Nov 9, 2026

Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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ビナーとアンジェラ・プロジェクトムーン

『Project Moon』より、ビナーさんとアンジェラのツーショットを描きました。余裕の微笑みを浮かべるビナーさんと、少し照れている様子のアンジェラの対比がとてもお気に入りです。この二人の絶妙な空気感が少しでも伝われば嬉しいな。気に入っていただけたら、いいねやフォローをよろしくお願いします！衣装を交換するようにAIに言いました。by作者

เผยแพร่เมื่อ Nov 9, 2026

ルピア/Rupiah/Rupiah

ดูเพิ่มเติม

character: angela_(project_moon), binah_(project_moon), copyright: library_of_ruina two girls, 2girls, standing side by side, full-length, from below, dutch angle, low angle, outfit swap, clothed in each other's clothes, tall slender woman with very long black hair and a single ahoge, pale skin, mole under the left eye, a mole on her cheek, black eyes half-lidded, faint closed-lip smirk, smug, mischievous knowing smile, sees right through everything, looking at viewer, arms loosely folded, weight on her back hip, black long-sleeved high-collared coat with fur trim worn by the second figure, woman with very long pale blue hair, blunt parted bangs, yellow eyes, irritated, angry, furrowed brow, gritted teeth, blush of anger on her cheeks, glaring at the first woman, sideways glance, one fist clenched at her side, other hand tugging at the black fur-trimmed coat, black fur-trimmed coat, black long-sleeved coat, fur trim, black dress, earrings, white shirt, collared shirt, black vest, red necktie, black skirt, long sleeves, pure white background, no background, simple flat color palette, flat color, no gradients, clean hard cel shading, no line weight variation, symmetrical composition pressure from dutch angle, playful, quietly furious Viewed from a low Dutch angle that tilts the ground line a few degrees, the two women stand shoulder to shoulder against a completely empty pure white field — no floor, no horizon, no wall, nothing but white from edge to edge, so the only shapes in the image are the two figures and the shadows they refuse to cast. The taller woman on the left has very long black hair that falls past her hips, a strand of it swung loose across her shoulder, and one black eye half closed while the other looks straight down the lens, the mole beneath it shifted a fraction by the tilt of her chin. Her lips are closed and pulled a little higher on one side — a smile that is not for the viewer so much as about them. She wears the blue-haired woman's clothes: a white collared shirt buttoned high, a black vest over it fastened neatly, a red necktie knotted at the collar, a black skirt, long sleeves down to her wrists, all of it fitting her too comfortably. Her arms are loosely folded, one elbow resting on her own forearm, the other hand tucked against her ribs, and she stands with her weight sunk into her back hip so the skirt hangs asymmetrically. To her right, close enough that their shoulders almost meet, the pale-blue-haired woman stands with her bangs parted bluntly across her forehead and her yellow eyes cut sideways at her companion. Her brows are drawn down hard over the bridge of her nose, her teeth are clenched into a tight flat grimace, and two hot patches of colour sit high on her cheeks. She wears the other woman's clothes: the heavy black fur-trimmed coat with a deep fur collar climbing her neck, over a black dress whose hem falls just above her ankles, the long sleeves swallowing her wrists. Her right fist is clenched tight at her side, thumb locked over her fingers, knuckles pale; her left hand grips the coat's fur front near her collarbone and pulls it up as if she would rather be buried in it. The fabric of the collar bunches under her grip and the fur fibres splay where her fingers dig in. The two look at each other along the tilted line between them — the left woman's half-lidded stare landing on her companion's face, the right woman's glare snapping back — and the axonometric tilt of the low camera throws the shorter figure's shoulder slightly forward so her coat's fur collar crosses in front of the other woman's upper arm. Colour is flat and absolute: black, white, red for the necktie, a cool pale blue for the hair on the right, a warm brass yellow for the eyes on the left, and a little pink only in the angry cheeks — every region a single unmodulated value, no gradients, no highlights beyond one hard pale stripe along the fur, edges cut clean. Nothing is cast on the white ground; the figures simply stop. Sharp, flat, and smug on one side and steaming on the other.

ビナーとアンジェラ・プロジェクトムーン

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