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むぎ
ดูพารามิเตอร์
- พรอมต์ต้นฉบับ
- A calm office lady with a black inward‑curled bob haircut, wearing thin-framed glasses. She has a shy, softly blushing expression. She wears a white blouse, a black tight skirt, black tights, and no shoes. She walks down the stairs with a pronounced pigeon‑toed stance. Ultra low‑angle viewpoint from the bottom of the steps, looking upward. Her tight skirt sways slightly as she steps, and the toes of her black tights touch the stair edge with realistic texture. Soft sunset backlight highlights her blush and outlines her figure. Warm reflections on glass walls and stainless handrails. High detail, quiet urban atmosphere, subtle film grain.
- โหมด
- flash
- ขนาด
- 1104 x 1824
ตัวช่วยพรอมต์
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติม
1girl, solo, office lady, black hair, short hair, inward-curled bob, blunt bangs, thin-framed glasses, clear lenses, shy, blush, soft blush across cheeks and nose bridge, closed-lipped small smile, looking down at her own feet, white blouse, long sleeves, buttoned collar, black tight skirt, pencil skirt, black tights, barefoot, no shoes, bare feet in black tights, walking down stairs, stepping down, pigeon-toed, feet turned inward, toes on stair edge, ultra low-angle, from below, foreshortening, extreme perspective, staircase, stainless handrail, glass wall, sunset, backlight, rim light, warm light, lens flare, film grain, quiet urban atmosphere, detailed
The camera is planted at the very bottom of the stairwell, tilted steeply upward so the steps recede and stack into the distance above her; the undersides of the treads and the thin bright edge of each riser cut horizontal bands across the frame, and her figure rises through them, foreshortened so her feet and ankles loom large in the lower third while her head and shoulders sit small and high against the glowing glass wall behind her. She is caught mid-step on the third tread from the bottom: her right foot has just landed flat with the toe turned hard inward and the heel slightly lifted off the tread's nosing, her left foot is still one step above, only the ball of the foot and the curled toes touching the stair edge, the black knit of the tights pulled taut and faintly abrasive-textured over the ridge of the nosing, the pile of the tights flattening where it presses, a thin sheen of wear on the edge itself. Her knees knock gently toward each other, both feet angled inward in a pronounced pigeon-toed stance, and the tight pencil skirt is slit-less and narrow, so her stride is short; the hem rides a little higher on the leading thigh and sways a finger's width to the left of her centerline as she commits her weight forward, the fabric creasing in a shallow diagonal across her front. Her left hand rests on the stainless handrail, fingers curled loosely around the round tube, the metal carrying a long warm smear of sunset along its upper curve; her right hand hangs close to her hip, thumb hooked lightly at the skirt's waistband. Her head is tilted down, chin drawn in, eyes lowered past the rail toward her own toes as though checking her footing, lashes low behind the thin metal rims, the corners of her mouth pulled into a small closed shy smile; a soft blush sits high on both cheeks and creeps across the bridge of her nose, brightest on the cheek the light grazes. The sunset comes from behind and above her through a tall glass wall, so her hair is edged in a hot amber rim, the inward curl of the bob's tips glowing at her jaw, the loose strands lifting slightly in the updraft of the stairwell, and the front of her is lit only by the warm bounce coming back off the glass and the polished steel — a low, soft fill that keeps her face readable while her outline burns. The glass wall carries her reflection as a dimmer, warmer, blurred second silhouette sliding behind her, and the handrail throws a stretched ellipse of highlight that breaks and re-forms as the tube curves away; the tiled stairwell walls hold a faint dusty warmth, and dusk fills the landing below with a muted amber-vs-cool-grey palette: heat in the highlights, blue-grey shadow in the stairwell's depth. Fine film grain sits evenly over the whole frame, most visible in the smooth dark of the tights and the shadowed wall. Quiet, tender.
