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AI artwork featuring #ดิ ไอดอลมาสเตอร์ ซินเดอเรลลาเกิร์ลส์
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ดิ ไอดอลมาสเตอร์ ซินเดอเรลลาเกิร์ลส์

#ดิ ไอดอลมาสเตอร์ ซินเดอเรลลาเกิร์ลส์
息

息耐者カール

ดูเพิ่มเติม

คอมเมนต์

3 people, 1 man in center, 2 brides flanking him, bride on each side, cheek kiss, kissing both cheeks simultaneously, man with heart-shaped eyes, heart-shaped pupils, cleavage, bridal dress, wedding dress, deep neckline, heart-shaped light frame, heart frame, floating hearts, heart background, glowing frame, straight-on composition, upper body, close-up, group shot, arms linked, eyes closed brides, blush, open mouth, warm gold palette, cream and amber, deep brown hair, cel shading, clean outlines, flat high-contrast colors, anime screencap A tight frontal group composition: three figures filling the frame from chest up, the man planted dead centre and the two brides leaning in from either side so that their lips press flat against the left and right planes of his cheeks. The bride on the left is the taller of the two — warm golden-blonde hair swept up and pinned back, a cream bridal gown with a scooped neckline, her right hand gripping the man's left upper arm just below the shoulder, her left hand lifted and flattened against his chest, her eyes squeezed shut in the kiss, lashes fanned, her cheekbone compressed and dimpling where it presses his skin. The bride on the right is shorter, deep chestnut-brown hair falling loose past her jaw, an amber-tinted gown with a plunging neckline that shows the soft upper curve of her cleavage between the fabric edges, both her hands cupped on the man's right shoulder and the back of his neck, her eyes also shut, one heel lifted off the ground with the lean. Between them the man's torso is broad and steady, his weight sunk back on his heels, chin slightly raised, and his eyes are wide open: each pupil has become a solid glossy heart, the two hearts bright and slightly asymmetric in size, the whites gleaming, his mouth open in a delighted slack grin, hot colour across both cheeks and the bridge of his nose, his own arms hanging loose and forgotten at his sides. Contact is continuous and enumerated — the two women's lips, his two cheeks, their fingers on his sleeve and nape, their shoulders overlapping his. All three heads tilt toward the centre so the group reads as a triangle, the brides' hair swinging forward into his collar with the lean. Behind and around them a single heart-shaped frame of light encloses the trio: a luminous ribbon-like outline of warm gold tracing a large heart whose lower point sits below the frame's bottom edge and whose lobes arc above their heads, the glow soft and blooming, brightest along its inner edge so that a rim of light spills onto the tops of their hair and the shoulders nearest the frame. The band of light casts a faint warm bounce on the skin it faces while the shadows under chins and inside the necklines stay deep brown. Small hearts float in the air around them — a scattering of solid and outlined hearts, some blurred and near the lens, some crisp, drifting in from the corners at different sizes, a few catching the gold glow along one edge. Light is frontal and warm from the frame itself, the only source; beyond it the ground falls to a deep olive-brown green. Palette is disciplined: warm golden yellow and cream for the frame glow and the garments' highlights, pale butter-cream for skin highlights, amber and deep brown for the two brides' hair and the shadowed folds, dark olive green for the ground and the negative space beyond the heart. Background is a flat cream-to-gold wash inside the heart shape with the olive darkness outside it, so the lit heart silhouette separates cleanly from the field. Cel-shaded with clean outlines, flat high-contrast fills, minimal simple shadows, and hand-drawn TV-anime frame crispness. A detail of physics to hold: the two brides' lips compress his cheeks enough to dimple them, and each woman's hair, swinging forward, has been flattened against his jaw where it has landed, tiny strands sticking to the skin. Overwhelmingly affectionate, joyfully excessive.
ดูพารามิเตอร์
โหมด
flash
สไตล์
90s Retro-Cell
ขนาด
1632 x 1232
สไตล์: 90s Retro-Cell

