon, milky way, deep blue sky, crescent moon, cumulonimbus, upper atmosphere, gradient sky, aerial perspective, no text, empty landscape band Split diptych, two panels stacked vertically and divided by a thin clean horizontal seam at the exact midpoint of the frame, seen from below in a wide shot so both skies fill the frame without a single human figure: the upper panel is the morning sky, the lower panel is the night sky. In the upper panel a low warm sun sits just above the horizon band at the panel's bottom edge, its light just clearing the earth so the sky reads pale blue overhead cooling toward a warm peach-orange at the horizon; thin translucent cloud streaks cross diagonally and their undersides are lit warm while their tops stay cool, long shadows of the streaks fall away from the sun, and a small loose line of dark birds wheels at a shallow angle high in the blue. In the lower panel the same horizon band repeats as a dark silhouette line, and above it the night deepens from a blue-violet near the horizon to near-black at the top of the frame; a full moon sits off-center to the right with a crisp bright disc and a faint cool halo, a scatter of stars thins with aerial perspective toward the horizon, and the pale band of the milky way crosses the panel corner to corner. Both panels share one identical vantage point and one identical horizon line so the two skies read as the same place at two hours: in the morning panel the light source is the low sun and it casts the only shadows in the image, while in the night panel the moon is the only light source, its glow faintly silvering the tops of the same dark cloud shapes at the horizon. Palette deliberately limited to the two skies -- pale blue, warm peach and gold in the upper panel, deep indigo, violet and silver-white in the lower -- with the horizon band a neutral dark in both. Detail budget spent on cloud-lit edges, the moon's crisp limb against the dark, the thinning of stars toward the horizon, and the even one-millimetre seam. Serene, quietly awe-struck.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
朝の空と夜の空2つ描いて
โหมด
pro
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1104 x 1824
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
n
wide shot, from below, low horizon, no humans, landscape, evening, blue sky, white clouds, orange clouds, black clouds, clouds scattered throughout the sky, sunset, gradient sky, multicolored clouds, backlighting, atmospheric perspective, panoramic, scenery, no text The view is a low, upward-tilted wide shot from just above a dark ground line at the very bottom of the frame, so that the eye is pushed up into a tall expanse of open sky and the horizon sits as a thin strip at the lower edge. The sky is a deep clear blue at the top of the frame, grading downward into pale turquoise and then into warm peach near the horizon where the sun, already below or just at the horizon, throws its light up into the cloud bases. Clouds are distributed across the entire field in distinct scattered masses rather than one bank: high, thin white cloud streaks and small white puffs occupy the upper blue, lit from below along their lower edges while their tops stay cool white; mid-sky, a band of orange and apricot clouds catches the direct low sunlight, glowing brightest on the sides facing the hidden sun and shading into rose and dusty violet on their shadowed flanks; and lower, closer, heavier masses read as near-black charcoal clouds, their upper contours rimmed by a thin luminous orange edge where the light strikes them from behind, their bodies deep and opaque against the brighter sky. The scattered layout is deliberately uneven -- small isolated wisps in the gaps between larger forms, a few clouds overlapping so that a white edge crosses in front of a black mass, an orange cloud lit hot at its center fading to grey at its fringe. Light comes from a single low source off beyond the horizon; it does not appear in frame, and every cloud's illumination follows from it: lit faces warm, shadowed faces cool, edges glowing where the sun grazes them. A single piece of physics: the black clouds are dark precisely because they are thick enough to block the low sunlight, and their only bright part is the thin forward-scattering rim along the edge nearest the sun, brightest where the cloud thins and fading along the body. The ground at the bottom is a low, nearly black silhouette, simple and without detail, offering scale. Palette is blue, white, orange-apricot and charcoal black, nothing else admitted, with the warm tones concentrated along the lower third and the cool blue holding the upper frame. Mood: expansive and quietly luminous.
nanpan
AI artwork
n
wide shot, from below, low horizon, no humans, landscape, evening, blue sky, white clouds, orange clouds, black clouds, clouds scattered throughout the sky, sunset, gradient sky, multicolored clouds, backlighting, atmospheric perspective, panoramic, scenery, no text The view is a low, upward-tilted wide shot from just above a dark ground line at the very bottom of the frame, so that the eye is pushed up into a tall expanse of open sky and the horizon sits as a thin strip at the lower edge. The sky is a deep clear blue at the top of the frame, grading downward into pale turquoise and then into warm peach near the horizon where the sun, already below or just at the horizon, throws its light up into the cloud bases. Clouds are distributed across the entire field in distinct scattered masses rather than one bank: high, thin white cloud streaks and small white puffs occupy the upper blue, lit from below along their lower edges while their tops stay cool white; mid-sky, a band of orange and apricot clouds catches the direct low sunlight, glowing brightest on the sides facing the hidden sun and shading into rose and dusty violet on their shadowed flanks; and lower, closer, heavier masses read as near-black charcoal clouds, their upper contours rimmed by a thin luminous orange edge where the light strikes them from behind, their bodies deep and opaque against the brighter sky. The scattered layout is deliberately uneven -- small isolated wisps in the gaps between larger forms, a few clouds overlapping so that a white edge crosses in front of a black mass, an orange cloud lit hot at its center fading to grey at its fringe. Light comes from a single low source off beyond the horizon; it does not appear in frame, and every cloud's illumination follows from it: lit faces warm, shadowed faces cool, edges glowing where the sun grazes them. A single piece of physics: the black clouds are dark precisely because they are thick enough to block the low sunlight, and their only bright part is the thin forward-scattering rim along the edge nearest the sun, brightest where the cloud thins and fading along the body. The ground at the bottom is a low, nearly black silhouette, simple and without detail, offering scale. Palette is blue, white, orange-apricot and charcoal black, nothing else admitted, with the warm tones concentrated along the lower third and the cool blue holding the upper frame. Mood: expansive and quietly luminous.
