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Alulu
ดูพารามิเตอร์
- พรอมต์ต้นฉบับ
- 朝の空と夜の空2つ描いて
- โหมด
- pro
- แท็กคุณภาพ
- ﹝พรอมต์﹞
- ขนาด
- 1104 x 1824
- ไม่ต้องการ
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
ตัวช่วยพรอมต์
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติมn
wide shot, from below, low horizon, no humans, landscape, evening, blue sky, white clouds, orange clouds, black clouds, clouds scattered throughout the sky, sunset, gradient sky, multicolored clouds, backlighting, atmospheric perspective, panoramic, scenery, no text
The view is a low, upward-tilted wide shot from just above a dark ground line at the very bottom of the frame, so that the eye is pushed up into a tall expanse of open sky and the horizon sits as a thin strip at the lower edge. The sky is a deep clear blue at the top of the frame, grading downward into pale turquoise and then into warm peach near the horizon where the sun, already below or just at the horizon, throws its light up into the cloud bases. Clouds are distributed across the entire field in distinct scattered masses rather than one bank: high, thin white cloud streaks and small white puffs occupy the upper blue, lit from below along their lower edges while their tops stay cool white; mid-sky, a band of orange and apricot clouds catches the direct low sunlight, glowing brightest on the sides facing the hidden sun and shading into rose and dusty violet on their shadowed flanks; and lower, closer, heavier masses read as near-black charcoal clouds, their upper contours rimmed by a thin luminous orange edge where the light strikes them from behind, their bodies deep and opaque against the brighter sky. The scattered layout is deliberately uneven -- small isolated wisps in the gaps between larger forms, a few clouds overlapping so that a white edge crosses in front of a black mass, an orange cloud lit hot at its center fading to grey at its fringe. Light comes from a single low source off beyond the horizon; it does not appear in frame, and every cloud's illumination follows from it: lit faces warm, shadowed faces cool, edges glowing where the sun grazes them. A single piece of physics: the black clouds are dark precisely because they are thick enough to block the low sunlight, and their only bright part is the thin forward-scattering rim along the edge nearest the sun, brightest where the cloud thins and fading along the body. The ground at the bottom is a low, nearly black silhouette, simple and without detail, offering scale. Palette is blue, white, orange-apricot and charcoal black, nothing else admitted, with the warm tones concentrated along the lower third and the cool blue holding the upper frame. Mood: expansive and quietly luminous.
nanpan
n
wide shot, from below, low horizon, no humans, landscape, evening, blue sky, white clouds, orange clouds, black clouds, clouds scattered throughout the sky, sunset, gradient sky, multicolored clouds, backlighting, atmospheric perspective, panoramic, scenery, no text
The view is a low, upward-tilted wide shot from just above a dark ground line at the very bottom of the frame, so that the eye is pushed up into a tall expanse of open sky and the horizon sits as a thin strip at the lower edge. The sky is a deep clear blue at the top of the frame, grading downward into pale turquoise and then into warm peach near the horizon where the sun, already below or just at the horizon, throws its light up into the cloud bases. Clouds are distributed across the entire field in distinct scattered masses rather than one bank: high, thin white cloud streaks and small white puffs occupy the upper blue, lit from below along their lower edges while their tops stay cool white; mid-sky, a band of orange and apricot clouds catches the direct low sunlight, glowing brightest on the sides facing the hidden sun and shading into rose and dusty violet on their shadowed flanks; and lower, closer, heavier masses read as near-black charcoal clouds, their upper contours rimmed by a thin luminous orange edge where the light strikes them from behind, their bodies deep and opaque against the brighter sky. The scattered layout is deliberately uneven -- small isolated wisps in the gaps between larger forms, a few clouds overlapping so that a white edge crosses in front of a black mass, an orange cloud lit hot at its center fading to grey at its fringe. Light comes from a single low source off beyond the horizon; it does not appear in frame, and every cloud's illumination follows from it: lit faces warm, shadowed faces cool, edges glowing where the sun grazes them. A single piece of physics: the black clouds are dark precisely because they are thick enough to block the low sunlight, and their only bright part is the thin forward-scattering rim along the edge nearest the sun, brightest where the cloud thins and fading along the body. The ground at the bottom is a low, nearly black silhouette, simple and without detail, offering scale. Palette is blue, white, orange-apricot and charcoal black, nothing else admitted, with the warm tones concentrated along the lower third and the cool blue holding the upper frame. Mood: expansive and quietly luminous.