โมเดลและ LoRA ที่ใช้

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.00k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
息
3 people, 1 man in center, 2 brides flanking him, bride on each side, cheek kiss, kissing both cheeks simultaneously, man with heart-shaped eyes, heart-shaped pupils, cleavage, bridal dress, wedding dress, deep neckline, heart-shaped light frame, heart frame, floating hearts, heart background, glowing frame, straight-on composition, upper body, close-up, group shot, arms linked, eyes closed brides, blush, open mouth, warm gold palette, cream and amber, deep brown hair, cel shading, clean outlines, flat high-contrast colors, anime screencap A tight frontal group composition: three figures filling the frame from chest up, the man planted dead centre and the two brides leaning in from either side so that their lips press flat against the left and right planes of his cheeks. The bride on the left is the taller of the two — warm golden-blonde hair swept up and pinned back, a cream bridal gown with a scooped neckline, her right hand gripping the man's left upper arm just below the shoulder, her left hand lifted and flattened against his chest, her eyes squeezed shut in the kiss, lashes fanned, her cheekbone compressed and dimpling where it presses his skin. The bride on the right is shorter, deep chestnut-brown hair falling loose past her jaw, an amber-tinted gown with a plunging neckline that shows the soft upper curve of her cleavage between the fabric edges, both her hands cupped on the man's right shoulder and the back of his neck, her eyes also shut, one heel lifted off the ground with the lean. Between them the man's torso is broad and steady, his weight sunk back on his heels, chin slightly raised, and his eyes are wide open: each pupil has become a solid glossy heart, the two hearts bright and slightly asymmetric in size, the whites gleaming, his mouth open in a delighted slack grin, hot colour across both cheeks and the bridge of his nose, his own arms hanging loose and forgotten at his sides. Contact is continuous and enumerated — the two women's lips, his two cheeks, their fingers on his sleeve and nape, their shoulders overlapping his. All three heads tilt toward the centre so the group reads as a triangle, the brides' hair swinging forward into his collar with the lean. Behind and around them a single heart-shaped frame of light encloses the trio: a luminous ribbon-like outline of warm gold tracing a large heart whose lower point sits below the frame's bottom edge and whose lobes arc above their heads, the glow soft and blooming, brightest along its inner edge so that a rim of light spills onto the tops of their hair and the shoulders nearest the frame. The band of light casts a faint warm bounce on the skin it faces while the shadows under chins and inside the necklines stay deep brown. Small hearts float in the air around them — a scattering of solid and outlined hearts, some blurred and near the lens, some crisp, drifting in from the corners at different sizes, a few catching the gold glow along one edge. Light is frontal and warm from the frame itself, the only source; beyond it the ground falls to a deep olive-brown green. Palette is disciplined: warm golden yellow and cream for the frame glow and the garments' highlights, pale butter-cream for skin highlights, amber and deep brown for the two brides' hair and the shadowed folds, dark olive green for the ground and the negative space beyond the heart. Background is a flat cream-to-gold wash inside the heart shape with the olive darkness outside it, so the lit heart silhouette separates cleanly from the field. Cel-shaded with clean outlines, flat high-contrast fills, minimal simple shadows, and hand-drawn TV-anime frame crispness. A detail of physics to hold: the two brides' lips compress his cheeks enough to dimple them, and each woman's hair, swinging forward, has been flattened against his jaw where it has landed, tiny strands sticking to the skin. Overwhelmingly affectionate, joyfully excessive.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, center, two brides flanking him, white satin wedding gown, sweetheart neckline, cleavage, visible chest valley, kissing cheek, kissing both cheeks, head turned, heart-shaped eyes, heart pupils, lipstick kiss marks all over face, red kiss marks, closed mouth grin, blush, heart-shaped light frame, glowing pink heart border, floating hearts, heart-shaped bokeh, upper body, from front, slight from below, close-up, looking at viewer, symmetrical composition, warm pink and gold palette, soft painterly anime style, visible brush textures, layered color blocks, cool teal-blue shadows, loose sketch-like linework Slightly from below and close in, the shot holds three figures shoulder