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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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Grim

g
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Grim

ดูเพิ่มเติม

คอมเมนต์

(masterpiece best quality 1.2), ultra-detailed, cosmic deity character design, low angle, zoomed in up close, front view, full body framing, ((The Rebirth Husk:2.0)), god of rebirth, god of what-comes-after, extremely unique appearance, intricate design patterns, solo, 1entity, cosmic divine abomination, tall towering skeletal bone-husk creature — not skeletal in the way of death but skeletal in the way of a SEED the husk is what the corpse becomes when the corpse is finished being a corpse and is ready to become something else, elongated limbs stretching far beyond normal proportions — not stretched by force but stretched by GROWTH the way a shoot stretches toward light, body entirely hollow and skeletal — not empty in the way of absence but empty in the way of PREPARATION the hollowness is the space where the new thing will go, wrapped in grayish-white robes that drape and trail — not funeral wrappings but CHRYSALIS wrappings the robes incubating the living the fabric ancient and textured like dried bone-pulp, always floating suspended several inches above the ground — never touching earth because the earth is the old life and the god has finished with the old life, face skull-like but smooth — not the grin of a skull but the CALM of a seed the surface bone-white and porcelain-smooth like a mask stretched over an empty skull the mask protecting the emptiness because the emptiness is the womb of the new thing, sharp teeth visible in a wide fixed grin — too many teeth too sharp too white the teeth are the god's first new feature the teeth are what the new thing will have, eyes hollow but glowing with faint grayish-gold light — two empty sockets radiating dim luminance the light is not dying the light is WARMING the first glow of the new thing inside the husk the way an egg glows faintly with the heat of what is growing inside, grayish-white hair long and thin and ghostly flowing upward and outward — not floating from absence but GROWING the hair is the first root the first tendril the first reaching of the new thing toward the surface, robes with ancient golden threadbare accents — the gold is the promise the gold is what the new thing will be the gold is the color of the future, body wrapped in layers of overlapping bone-colored fabric — not wrapping a body but constructing a chrysalis each layer a stage of the transformation, elongated fingers too long too thin visible at sleeve ends — bone-white and jointless the fingers are the first limbs of the new thing reaching through the husk the way roots reach through soil, floating posture serene and eerie — the serenity of TRANSFORMATION the stillness of a cocoon the patience of a seed in winter, floating glowing grayish-gold text — not orbiting but GROWING the text characters emerge from the god's body like sprouts from a seed each character a new word in a new language, grayish-white and bone-gold and chrysalis-white color scheme, floating glowing grayish-gold halo — not a halo but a RING OF GROWTH the lip of the chrysalis the opening at the top through which the new thing will emerge behind the head, highly detailed chrysalis-husk wrapping and porcelain-smooth seed-skull and warming-glow eye-sockets and upward-growing ghost-hair and elongated root-fingers and floating chrysalis-suspension texture, cinematic composition, 8K
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
(masterpiece best quality 1.2), ultra-detailed, cosmic deity character design, low angle, zoomed in up close, front view, full body framing, ((The Rebirth Husk:2.0)), god of rebirth, god of what-comes-after, extremely unique appearance, intricate design patterns, solo, 1entity, cosmic divine abomination, tall towering skeletal bone-husk creature — not skeletal in the way of death but skeletal in the way of a SEED the husk is what the corpse becomes when the corpse is finished being a corpse and is ready to become something else, elongated limbs stretching far beyond normal proportions — not stretched by force but stretched by GROWTH the way a shoot stretches toward light, body entirely hollow and skeletal — not empty in the way of absence but empty in the way of PREPARATION the hollowness is the space where the new thing will go, wrapped in grayish-white robes that drape and trail — not funeral wrappings but CHRYSALIS wrappings the robes incubating the living the fabric ancient and textured like dried bone-pulp, always floating suspended several inches above the ground — never touching earth because the earth is the old life and the