Nov 9, 2026

Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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Copano Rickey

#นั่ง #ปกกะลาสี #เดี่ยว #ชุดนักเรียน #มวยผมคู่#hair intakes #โบว์ไท #มองมาที่ผู้ชม #มุมมองด้านข้าง #พู่#Umamusume: Pretty Derby #สาวม้า #Copano Rickey #ผมระหว่างตา

เผยแพร่เมื่อ Nov 8, 2026

nitestormz

ดูเพิ่มเติม

(character:copano_rickey_(umamusume):1.3), (artist:dino_(dinoartforame):1.3), artist: yoneyama_mai, copyright: umamusume close-up, face focus, (sensitive:1.2), horse girl, horse ears, animal ears, ear covers, ear ornament, horse tail, brown tail, ahoge, hair between eyes, hair ornament, tassel, tassel hair ornament, brown hair, white hair, multicolored hair, streaked hair, long hair, double bun, hair bun, purple eyes, detailed eyes, breasts, school uniform, purple shirt, sailor shirt, short sleeves, puffy short sleeves, puffy sleeves, white sailor collar, sailor collar, purple bowtie, bowtie, bow, white skirt, white thighhighs, (head tilt:0.7), parted lips, sidelighting, black background, gradient background, rule of thirds, shallow depth of field, oil painting, traditional media, soft outlines, ambience, ethereal, A tight close-up framed for the face, seen very slightly from below so the chin lifts, the whole of the frame given to a bust-and-cheek portrait under a rule-of-thirds push: the girl's cheek and jaw sit just left of the vertical thirds line, her chin a touch above the lower third, and the black ground behind her cradled in a soft gradient that lifts from deep aubergine at the lower left toward near-black at the upper right. She tips her head over her right shoulder, a slow (head tilt:0.7) that pulls her long hair across the incline of her shoulder in a brown cascade, the crown split into a doubled bun with white strands shot through the brown and a broad streaked lock running white down the near side of her face; the loose hair hangs past her shoulder out of the bottom of the frame, and the brown horse tail is glimpsed only as a blurred sweep of brown at the very lower right edge, wholly out of focus. The ahoge springs up from the top of her head and curls off-kilter with the tilt. Between the buns the horse ears stand up through fitted ear covers of purple cloth, and a little ornament and its tassel hang from the ear cover's base and swing slightly with the tilt so they don't hang plumb; a small bow-tied hair ornament and its own tassel sit above her left temple. Long hair falls between her eyes in a brown veil, and her purple eyes are the sharpest thing in the image — wide, glossy, catchlights lit as two tiny hard points. Her face turns a quarter away from the camera, three-quarter on, and her eyes slide sideways to the lower right as if she just looked away from something behind the viewer — the (sensitive:1.2) read held wholly in how she won't hold the gaze: lower lids raised, brows drawn in a barely perceptible tighten, lips parted, a shallow breath slackening her mouth so the teeth are just visible. Only her head, the collar and the very top of her chest are in the frame, so her purple sailor shirt and white sailor collar — the collar trimmed purple with a purple bowtie tied at her throat — are seen from the collarbone up, its puffed short sleeves cropped away at the shoulder edges; the white pleated skirt and the white thighhighs fall below the frame and are not in shot. All the fall of her clothing, all her hair, is smoothed toward the softest edge. Light comes in sidelong from the upper left: it grazes the outer rim of her far ear cover, streaks the white lock down the near side of her face, and lays a cool blue-violet shadow under the jaw and down the right side of her neck; the rest of the picture holds to absolute darkness. The whole painting works in muted browns against the black, with violet broken out on the ear covers and her eyes, white on her collar and the streaks of her hair, everything lit by the kind of rim lighting that turns hair strands into glowing filaments. Painted in oil on canvas, impasto dabs standing up in the highlights on her ear covers and her lip, the brushwork loose and visible in the hair so the strands look like they were painted in one wet stroke, with a fine grain over the whole surface. The background falls away in a shallow depth of field into a soft dissolve, and the afterimage of her hair smolders against the black. Ethereal, quietly guarded.

Copano Rickey

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