to shoulder, the man at the exact center with a bride pressed in on either side of him. Both brides lean toward him at matching angles, their heads tilted inward, so his head is caught between them: the left bride's lips are planted on his right cheek, her hand cupped along his jaw to hold his face steady; the right bride's lips are planted on his left cheek, her fingers curled over his far shoulder to brace herself. Each bride's shoulder presses against his upper arm and each of their chests is turned inward, the white satin of their sweetheart necklines dipping low so the valley of each chest reads clearly in the gap between collarbone and fabric, the satin catching a soft sheen along its fold. The man's eyes are two glossy pink hearts with a bright pinpoint highlight in each, wide open and unfocused; his face is freckled edge to edge with overlapping red lipstick kiss marks in several sizes, some pressed fresh and glossy, some faded to a powdery rose, each one following the curve of his jaw and cheekbone. His mouth is a small closed grin, chin lifted slightly by the pressure of the two kisses. Both brides' gazes land on the cheek they are kissing, lashes lowered, eyes half-closed in a pleased squint, while the man's heart-eyes aim straight out at the viewer. Hair and loose veil fabric sway back away from the three bodies as if they have just leaned in. A border of heart-shaped light runs around the whole frame, an unbroken chain of glowing pink-white hearts with soft bloom halos; looser individual hearts drift in the air around the trio, several catching a translucent glow, and a few glints scatter across the satin where the border light reaches. The border itself is the key light: warm pink-gold light from the frame edges falls on the three faces from the outer sides, leaving the seam between them a little cooler and bluer in the teal shadows, and the floating hearts throw small faint caustic flecks onto the man's glossy kiss marks. Palette locks to warm pink, gold and white satin against cool teal-blue shadows; the heart light is the only light source. Soft, painterly anime rendering with visible brush textures, layered color blocks and loose sketch-like linework. Sweet, giddy, celebratory.
息耐者カール
AI artwork
息
3 people, 1 man in center, 2 brides flanking him, bride on each side, cheek kiss, kissing both cheeks simultaneously, man with heart-shaped eyes, heart-shaped pupils, cleavage, bridal dress, wedding dress, deep neckline, heart-shaped light frame, heart frame, floating hearts, heart background, glowing frame, straight-on composition, upper body, close-up, group shot, arms linked, eyes closed brides, blush, open mouth, warm gold palette, cream and amber, deep brown hair, cel shading, clean outlines, flat high-contrast colors, anime screencap A tight frontal group composition: three figures filling the frame from chest up, the man planted dead centre and the two brides leaning in from either side so that their lips press flat against the left and right planes of his cheeks. The bride on the left is the taller of the two — warm golden-blonde hair swept up and pinned back, a cream bridal gown with a scooped neckline, her right hand gripping the man's left upper arm just below the shoulder, her left hand lifted and flattened against his chest, her eyes squeezed shut in the kiss, lashes fanned, her cheekbone compressed and dimpling where it presses his skin. The bride on the right is shorter, deep chestnut-brown hair falling loose past her jaw, an amber-tinted gown with a plunging neckline that shows the soft upper curve of her cleavage between the fabric edges, both her hands cupped on the man's right shoulder and the back of his neck, her eyes also shut, one heel lifted off the ground with the lean. Between them the man's torso is broad and steady, his weight sunk back on his heels, chin slightly raised, and his eyes are wide open: each pupil has become a solid glossy heart, the two hearts bright and slightly asymmetric in size, the whites gleaming, his mouth open in a delighted slack grin, hot colour across both cheeks and the bridge of his nose, his own arms hanging loose and forgotten at his sides. Contact is continuous and enumerated — the two women's lips, his two cheeks, their fingers on his sleeve and nape, their shoulders overlapping his. All three heads tilt toward the centre so the group reads as a triangle, the brides' hair swinging forward into his collar with the lean. Behind and around them a single heart-shaped frame of light encloses the trio: a luminous ribbon-like outline of warm gold tracing a large heart whose lower point sits below the frame's bottom edge and whose lobes arc above their heads, the glow soft and blooming, brightest along its inner edge so that a rim of light spills