むぎ
1girl, solo, office lady, black hair, short hair, inward-curled bob, blunt bangs, thin-framed glasses, clear lenses, shy, blush, soft blush across cheeks and nose bridge, closed-lipped small smile, looking down at her own feet, white blouse, long sleeves, buttoned collar, black tight skirt, pencil skirt, black tights, barefoot, no shoes, bare feet in black tights, walking down stairs, stepping down, pigeon-toed, feet turned inward, toes on stair edge, ultra low-angle, from below, foreshortening, extreme perspective, staircase, stainless handrail, glass wall, sunset, backlight, rim light, warm light, lens flare, film grain, quiet urban atmosphere, detailed
The camera is planted at the very bottom of the stairwell, tilted steeply upward so the steps recede and stack into the distance above her; the undersides of the treads and the thin bright edge of each riser cut horizontal bands across the frame, and her figure rises through them, foreshortened so her feet and ankles loom large in the lower third while her head and shoulders sit small and high against the glowing glass wall behind her. She is caught mid-step on the third tread from the bottom: her right foot has just landed flat with the toe turned hard inward and the heel slightly lifted off the tread's nosing, her left foot is still one step above, only the ball of the foot and the curled toes touching the stair edge, the black knit of the tights pulled taut and faintly abrasive-textured over the ridge of the nosing, the pile of the tights flattening where it presses, a thin sheen of wear on the edge itself. Her knees knock gently toward each other, both feet angled inward in a pronounced pigeon-toed stance, and the tight pencil skirt is slit-less and narrow, so her stride is short; the hem rides a little higher on the leading thigh and sways a finger's width to the left of her centerline as she commits her weight forward, the fabric creasing in a shallow diagonal across her front. Her left hand rests on the stainless handrail, fingers curled loosely around the round tube, the metal carrying a long warm smear of sunset along its upper curve; her right hand hangs close to her hip, thumb hooked lightly at the skirt's waistband. Her head is tilted down, chin drawn in, eyes lowered past the rail toward her own toes as though checking her footing, lashes low behind the thin metal rims, the corners of her mouth pulled into a small closed shy smile; a soft blush sits high on both cheeks and creeps across the bridge of her nose, brightest on the cheek the light grazes. The sunset comes from behind and above her through a tall glass wall, so her hair is edged in a hot amber rim, the inward curl of the bob's tips glowing at her jaw, the loose strands lifting slightly in the updraft of the stairwell, and the front of her is lit only by the warm bounce coming back off the glass and the polished steel — a low, soft fill that keeps her face readable while her outline burns. The glass wall carries her reflection as a dimmer, warmer, blurred second silhouette sliding behind her, and the handrail throws a stretched ellipse of highlight that breaks and re-forms as the tube curves away; the tiled stairwell walls hold a faint dusty warmth, and dusk fills the landing below with a muted amber-vs-cool-grey palette: heat in the highlights, blue-grey shadow in the stairwell's depth. Fine film grain sits evenly over the whole frame, most visible in the smooth dark of the tights and the shadowed wall. Quiet, tender.
むぎ
1girl, solo, office lady, black hair, short hair, inward-curled bob, blunt bangs, thin-framed glasses, clear lenses, shy, blush, soft blush across cheeks and nose bridge, closed-lipped small smile, looking down at her own feet, white blouse, long sleeves, buttoned collar, black tight skirt, pencil skirt, black tights, barefoot, no shoes, bare feet in black tights, walking down stairs, stepping down, pigeon-toed, feet turned inward, toes on stair edge, ultra low-angle, from below, foreshortening, extreme perspective, staircase, stainless handrail, glass wall, sunset, backlight, rim light, warm light, lens flare, film grain, quiet urban atmosphere, detailed
The camera is planted at the very bottom of the stairwell, tilted steeply upward so the steps recede and stack into the distance above her; the undersides of the treads and the thin bright edge of each riser cut horizontal bands across the frame, and her figure rises through them, foreshortened so her feet and ankles loom large in the lower third while her head and shoulders sit small and high against the glowing glass wall behind her. She is caught mid-step on the third tread from the bottom: her right foot has just landed flat with the toe turned hard inward and the heel slightly lifted off the tread's nosing, her left foot is still one step above, only the ball of the foot and the curled toes touching the stair edge, the black knit of the tights pulled taut and faintly abrasive-textured over the ridge of the nosing, the pile of the tights flattening where it presses, a thin sheen of wear on the edge itself. Her knees knock gently toward each other, both feet angled inward in a pronounced pigeon-toed stance, and the tight pencil skirt is slit-less and narrow, so her stride is short; the hem rides a little higher on the leading thigh and sways a finger's width to the left of her centerline as she commits her weight forward, the fabric creasing in a shallow diagonal across her front. Her left hand rests on the stainless handrail, fingers curled loosely around the round tube, the metal carrying a long warm smear of sunset along its upper curve; her right hand hangs close to her hip, thumb hooked lightly at the skirt's waistband. Her head is tilted down, chin drawn in, eyes lowered past the rail toward her own toes as though checking her footing, lashes low behind the thin metal rims, the corners of her mouth pulled into a small closed shy smile; a soft blush sits high on both cheeks and creeps across the bridge of her nose, brightest on the cheek the light grazes. The sunset comes from behind and above her through a tall glass wall, so her hair is edged in a hot amber rim, the inward curl of the bob's tips glowing at her jaw, the loose strands lifting slightly in the updraft of the stairwell, and the front of her is lit only by the warm bounce coming back off the glass and the polished steel — a low, soft fill that keeps her face readable while her outline burns. The glass wall carries her reflection as a dimmer, warmer, blurred second silhouette sliding behind her, and the handrail throws a stretched ellipse of highlight that breaks and re-forms as the tube curves away; the tiled stairwell walls hold a faint dusty warmth, and dusk fills the landing below with a muted amber-vs-cool-grey palette: heat in the highlights, blue-grey shadow in the stairwell's depth. Fine film grain sits evenly over the whole frame, most visible in the smooth dark of the tights and the shadowed wall. Quiet, tender.
むぎ
A girl with an otaku face, blushing, short black bob, even bangs with a hairpin, freckles, glasses, fidgeting, oversized dress shirt, boyfriend's shirt, black tights, full body,from below,
むぎ
สำรวจเพิ่มเติม
ผู้ใช้แนะนำ
ที่คุณอาจชอบ
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
1
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
คอมเมนต์