nanpan
AI artwork
n
wide shot, from below, low horizon, no humans, landscape, evening, blue sky, white clouds, orange clouds, black clouds, clouds scattered throughout the sky, sunset, gradient sky, multicolored clouds, backlighting, atmospheric perspective, panoramic, scenery, no text The view is a low, upward-tilted wide shot from just above a dark ground line at the very bottom of the frame, so that the eye is pushed up into a tall expanse of open sky and the horizon sits as a thin strip at the lower edge. The sky is a deep clear blue at the top of the frame, grading downward into pale turquoise and then into warm peach near the horizon where the sun, already below or just at the horizon, throws its light up into the cloud bases. Clouds are distributed across the entire field in distinct scattered masses rather than one bank: high, thin white cloud streaks and small white puffs occupy the upper blue, lit from below along their lower edges while their tops stay cool white; mid-sky, a band of orange and apricot clouds catches the direct low sunlight, glowing brightest on the sides facing the hidden sun and shading into rose and dusty violet on their shadowed flanks; and lower, closer, heavier masses read as near-black charcoal clouds, their upper contours rimmed by a thin luminous orange edge where the light strikes them from behind, their bodies deep and opaque against the brighter sky. The scattered layout is deliberately uneven -- small isolated wisps in the gaps between larger forms, a few clouds overlapping so that a white edge crosses in front of a black mass, an orange cloud lit hot at its center fading to grey at its fringe. Light comes from a single low source off beyond the horizon; it does not appear in frame, and every cloud's illumination follows from it: lit faces warm, shadowed faces cool, edges glowing where the sun grazes them. A single piece of physics: the black clouds are dark precisely because they are thick enough to block the low sunlight, and their only bright part is the thin forward-scattering rim along the edge nearest the sun, brightest where the cloud thins and fading along the body. The ground at the bottom is a low, nearly black silhouette, simple and without detail, offering scale. Palette is blue, white, orange-apricot and charcoal black, nothing else admitted, with the warm tones concentrated along the lower third and the cool blue holding the upper frame. Mood: expansive and quietly luminous.
nanpan
AI artwork
n
wide shot, from below, low horizon, no humans, landscape, evening, blue sky, white clouds, orange clouds, black clouds, clouds scattered throughout the sky, sunset, gradient sky, multicolored clouds, backlighting, atmospheric perspective, panoramic, scenery, no text The view is a low, upward-tilted wide shot from just above a dark ground line at the very bottom of the frame, so that the eye is pushed up into a tall expanse of open sky and the horizon sits as a thin strip at the lower edge. The sky is a deep clear blue at the top of the frame, grading downward into pale turquoise and then into warm peach near the horizon where the sun, already below or just at the horizon, throws its light up into the cloud bases. Clouds are distributed across the entire field in distinct scattered masses rather than one bank: high, thin white cloud streaks and small white puffs occupy the upper blue, lit from below along their lower edges while their tops stay cool white; mid-sky, a band of orange and apricot clouds catches the direct low sunlight, glowing brightest on the sides facing the hidden sun and shading into rose and dusty violet on their shadowed flanks; and lower, closer, heavier masses read as near-black charcoal clouds, their upper contours rimmed by a thin luminous orange edge where the light strikes them from behind, their bodies deep and opaque against the brighter sky. The scattered layout is deliberately uneven -- small isolated wisps in the gaps between larger forms, a few clouds overlapping so that a white edge crosses in front of a black mass, an orange cloud lit hot at its center fading to grey at its fringe. Light comes from a single low source off beyond the horizon; it does not appear in frame, and every cloud's illumination follows from it: lit faces warm, shadowed faces cool, edges glowing where the sun grazes them. A single piece of physics: the black clouds are dark precisely because they are thick enough to block the low sunlight, and their only bright part is the thin forward-scattering rim along the edge nearest the sun, brightest where the cloud thins and fading along the body. The ground at the bottom is a low, nearly black silhouette, simple and without detail, offering scale. Palette is blue, white, orange-apricot and charcoal black, nothing else admitted, with the warm tones concentrated along the lower third and the cool blue holding the upper frame. Mood: expansive and quietly luminous.
nanpan

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