onto the tops of their hair and the shoulders nearest the frame. The band of light casts a faint warm bounce on the skin it faces while the shadows under chins and inside the necklines stay deep brown. Small hearts float in the air around them — a scattering of solid and outlined hearts, some blurred and near the lens, some crisp, drifting in from the corners at different sizes, a few catching the gold glow along one edge. Light is frontal and warm from the frame itself, the only source; beyond it the ground falls to a deep olive-brown green. Palette is disciplined: warm golden yellow and cream for the frame glow and the garments' highlights, pale butter-cream for skin highlights, amber and deep brown for the two brides' hair and the shadowed folds, dark olive green for the ground and the negative space beyond the heart. Background is a flat cream-to-gold wash inside the heart shape with the olive darkness outside it, so the lit heart silhouette separates cleanly from the field. Cel-shaded with clean outlines, flat high-contrast fills, minimal simple shadows, and hand-drawn TV-anime frame crispness. A detail of physics to hold: the two brides' lips compress his cheeks enough to dimple them, and each woman's hair, swinging forward, has been flattened against his jaw where it has landed, tiny strands sticking to the skin. Overwhelmingly affectionate, joyfully excessive.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, three people, two brides, one on each side, man in the middle, cheek kiss, double cheek kiss, kissing both cheeks simultaneously, simultaneous kiss, heart-shaped eyes, heart-shaped pupils, heart eyes, visible cleavage, cleavage, brides' dresses, wedding dress, heart-shaped frame of light, glowing heart frame, floating hearts, heart motifs, love hearts, upper body, close-up, from above, slight dutch angle, head tilt, leaning in, eyes closed for the brides, blush, light smile, open mouth, looking at viewer, hands on shoulders, hugging, arms around neck, heart-shaped bokeh, warm golden light, backlit glow, glowing outline, cute, glossy, cel shading, clean outlines, flat high-contrast colors, strong hand-drawn animation look, warm golden yellow palette, cream background, deep brown, olive green accents, Seen from slightly above and tipped a little off-level, a single warm golden tableau fills the frame: a young man sits dead center in the middle of the composition, an easygoing grin broken open across his face, his head tipped gently back, and where his eyes should be sit two fully drawn heart-shaped pupils, glossy and bright, a pulse of glow radiating around each one. On his left and on his right, a bride leans in and presses her lips to his cheek — the two kisses land at the same instant, each bride's hand coming up to cup the far side of his jaw so his head stays caught between them. Both brides tilt inward, their temples nearly meeting above his brow; their eyes are shut in contentment, lashes low, the corners of their mouths curving against his skin. Each bride wears a strapless pale-ivory gown; the sweetheart neckline sits low and they lean forward, showing a clear curve of cleavage above the fabric, chests lit warm, the ivory catching the glow. Their shoulders are bare, and their hair falls in loose golden waves that tumble past their cheeks toward his collar, one bride's waves swinging to the right, the other to the left, so his face is framed between two falls of hair. Behind the three of them a ring of light traces a perfect heart shape, hanging in the air as a glowing outline, brightest along its top arcs and thinning where it passes behind their shoulders; tiny hearts drift in the air around them, some small and crisp in the foreground, some softer and farther back, and a few heart-shaped highlights blur out of focus and hover at the frame's edges. The only light source is that warm golden heart glow behind and around them, so their faces and hands are rim-lit bright gold, the undersides of their chins and the deep folds of the dress fabric fall into soft brown shadow, and no light comes from anywhere else — beyond the glow ring the ground is an absolute, seamless dark olive-green darkening to near black. The whole picture holds to a warm golden yellow, ivory cream, deep warm brown and dark olive register: gold in the light ring and the drifting hearts, cream in the dresses and skin highlights, brown in the shadows and their hair's darker strands, olive in the dark behind them. A few loose strands of the brides' hair lift and catch the glow where their lips press, pressed flat and warmed by the contact, and the man's grin presses up into both cheeks. Effortlessly sweet, giddily adored.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
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