god has finished with the old life, face skull-like but smooth — not the grin of a skull but the CALM of a seed the surface bone-white and porcelain-smooth like a mask stretched over an empty skull the mask protecting the emptiness because the emptiness is the womb of the new thing, sharp teeth visible in a wide fixed grin — too many teeth too sharp too white the teeth are the god's first new feature the teeth are what the new thing will have, eyes hollow but glowing with faint grayish-gold light — two empty sockets radiating dim luminance the light is not dying the light is WARMING the first glow of the new thing inside the husk the way an egg glows faintly with the heat of what is growing inside, grayish-white hair long and thin and ghostly flowing upward and outward — not floating from absence but GROWING the hair is the first root the first tendril the first reaching of the new thing toward the surface, robes with ancient golden threadbare accents — the gold is the promise the gold is what the new thing will be the gold is the color of the future, body wrapped in layers of overlapping bone-colored fabric — not wrapping a body but constructing a chrysalis each layer a stage of the transformation, elongated fingers too long too thin visible at sleeve ends — bone-white and jointless the fingers are the first limbs of the new thing reaching through the husk the way roots reach through soil, floating posture serene and eerie — the serenity of TRANSFORMATION the stillness of a cocoon the patience of a seed in winter, floating glowing grayish-gold text — not orbiting but GROWING the text characters emerge from the god's body like sprouts from a seed each character a new word in a new language, grayish-white and bone-gold and chrysalis-white color scheme, floating glowing grayish-gold halo — not a halo but a RING OF GROWTH the lip of the chrysalis the opening at the top through which the new thing will emerge behind the head, highly detailed chrysalis-husk wrapping and porcelain-smooth seed-skull and warming-glow eye-sockets and upward-growing ghost-hair and elongated root-fingers and floating chrysalis-suspension texture, cinematic composition, 8K
โหมด
ultra
สไตล์
Neon Poster
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1104 x 1824
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
สไตล์: Neon Poster
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.22k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
g
(masterpiece best quality 1.2), ultra-detailed, cosmic deity character design, low angle, zoomed in up close, front view, full body framing, ((The Rebirth Husk:2.0)), god of rebirth, god of what-comes-after, extremely unique appearance, intricate design patterns, solo, 1entity, cosmic divine abomination, tall towering skeletal bone-husk creature — not skeletal in the way of death but skeletal in the way of a SEED the husk is what the corpse becomes when the corpse is finished being a corpse and is ready to become something else, elongated limbs stretching far beyond normal proportions — not stretched by force but stretched by GROWTH the way a shoot stretches toward light, body entirely hollow and skeletal — not empty in the way of absence but empty in the way of PREPARATION the hollowness is the space where the new thing will go, wrapped in grayish-white robes that drape and trail — not funeral wrappings but CHRYSALIS wrappings the robes incubating the living the fabric ancient and textured like dried bone-pulp, always floating suspended several inches above the ground — never touching earth because the earth is the old life and the god has finished with the old life, face skull-like but smooth — not the grin of a skull but the CALM of a seed the surface bone-white and porcelain-smooth like a mask stretched over an empty skull the mask protecting the emptiness because the emptiness is the womb of the new thing, sharp teeth visible in a wide fixed grin — too many teeth too sharp too white the teeth are the god's first new feature the teeth are what the new thing will have, eyes hollow but glowing with faint grayish-gold light — two empty sockets radiating dim luminance the light is not dying the light is WARMING the first glow of the new thing inside the husk the way an egg glows faintly with the heat of what is growing inside, grayish-white hair long and thin and ghostly flowing upward and outward — not floating from absence but GROWING the hair is the first root the first tendril the first reaching of the new thing toward the surface, robes with ancient golden threadbare accents — the gold is the promise the gold is what the new thing will be the gold is the color of the future, body wrapped in layers of overlapping bone-colored fabric — not wrapping a body but constructing a chrysalis