nanpan
n
wide shot, from below, low horizon, no humans, landscape, evening, blue sky, white clouds, orange clouds, black clouds, clouds scattered throughout the sky, sunset, gradient sky, multicolored clouds, backlighting, atmospheric perspective, panoramic, scenery, no text
The view is a low, upward-tilted wide shot from just above a dark ground line at the very bottom of the frame, so that the eye is pushed up into a tall expanse of open sky and the horizon sits as a thin strip at the lower edge. The sky is a deep clear blue at the top of the frame, grading downward into pale turquoise and then into warm peach near the horizon where the sun, already below or just at the horizon, throws its light up into the cloud bases. Clouds are distributed across the entire field in distinct scattered masses rather than one bank: high, thin white cloud streaks and small white puffs occupy the upper blue, lit from below along their lower edges while their tops stay cool white; mid-sky, a band of orange and apricot clouds catches the direct low sunlight, glowing brightest on the sides facing the hidden sun and shading into rose and dusty violet on their shadowed flanks; and lower, closer, heavier masses read as near-black charcoal clouds, their upper contours rimmed by a thin luminous orange edge where the light strikes them from behind, their bodies deep and opaque against the brighter sky. The scattered layout is deliberately uneven -- small isolated wisps in the gaps between larger forms, a few clouds overlapping so that a white edge crosses in front of a black mass, an orange cloud lit hot at its center fading to grey at its fringe. Light comes from a single low source off beyond the horizon; it does not appear in frame, and every cloud's illumination follows from it: lit faces warm, shadowed faces cool, edges glowing where the sun grazes them. A single piece of physics: the black clouds are dark precisely because they are thick enough to block the low sunlight, and their only bright part is the thin forward-scattering rim along the edge nearest the sun, brightest where the cloud thins and fading along the body. The ground at the bottom is a low, nearly black silhouette, simple and without detail, offering scale. Palette is blue, white, orange-apricot and charcoal black, nothing else admitted, with the warm tones concentrated along the lower third and the cool blue holding the upper frame. Mood: expansive and quietly luminous.
nanpan
n
wide shot, from below, low horizon, no humans, landscape, evening, blue sky, white clouds, orange clouds, black clouds, clouds scattered throughout the sky, sunset, gradient sky, multicolored clouds, backlighting, atmospheric perspective, panoramic, scenery, no text
The view is a low, upward-tilted wide shot from just above a dark ground line at the very bottom of the frame, so that the eye is pushed up into a tall expanse of open sky and the horizon sits as a thin strip at the lower edge. The sky is a deep clear blue at the top of the frame, grading downward into pale turquoise and then into warm peach near the horizon where the sun, already below or just at the horizon, throws its light up into the cloud bases. Clouds are distributed across the entire field in distinct scattered masses rather than one bank: high, thin white cloud streaks and small white puffs occupy the upper blue, lit from below along their lower edges while their tops stay cool white; mid-sky, a band of orange and apricot clouds catches the direct low sunlight, glowing brightest on the sides facing the hidden sun and shading into rose and dusty violet on their shadowed flanks; and lower, closer, heavier masses read as near-black charcoal clouds, their upper contours rimmed by a thin luminous orange edge where the light strikes them from behind, their bodies deep and opaque against the brighter sky. The scattered layout is deliberately uneven -- small isolated wisps in the gaps between larger forms, a few clouds overlapping so that a white edge crosses in front of a black mass, an orange cloud lit hot at its center fading to grey at its fringe. Light comes from a single low source off beyond the horizon; it does not appear in frame, and every cloud's illumination follows from it: lit faces warm, shadowed faces cool, edges glowing where the sun grazes them. A single piece of physics: the black clouds are dark precisely because they are thick enough to block the low sunlight, and their only bright part is the thin forward-scattering rim along the edge nearest the sun, brightest where the cloud thins and fading along the body. The ground at the bottom is a low, nearly black silhouette, simple and without detail, offering scale. Palette is blue, white, orange-apricot and charcoal black, nothing else admitted, with the warm tones concentrated along the lower third and the cool blue holding the upper frame. Mood: expansive and quietly luminous.
nanpan
สำรวจเพิ่มเติม
ผู้ใช้แนะนำ
ที่คุณอาจชอบ
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
4
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
3
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
คอมเมนต์