Nov 9, 2026

Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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เผยแพร่เมื่อ Nov 9, 2026

Pix工房

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1girl, solo, dark pink hair, short hair, grey eyes, tsurime, upward-slanting eyes, unsmiling, sullen expression, closed mouth, fair skin, pale white skin, small breasts, mature female, black pullover coat, white knit turtleneck, black hot pants, black knee-high boots, standing, weight on one leg, hand in coat pocket, head tilt, looking to the side, from below, cowboy shot, dutch angle, three-quarter view, city street at night, neon reflections, falling snow The camera looks up at her from hip height in a slight dutch tilt, the horizon canted a few degrees, so her figure rises against a slab of night sky between two building faces; she is turned three-quarter away toward frame left, and only the near side of her face is given to the lens. Her weight settles onto the left leg, right knee slack and turned inward, right boot toe resting light on the pavement, and both hands are pushed down into the deep front pockets of the black pullover coat, which drags the hem low across her hips and squares her shoulders. The coat is a loose pullover cut with a high funnel collar, its matte black wool falling in straight unbroken folds past the top of the black hot pants, so only a narrow band of the shorts shows beneath the hem above her thighs. Below that the bare stretch of pale thigh runs down to the black knee-high boots, whose shafts hug the calf and whose toes scuff a thin crust of snow. The white knit turtleneck sits high and soft against her jaw, ribbed at the neck, its cable texture catching the light where the coat stands open at the throat. Dark pink hair is cut short and ragged, one longer strand falling across her cheekbone, the tips lifted by a cold updraught; her grey eyes are narrowed and level, the outer corners lifted in a hard upward slant, and she looks off past the frame edge at something down the street, brows drawn, lips pressed flat and closed, jaw set, no warmth in the mouth at all. Snow falls across the whole frame and settles only on upward-facing surfaces: the flat shelf of her shoulders, the crown of her short hair, the tops of the boot shafts, and the narrow ledges of the window frames behind her, while the vertical faces of the coat and her thighs stay clear and dark. The one light source is a cold neon sign above and behind her to the right, spilling magenta across the wet pavement and along the rim of her cheek and collar, with the far building faces dropped into deep blue-black shadow; her cast shadow runs long toward the lower left. Palette held to deep magenta, black, cold blue-white and the pale skin tone. Quiet, unimpressed disdain.

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