each layer a stage of the transformation, elongated fingers too long too thin visible at sleeve ends — bone-white and jointless the fingers are the first limbs of the new thing reaching through the husk the way roots reach through soil, floating posture serene and eerie — the serenity of TRANSFORMATION the stillness of a cocoon the patience of a seed in winter, floating glowing grayish-gold text — not orbiting but GROWING the text characters emerge from the god's body like sprouts from a seed each character a new word in a new language, grayish-white and bone-gold and chrysalis-white color scheme, floating glowing grayish-gold halo — not a halo but a RING OF GROWTH the lip of the chrysalis the opening at the top through which the new thing will emerge behind the head, highly detailed chrysalis-husk wrapping and porcelain-smooth seed-skull and warming-glow eye-sockets and upward-growing ghost-hair and elongated root-fingers and floating chrysalis-suspension texture, cinematic composition, 8K
Grim
AI artwork
g
(masterpiece best quality 1.2), ultra-detailed, cosmic deity character design, low angle, zoomed in up close, front view, full body framing, ((The Rebirth Husk:2.0)), god of rebirth, god of what-comes-after, extremely unique appearance, intricate design patterns, solo, 1entity, cosmic divine abomination, tall towering skeletal bone-husk creature — not skeletal in the way of death but skeletal in the way of a SEED the husk is what the corpse becomes when the corpse is finished being a corpse and is ready to become something else, elongated limbs stretching far beyond normal proportions — not stretched by force but stretched by GROWTH the way a shoot stretches toward light, body entirely hollow and skeletal — not empty in the way of absence but empty in the way of PREPARATION the hollowness is the space where the new thing will go, wrapped in grayish-white robes that drape and trail — not funeral wrappings but CHRYSALIS wrappings the robes incubating the living the fabric ancient and textured like dried bone-pulp, always floating suspended several inches above the ground — never touching earth because the earth is the old life and the god has finished with the old life, face skull-like but smooth — not the grin of a skull but the CALM of a seed the surface bone-white and porcelain-smooth like a mask stretched over an empty skull the mask protecting the emptiness because the emptiness is the womb of the new thing, sharp teeth visible in a wide fixed grin — too many teeth too sharp too white the teeth are the god's first new feature the teeth are what the new thing will have, eyes hollow but glowing with faint grayish-gold light — two empty sockets radiating dim luminance the light is not dying the light is WARMING the first glow of the new thing inside the husk the way an egg glows faintly with the heat of what is growing inside, grayish-white hair long and thin and ghostly flowing upward and outward — not floating from absence but GROWING the hair is the first root the first tendril the first reaching of the new thing toward the surface, robes with ancient golden threadbare accents — the gold is the promise the gold is what the new thing will be the gold is the color of the future, body wrapped in layers of overlapping bone-colored fabric — not wrapping a body but constructing a chrysalis each layer a stage of the transformation, elongated fingers too long too thin visible at sleeve ends — bone-white and jointless the fingers are the first limbs of the new thing reaching through the husk the way roots reach through soil, floating posture serene and eerie — the serenity of TRANSFORMATION the stillness of a cocoon the patience of a seed in winter, floating glowing grayish-gold text — not orbiting but GROWING the text characters emerge from the god's body like sprouts from a seed each character a new word in a new language, grayish-white and bone-gold and chrysalis-white color scheme, floating glowing grayish-gold halo — not a halo but a RING OF GROWTH the lip of the chrysalis the opening at the top through which the new thing will emerge behind the head, highly detailed chrysalis-husk wrapping and porcelain-smooth seed-skull and warming-glow eye-sockets and upward-growing ghost-hair and elongated root-fingers and floating chrysalis-suspension texture, cinematic composition, 8K
Grim
AI artwork
g
(masterpiece best quality 1.2), ultra-detailed, cosmic deity character design, low angle, zoomed in up close, front view, full body framing, ((The Rebirth Husk:2.0)), god of rebirth, god of what-comes-after, extremely unique appearance, intricate design patterns, solo, 1entity, cosmic divine abomination, tall towering skeletal bone-husk creature — not skeletal in the way of death but skeletal in the way of a SEED the husk is what the corpse becomes when the corpse is finished being a corpse and is ready to become something else, elongated limbs stretching far beyond normal proportions — not stretched by force but stretched by GROWTH the way a shoot stretches toward light, body entirely hollow and skeletal — not empty in the way of absence but empty in the way of PREPARATION the hollowness is the space where the new thing will go, wrapped in grayish-white robes that drape and trail — not funeral wrappings but CHRYSALIS wrappings the robes incubating the living the fabric ancient and textured like dried bone-pulp, always floating suspended several inches above the ground — never touching earth because the earth is the old life and the god has finished with the old life, face skull-like but smooth — not the grin of a skull but the CALM of a seed the surface bone-white and porcelain-smooth like a mask stretched over an empty skull the mask protecting the emptiness because the emptiness is the womb of the new thing, sharp teeth visible in a wide fixed grin — too many teeth too sharp too white the teeth are the god's first new feature the teeth are what the new thing will have, eyes hollow but glowing with faint grayish-gold light — two empty sockets radiating dim luminance the light is not dying the light is WARMING the first glow of the new thing inside the husk the way an egg glows faintly with the heat of what is growing inside, grayish-white hair long and thin and ghostly flowing upward and outward — not floating from absence but GROWING the hair is the first root the first tendril the first reaching of the new thing toward the surface, robes with ancient golden threadbare accents — the gold is the promise the gold is what the new thing will be the gold is the color of the future, body wrapped in layers of overlapping bone-colored fabric — not wrapping a body but constructing a chrysalis each layer a stage of the transformation, elongated fingers too long too thin visible at sleeve ends — bone-white and jointless the fingers are the first limbs of the new thing reaching through the husk the way roots reach through soil, floating posture serene and eerie — the serenity of TRANSFORMATION the stillness of a cocoon the patience of a seed in winter, floating glowing grayish-gold text — not orbiting but GROWING the text characters emerge from the god's body like sprouts from a seed each character a new word in a new language, grayish-white and bone-gold and chrysalis-white color scheme, floating glowing grayish-gold halo — not a halo but a RING OF GROWTH the lip of the chrysalis the opening at the top through which the new thing will emerge behind the head, highly detailed chrysalis-husk wrapping and porcelain-smooth seed-skull and warming-glow eye-sockets and upward-growing ghost-hair and elongated root-fingers and floating chrysalis-suspension texture, cinematic composition, 8K
Grim
AI artwork
g
character: duo_maxwell (masterpiece best quality 1.2), ultra-detailed, eldritch deity character design, low angle, extremely zoomed in, up close, ((God of Death:1.8)), tall towering bone-husk deity, extremely unique appearance, intricate design patterns, hollow skeletal body wrapped in flowing grayish-white bone-fragment robes that dissolve into floating golden text at the edges, elongated disproportionate limbs stretching unnaturally, floating suspended above ground with no contact, sharp jagged teeth visible in a wide permanent skeletal grin, empty hollow ribcage glowing from within with a pulsing golden core like a second heartbeat visible through the robes, skull-like face with deep hollow eye sockets containing two tiny blazing golden suns, bone-white crown growing directly from the skull made of twisted calcified thorns intertwined with golden filigree, very long skeletal fingers each joint visible with too many joints, bone-white hair flowing upward defying gravity like underwater, big floating glowing golden text spiraling through the air around his body, divine glowing golden aura, large skeletal angelic wings made of cracked bone and golden light membrane, solo, 1boy, from the front, facing forward, grayish-white bone texture with glowing golden accents, glowing golden crest embedded in bone forehead, glowing golden magical engravings carved into every bone surface, medium-long white hair, narrow hollow empty golden eyes, nonchalant uncaring expression despite monstrous appearance, rebirth-themed golden filigree of spiraling helix patterns, everything his robes touch sprouts tiny golden flowers from the surfaces beneath
grim
#All About Twintails

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#สาวน้อยเวทมนตร์ มาโดกะ#คานาเมะ มาโดกะ#สาวน้อยเวทมนตร์ มาโดกะ
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